i still don’t understand where they came from and where they disappeared, but i found bregel’s albumsthere are two types of perspective that painting uses known to us, yes, this is direct perspective, which comes from durer, who essentially invented devices such as cameras. which allows you to build a first plan, a second plan, and the observer is you, and you are the point of what looks at the picture, there is what was before. the tiyan icon came into our yes icon, this is the opposite perspective described by our great religious philosophers, scientists, culturologists, reverse perspective, icon slides, when in fact the observer is there, uh, behind the picture, these icon slides then come to life, there is a third perspective and it is bregelian, this is when... the observer is in the sky, you can call it like whatever, an angel, god , i don’t know, space, but someone is looking at us from above, and bregel sees everything from there, he sees each of us in details and details, and he sees incredibly, but the whole panorama of our existence, and these forest landscapes, he has vice

is thinking about the future, about the present, of course he knows the owl, of course he knows bregel’st wife, amarkor, of course he... he is a director who is completely focused on new aesthetics, is groping for some new paths that no one before him has seen or found in this is a good question, i think it’s both, first of all it’s an artist, just like for me einstein is artist, and if we take the early illustrations, children 's drawings from einstein, which we showed, they are absolutely figurative, we just need each character, here he draws a line, a long one, such a long drawing, a small character, but each one is written down, the expression in the eyes, everyone's everything, you understand what it is cinematographer, the characters are interesting to him, yeah, the characters don’t play a role for parajanov, he chose the types, now we see it in vandrishe, who also takes extras, sitters, types, yes, but he changes them... no, where did parajanov come from- then he found them from the depths of ancient books, he found them from the early renaissance, from the early, not the late, s

everyone is thinking about the future, the present, of course he knows fillini, of course he knows bregel’sen, because he will often have a rear view of them, he really likes the procession hi phyllina, sweet wife, amarkor, of course, he is the poet of the steamers, he said, even stupidity does not grow in a vacuum, paradzhanogo. not as bad as you think, he is an artist who works through the means of cinema at that moment, or he is a director who is focused on a completely new aesthetics, groping for some new paths that no one has ever seen before... found you saved, this is a good question, i think it’s both , first of all he is an artist, just like for me esenstein is an artist, and if we take early illustrations, children’s drawings from einstein, which we showed, they are absolutely figurative, for us it’s just each character, so he draws a long line, such a long drawing, small characters, but each one is written, the expression in the eyes, everything for everyone, you understand that this is a cinematographer. the characters are interesting to him, yeah, the characters don’t play a ro