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the real situation below brisky is convinced that every digital image is an interpretation conducted by algorithms so why wouldn't photographers take things into their own hands he believes preaching purists is naive. i believe that throughout its history the target field has always developed in tandem with what becomes technically possible and that it's impossible to limit these processes. brisky likes playing around with technology exploring the possibilities of freeing himself at this eternal commitment to authenticity the skies are taken from one photo and the house is from another it's just a click to photos become a symbol i don't think that it's being manipulative in any way never claim that a documentary photograph must only contain exposure to light from one side. to be out of this can manipulation stops with the intention to deceive and his photos however he to piece the world the way he perceived it. intensifies all condenses images and affection a person might wonder from one image to another. and come if i can spend 2 hours waiting for the right moment when the compositi
the real situation below brisky is convinced that every digital image is an interpretation conducted by algorithms so why wouldn't photographers take things into their own hands he believes preaching purists is naive. i believe that throughout its history the target field has always developed in tandem with what becomes technically possible and that it's impossible to limit these processes. brisky likes playing around with technology exploring the possibilities of freeing himself at this...
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brisky has much has been part of the of the world press photo award but he's also won it twice himself. as a sort of us them. well you have to submit the raw data the original photograph upon request with that way they can examine how and to what extent the data has been interpreted and then you always get debates about how far photographers are allowed to go with their interpretations but even a black and white image is an abstraction and is a big change in comparison with the supposedly real situation. from. the real situation below brisky is convinced that every digital images need to protection conducted by algorithms so why wouldn't photographers take things into their own hands he believes preaching purists is naive. i believe that throughout its history the talk of you has always developed in tandem with what becomes technically possible and that it's impossible to limit these processes is a big. deal of risky lights playing around with technology exploring the possibilities of freeing himself at this eternal commitment to authenticity the skies are taken from one photo and the
brisky has much has been part of the of the world press photo award but he's also won it twice himself. as a sort of us them. well you have to submit the raw data the original photograph upon request with that way they can examine how and to what extent the data has been interpreted and then you always get debates about how far photographers are allowed to go with their interpretations but even a black and white image is an abstraction and is a big change in comparison with the supposedly real...
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the real situation below brisky is convinced that every digital images need temperature conducted by algorithms so why wouldn't photographers take things into their own hands he believes preaching purism is naive. i believe that throughout its history the talk of he has always developed in tandem with what becomes technically possible and that it's impossible to limit these processes. brisky lights playing around with technology exploring the possibilities of freeing himself at this eternal commitment to authenticity the skies are taken from one photo and the houses from another it's just a click to photos become. i don't think that it's being manipulative in any way god never claimed that a documentary photograph must only contain exposure to light from one side. to be all of this scheme any place and starts with the intention to deceive and his photos however he did piece the world the way he perceived it. intensifies all condenses images and deflation a person might wonder from one image to another. and coming if i could spend 2 hours waiting for the right moment when the composit
the real situation below brisky is convinced that every digital images need temperature conducted by algorithms so why wouldn't photographers take things into their own hands he believes preaching purism is naive. i believe that throughout its history the talk of he has always developed in tandem with what becomes technically possible and that it's impossible to limit these processes. brisky lights playing around with technology exploring the possibilities of freeing himself at this eternal...
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the real situation below brisky is convinced that every digital image is an interpretation conducted by algorithms so why wouldn't photographers take things into their own hands he believes preaching purists is naive. i believe that throughout its history the target fee has always developed in tandem with what becomes technically possible and that it's impossible to limit these processes bush going on of risky lights playing around with technology exploring the possibilities of freeing himself at this eternal commitment to authenticity the skies are taken from one photo and the house is from another it's just a click to photos become one that's from the here i don't think that it's being manipulative in any way god never claimed that a documentary photograph must only contain exposure to light from one side. to the other biscayne manipulation starts with the intention to deceive and his photos however he to piece the world the way he perceived it. intensifies all condenses images and defecation a person might wonder from one image to another. and come if i can spend 2 hours waiting f
the real situation below brisky is convinced that every digital image is an interpretation conducted by algorithms so why wouldn't photographers take things into their own hands he believes preaching purists is naive. i believe that throughout its history the target fee has always developed in tandem with what becomes technically possible and that it's impossible to limit these processes bush going on of risky lights playing around with technology exploring the possibilities of freeing himself...