thank you so much for your time to touch brandon, rachel. and finally, we have an update for you on that russian film crew that made it their mission decrease the 1st ever movie film in space. they made it back safely, land and cars. it's done after spending 12 days at the international space station, the actress and director involved were accompanied on their return by a season ca not who had been at the i assess for 191 days, bringing his overall total to $531.00 days in space, the crew film scenes for their upcoming movie, the challenge which a doctor traveled the space to treat a sick patient. now this is fascinating, this, this is played out. i mean, we see so many movies that say they take place in outer space, but this one actually does. do you think this is just the beginning? i think it in just the beginning, i believe. and i may be making this up completely up top. my head, but then tom cruise say he also want to do go at one. i mean, i'm sure for those actors to that have done sort of versions of this where it's very space like th

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brandon lee, having died in '93, you know, that conversation came up a couple of times between my fellow cast members and i. >> joining me now is oscar-nominated cinematographer rachel morrison. rachel, we're so glad to speak with you this morning because in the wake of this, you are saying that guns have no place on sets. tell us why. >> you know, technology has been advancing at a very rapid pace. and, you know, blanks were intended to make a sound and a lighting effect that now we can do -- the sound is easy on set, but we can do everything in visual sets. there is a movement now, there are many cinematographers forming a letter that will go out wide in the next week and i think there are petitions on change.org, but basically to get live fire banned from film sets. >> rachel, i can't imagine how this has been shaking your community of filmmakers. and, you know, i imagine that many of you think, hey, this could have been me. how are you receiving this, how is your community receiving what's happened? >> i mean, we're gutted. we're devastated. in my case obviously it hits particularly close to home as one of very few female cinematographers. halyna was my age, she