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laurie passons is british academy post-doctoral research fellow at royal holloway university of london what do you reckon dangerous precedent or a sound way of funding the recover it. well i think you know answering that question the 1st thing that we have to consider is the sinks in between public debt and private debt as an individual more that is something that often gets conflated in public discourse but nevertheless it's a very important distinction to consider when we think about recovery and debt terms from this crisis now where as an individual who takes out a loan on a credit card for example has fixed terms of interest in repayment a country which takes out that takes out loans usually in its own currency and this has huge implications for the way in which that debt is repaid for example a currency which takes on debt has influence both directly by the issuing of government bonds and also indirectly but influence so that the central bank which can change interest rates and also the supply of money said a country which takes on debt whatever reasons actually has quite a signif
laurie passons is british academy post-doctoral research fellow at royal holloway university of london what do you reckon dangerous precedent or a sound way of funding the recover it. well i think you know answering that question the 1st thing that we have to consider is the sinks in between public debt and private debt as an individual more that is something that often gets conflated in public discourse but nevertheless it's a very important distinction to consider when we think about recovery...
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laurie passons is british academy post-doctoral research fellow at royal holloway university of london what do you reckon dangerous precedent or a sound way of funding the recover it. well i think you know answering that question they thought this thing that we have to consider is the sinks in between public debt and private debt as an individual something often gets conflated in public discourse but nevertheless it's a very important distinction to consider when we think about recovery and debt terms from this crisis now where as an individual who takes out a loan on a credit card for example has faced terms of interest in repayment a country which takes out that takes out loans usually in its own currency and this has huge implications for the way in which that debt is repaid for example a currency which takes on debt has influence both directly by the issuing of government bonds and also indirectly fiat influence so that the central bank which can change interest rates and also the supply of money said a country which takes on debt whatever reasons actually has quite a significant a
laurie passons is british academy post-doctoral research fellow at royal holloway university of london what do you reckon dangerous precedent or a sound way of funding the recover it. well i think you know answering that question they thought this thing that we have to consider is the sinks in between public debt and private debt as an individual something often gets conflated in public discourse but nevertheless it's a very important distinction to consider when we think about recovery and...
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laurie passons is british academy post-doctoral research fellow at royal holloway university of london what do you reckon dangerous precedent or a sound way of funding the recover it. well i think you know answering that question they 1st thing that we have to consider is the sinks in between public debt and private debt as an individual is something that often gets conflated in public discourse but nevertheless it's a very important distinction to consider when we think about recovery and debt terms from this crisis now where as an individual who takes out a loan on a credit card for example has fixed terms of interest in repayment a country which takes out that takes out loans usually in its own currency and this has huge implications for the way in which that debt is repaid for example a currency which takes on debt has influence both directly by the issuing of government bonds and also indirectly influence so that the central bank which can change interest rates and also the supply of money said a country which takes on debt whatever reasons actually has cost significant amount of
laurie passons is british academy post-doctoral research fellow at royal holloway university of london what do you reckon dangerous precedent or a sound way of funding the recover it. well i think you know answering that question they 1st thing that we have to consider is the sinks in between public debt and private debt as an individual is something that often gets conflated in public discourse but nevertheless it's a very important distinction to consider when we think about recovery and debt...
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laurie passons is british academy post-doctoral research fellow at royal holloway university of london what do you reckon dangerous precedent or a sound way of funding the recover it. well i think you know answering that question they 1st thing that we have to consider is this thinking between public and private debt as an individual is something that often gets conflated in public discourse but nevertheless it's a very important distinction to consider when we think about recovery and debt terms from this crisis now where as an individual who takes out a loan on a credit card for example has fixed terms of interest in repayment a country which takes out that takes out loans usually in its own currency and this has huge implications for the way in which that debt is repaid for example a currency which takes on debt has influence both directly by the issuing of government bonds and also indirectly put that influence so that the central bank which can change interest rates and also the supply of money said a country which takes on debt whatever reasons actually has quite a significant am
laurie passons is british academy post-doctoral research fellow at royal holloway university of london what do you reckon dangerous precedent or a sound way of funding the recover it. well i think you know answering that question they 1st thing that we have to consider is this thinking between public and private debt as an individual is something that often gets conflated in public discourse but nevertheless it's a very important distinction to consider when we think about recovery and debt...
