and of course, our main example today is the bremen town musicians. d rewind, when we shared with each other a recording of what was on the cassette, two cassettes were inserted on a small tape recorder, and one cassette recorded the other, this way we transmitted the bremen musicians , and of course the bremen musicians - this is my childhood, this is a crystal pearl, as sergei burunov, artist sergei burunov, said, while the other children were copying. cinema and the cinema group and the depismot group, for example, did you watch cartoons on tv? well, of course, it’s very interesting that when gennady glotkov started, there were no cartoons actually shown on tv, these were cartoons that were made for film distribution, this is the mid-sixties, when glotkov generally starts working, and he makes a small revolution together with his directors, because that... when work begins on fairy tale musical films, they understand that on television they show fragments from cartoons, but cartoons are not shown in their entirety yet, it is necessary to make such f

musicians, and of course, the bremen town musicians are my childhood, this is a crystal pearl,nd the cinema group, and the deshmot group, for example, did you watch cartoons on tv, well of course, it’s very interesting that when... shows it is necessary to make such fragments that were shown on television, well, in fact, music videos, as everyone said, but in general i want to say that soviet animation was very unlucky with distribution, as it would be today they said, because there were quite a few opportunities for cinemas to show it on the big screen, so it’s as if all this phenomenon of the popularity of these very favorite domestic films, both cheburashka and the bremin town musicians, it rather still comes a little in hindsight, when tv... is closer to some kind of student time, that is , this is adult school time, student time, maybe these were fragments, but a full-fledged cartoon. i watched it, it seems to me, somewhere in the late nineties already, it seems to me, since my first trip to the cinema was actually in the nineties, and i ’ll tell you now, in the ninety-sec

no, there was no record, i didn’t have a gramophone, but the bremen town musicians were on my cassette’m a child of the nineties, then there were cassettes. pencils, when it was possible to rewind, when we shared with each other a recording of what was on the cassette, two cassettes were inserted on a small tape recorder, and one cassette recorded the other, in this way we transmitted the bremen musicians, and of course, the temporary musicians are my childhood is a crystal pearl, as sergei burunov, the artist sergei burunov, said, while other children were rewriting the cinema group, and the cinema group, and the desh group. for example, have you watched cartoons on tv? well, of course, it’s very interesting that when gennady glotkov started, there were no cartoons actually shown on tv, these were cartoons that were made for film distribution, so in the mid-sixties, when glotkov generally starts working, he makes a small revolution together with his directors, because when the work begins over musical films, fairy tales, but... they don’t understand that on television they show fragme

this phenomenon of the popularity of these very favorite domestic films, both cheburashka and the bremen town musicians, it rather still comes a little in hindsight, when the tv hit the every home, i have a question, but you saw all this on tv, probably in black and white, if you are a child. student time, maybe these were fragments, but i watched a full-fledged cartoon, it seems to me, somewhere at the end already in the nineties, it seems to me, since my first trip to the cinema was actually in the nineties, and i’ll tell you now, in the ninety- second year, no, in the ninety-four year, i went to terminator 2, i also went to terminator 2, and that was not a movie. chairs, in my opinion, then they also showed the bremen town musicians, that is, we, for example, walked in the park, there is a stand in the park, well, like a stand, it’s simple, it’s just cardboard on which paper is stuck, written on this paper with a felt-tip pen, time and the film is an arrow, which means pointing to the door. because it is filled with such beer-loving goodness, in fact, it is so sincerely filled with it that

into our lives, how his songs came into our lives, and of course our main example today is the bremen townin 1984, and i’m a child of the nineties, then there were cassettes, pencils, when you could rewind, when we shared with each other a recording of what was on cassette, it's two cassettes are inserted into a small tape recorder, and one cassette records the other, so we broadcast the bremen town musicians and , of course, bremen... they would say to me, because there were quite a few opportunities in cinemas to show it on the big screen, so somehow all this phenomenon of popularity and these most beloved domestic films, like cheburashka, and the bremen town musicians, this rather still comes a little in hindsight, when television hit every home, i have a question, have you seen all this on tv, probably black and white if you are a child,

