system of mikhail chekhov, which is still different and from which there is a lot written about brecht'sit is also a different system, but there people have different schools, and here it is true, we have an imitation, an imitation of an interpretation of stanislavsky's system by everyone who is its adept, so you are interesting. they said they don't have the item now systems in general, for example, i was recently invited to the film academy in the city of lodz, it is such a powerful world film academy, and they invited me to work for a month with their students, to make a diploma play for them, and i say to them, why did you suddenly decide to invite me , and they say that this is their practice, this is how they teach, they invite students to every performance from every corner, friends. a director with his own method, his own style, and that's why they don't have a certain basic, basic approach, they give practice, which in my opinion the most important thing is that you can study the system a lot, and also read and watch a lot, but still theater is practice, you have to try, you hav

, i couldn’t stand brecht, and i know that volkova, olya volkova, olya vladimo, was sure that this waser torture you for you, you understand, well, at least someone would torture me. well, it’s been so long since no one tormented me, that yes, and the song was fashionable then, kirkorov drank, my bunny, and my bunny, yes, my bunny, from now on we have, that means, bunny bunny, yes, bunny bunny, when he calls svetlana, my son-in-law came up and said, oh, there , he says, they’re asking for some bunny, let’s listen to another wonderful director, how does he talk about you, light? masha, marusenka, maria ivanovna, drummer, dispatcher on the iron branch of the plant, the quartet is led part-time, so to speak, by svetlana nikolaevna, an actress who can handle everything , drama, tragedy, comedy, farce, when the script was written, the producer vladimir got it, a very famous producer said, i don’t even know who can direct it, who can cope with four celebrities, and to be honest, i was very afraid that when we started filming, it would be such a terrarium of like-minded women, you know, the t

or another, but in its best manifestations, this is a connection, experiences and ideas, therefore brechtiant stanislavsky, vakhtangov towards fantastic realism, we will quote, dostoevsky, yes, and mirholt, so in some direction of the theater of constructivism, yeah, theater, avant-garde, maybe , yes, this is the place probably, yeah, well, it’s actually surprising. again, we won’t go away, but let’s say that it’s not a person, it’s a theater, there’s haideburg, tairov, vakhtangov , stanislavsky, miirhold, well, it’s all very close, and komissarsko, it’s not too long ago, compared to those like you you know the stories well, what are you saying, i’m a spectator, i’m a teacher at the studio school, nothing more, but this is an amazing time, it was taganka who still didn’t continue anything, literally, an amateur’s judgment, but synthesized it all so twisted, so tied up what did it hit like my students say, they say: i was hit, that it hit millions of people , respecting the mode of the podcast lab, i shorten and answer, i didn’t succeed at the very beginning, i graduated with honors, at fi

another, but in its best manifestations, it is a combination of experiences and ideas, therefore brechtto the external, this is stanislavsky, to go from the external to the internal, this is vakhtangov, stanislavsky’s favorite student, here so they branched off from him, from the brilliant stanislavsky, vakhtangov towards fantastic realism, we will quote, dostoevsky, yes, and mirholt, that’s in some direction of the theater. constructivism, uh-huh, theater, uh, avant-garde, maybe, yes, in this place, uh-huh, well, in general, an amazing time, we won’t leave again, but let’s denote that it’s not a person , it’s a theater, there are gaideburov, tairov, vakhtangov, stanislavsky, mirkhold, well, it’s all very close, and komissarsko, it’s not too long ago, compared to how good you are you know the story, yes, what are you, what are you, i, i am a viewer, i am a teacher at the studio school, nothing more. but this is an amazing time, namely taganka - still did not continue anything literally , an amateur’s judgment, but synthesized it all, so twisted it, tied it up so much that it hit, as my