>> rose: joining me is brian de palma and the directors of the documentary and long-time de palma fans, noah baumbach and jake paltrow. i'm pleased to have them all at this table. you see all that. you're at this documentary front and center, but your films are front and center, too, and we saw a sampling of that. you said being a director is like being a watcher. what did you mean? >> well, you watch behind the camera, you watch what your actors are doing. one to have the essential shots in a movie is the point of view shot, which is we're seeing what the actors are seeing and the audience is seeing, exactly the same information. that's unique to cinema and it's a building block i use quite a lot. >> rose: how did you learn this? >> i guess hitchcock. he used a lot of the point of view shots. you know, the simple one is, like, walking up to the bates mansion and you see her close up, she goes up the step. you see the mansion getting closer. she goes up a few more steps on her and then on to the mansion. so we're seeing what she's thinking and saying, oh, my god, i don't want to go int

brian de palma and jake paltrow. back in a moment.th us. ♪ charlie: a chef and co-owner is here. they have maintained a four-star rating. his new book is called "32 yolks." from my mothers table to working the line. it tells a story of his life in the south of france and his discovery of his talent and passion for food. here's what some of his friends and fellow chefs had to say about him on cbs this morning. >> everybody seems to agree that is a great chef. >> he understands the quality of the food and is not afraid to let it be naked. stars year after year after year. >> it is consistent and excellent. >> it is respected simplicity. >> he gives me a view of what excellence and commitment looks like. >> unlike just about every chef i'd know it and unlike me for sure, i have never seen him wish ill on another human being. greg c is just a regular normal guy who happens to be operating at peak capacity. >> have you seen how attractive he is? >> i like him, because i'm attracted to silver-haired men. >> he is like all of her twist, -- h

we thought that it happened to be brian de palma movies that we grew up with and loved.nslatesee if that the front of the camera. charlie: the joy of this film is that it is just you. it is not your cinematographer. it is not your screenwriter. >> none of my friends telling me how great i am. did,ie: the first one you did you see greatness? .> i saw a talented actor i have a history with bob. bob is shy. he is very shy. he has a rapport with me. i have known him since he was a kid and we are very matter of fact with each other and the interesting thing that i discovered with the untouchables was that, i would look at the film, and ithe would think he was not doing enough. i would ask him to do a little more here. he would say, believe me, just trust me. what i discovered was that he was doing things that were subtle and they were only revealed on a big screen. that was a lesson i learned. the fact that you need this screen to see what he is doing. you cannot see it here will stop when you put it on a screen, now i see what he is doing and it was subtle. very subtle. char

beenie: brian de palma has lighting up screens with films, held as a master of horror and cinematic voyeurismphy includes the untouchables. here is the trailer for de pla alma. >> you are being criticized against the fashion of the day. the fashion

charlie: brian de palma has been lighting up screens with films, a modernen hailed as master of horroric voyeurism. his filmography includes the untouchables. here is the trailer for de palma. >> you are being criticized against the fashion of the day. the fashion changes and er