ways, your creative career had not yet been fully defined and you did not know anything about the bremen townns that you would have to work on such a film either 20-30 years ago, today you as a director had to pull yourself together, or maybe the producer told you, that this is not necessary, it’s too complicated, it’s too authorial, let there be a movie. is it necessary to make it simpler there, or is it necessary to do it in such a way as not to alienate the general audience, my partner, producer, general producer of studio tri leonid emilovich verishchagin, he never interferes with creativity, he gives me personally complete freedom, for which i am immensely grateful to him, he and i never talk about how the release will be and how much the film will earn in general, we never even touch upon it. of this entire topic, because for us the most important point is to make a quality movie, and it seems to me that it is much more valuable if the film remains, there for decades in the hearts and minds of people, let’s say, i am very proud of the film fire, it will be shown on february 23, every ye

the bremen town musicians. right. who is dressed in what for 300?nally dressed in this santa claus costume in early december. right. swans in art over 300. work on an atomic painting. soviet actor and teacher yuri katin yartsev once said to one of his students: art is like a bicycle, you have to turn the pedals, otherwise you will quickly finish the thought and fall, right, but you said over 300. pablo picasso believed that it exists, but comes only to those who work. luck! no, muse, that's right, among other things, in 1901 he received an american patent for a rechargeable nickel -zinc battery that was not fire hazardous and did not heat up when charging, but mendeleev did not. edison, right, uh, 600. during excavations in iraqi nemrud, this writer helped her husband and came up with the idea of ​​cleaning the found ivory products with face cream diluted with water. agatha christian. right. this was the last question of the third round. let me sum it up. 4:400 at konstantin. 17.900 for yuri, 19.200 for dmitry. the final round is ahead. everything w

in many ways your creative career had not yet been fully determined, you knew nothing about the bremen townlm 20-30 years ago, but today you, as a director, had to pull yourself up or there the producer may have told you that this is not necessary, it’s complicated. let there be auteur cinema, it needs to be simpler there or it needs to be done in such a way as not to alienate the general audience, but my partner, producer, general producer of the studio, leonid emilevich trit verishchagin never interferes with creativity, he gives me personally complete freedom, for which i am immensely grateful to him. he and i never talk about how the film will be distributed and how much the film will earn in general. we never even touch on this topic, because for us the most important point is to make a quality movie, and it seems to me that it is much more valuable if the film remains there for decades in the hearts and minds of people, as let’s say, i am very proud of the film fire, its is shown on february 23rd, every year it is shown, and i understand that it... is important specifically on this da

won’t get anything for it in the episode, i always took part in it with pleasure, these are the bremen towndren’s, children’s stories , everything is connected with the schedule, but i take part in such short races for me, with great pleasure. can i ask you what other plans we have in the future with this far-reaching, i’ll ask you a hated question, you know, your creative plans, in fact, creative plans related with this project, project oh, just on may 9 , on the stage of the moscow art theater named after chakhov, we will perform this program just on victory day, just in time for the centenary of the birth of a man who knows firsthand that... oh, what amazing nights, only my mother is sad and worried, why are you walking, my son, alone, alone, why are you already walking, my son, alone. lonely, i’m on my way from end to end of april, the stars have become bigger and kinder, that you, mother, i’m the one on duty, i’m the one on duty. in april, mom, mom, i’m holding it, i’m holding it, damn it, mom, everything’s okay, mom, i’m on duty, mom, don’t worry, my son, i remember everything that ha

not only these cartoons now , after they use technology to molest children about tarzan, but the bremen town capable of carrying out some useful actions, we generally seem to be abandoning the carnival culture, well, you see, these are small children, these are 3-5 years old, that’s it, that’s where it all ends, here, sorry, you know. it’s good when the kids go on a hike, gather to sing songs around the fire, yes, well, it’s probably not bad, but if you go by this logic, then everything can come to the night of ivan kupala, on the night of ivan kupala such things happened in russia, traditional, yes, i won’t describe them on air, but if if we go by this logic, then all the singing of temporary musicians around the fire, most accurately, this was my argument, by the way, about the matinees. in kindergarten, when we voluntarily, so to speak, sewed our children ourselves or went to buy costumes, very often animals, especially in the soviet union, since there were no heroes, i already listened to bunnies, squirrels, foxes, wolves and so on, this others, others, listen, if we vote today, your aud