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Jan 8, 2021
01/21
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he is a fellow of the british academy and the royal historical society. credit.reet thank you so much for joining us. i wonder, you know, as you watched these events unfold on wednesday, especially considering the fact that the president of the united states essentially sent an angry mob to the capital with the intent of having them disrupt the democratic process there, is there any precedent in history for such an act? gary: no, no. washington has been full of demonstrations for centuries, often large ones, larger ones than what we saw yesterday. they have occasionally been violent, but in no instance has a group of citizens large or small storm to the capitol .uilding or the white house to understand when that last happened, one has to go back to the war of 1812. british forces burned the white house and the capital and that is the last time. that was a foreign war. the most stunning aspect you hit on is exactly -- this is what a lot of americans are feeling and reckoning within the aftermath is that the presiding governor of the american system of government,
he is a fellow of the british academy and the royal historical society. credit.reet thank you so much for joining us. i wonder, you know, as you watched these events unfold on wednesday, especially considering the fact that the president of the united states essentially sent an angry mob to the capital with the intent of having them disrupt the democratic process there, is there any precedent in history for such an act? gary: no, no. washington has been full of demonstrations for centuries,...
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Jan 15, 2021
01/21
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ALJAZ
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academy. once he had left his british to join the academy or barrack oddly but went back in a gift. a servant i was on that i love 1st aid. he and his father didn't have a good relationship any of his own things i'm i'm what. i'm going to 2nd and he felt nor fiction for the villagers or its people and he had no funny thought as he knows them what i would do with and that i would. in 1949 mubarak graduated from the military academy and he became a left tennant in the 3rd infantry brigade. but his career in the army was destined to be short lived. the new egyptian air force but 1st got a lot of a cut. a few months after his graduation the air academy said they were going to admit a new class of trainees. he could relate to. yes that's him flight clifton and mohammad darawshe new mubarak a qualified pilot in the egyptian royal air force. having graduated in marsh 1950 he was assigned to a fighter squadron flying surface british meat spitfires an arctic. but by the early fifty's egypt had entered day to day with his 1st squadron of british missed yours introducing a potential well peter
academy. once he had left his british to join the academy or barrack oddly but went back in a gift. a servant i was on that i love 1st aid. he and his father didn't have a good relationship any of his own things i'm i'm what. i'm going to 2nd and he felt nor fiction for the villagers or its people and he had no funny thought as he knows them what i would do with and that i would. in 1949 mubarak graduated from the military academy and he became a left tennant in the 3rd infantry brigade. but...
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Jan 4, 2021
01/21
by
CSPAN3
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theie was an artist born in colonial british america, traveled to london, and studied at the royal academy under benjamin west, another expatriate colonial teaching painting there. a painting like this really shows luisa adams in a very thel way, whereas silhouette is much more intimate and it would have been an object only seen by family as opposed to this formal portrait which we have on loan from the state department. in addition to having paintings in the exhibition i really wanted to include these other ways of portraying sitters to think about the impact these women had. mosty madison, one of the popular and well-known of the early first ladies served not just as hostess adversity to her husband. hostess for thomas jefferson. when we think about first ladies we are not just thinking about the wives of presidents but also women who served as hostesses. in the 19th century it was so important at any mixed gender gatherings held at the white house to have a woman present. you could not have other women there if you did not have a female hostess. dolley madison fulfills that role for jef
theie was an artist born in colonial british america, traveled to london, and studied at the royal academy under benjamin west, another expatriate colonial teaching painting there. a painting like this really shows luisa adams in a very thel way, whereas silhouette is much more intimate and it would have been an object only seen by family as opposed to this formal portrait which we have on loan from the state department. in addition to having paintings in the exhibition i really wanted to...
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55
Jan 6, 2021
01/21
by
CSPAN3
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colonial british america, traveled to london and studied at the royal academy under benjamin west.hat is another ex pat colonial. he was teaching painting there. a grand painting like this really shows louise adams in a very regal way, where's the silhouette is much more intimate and it would've been objects that would have only been seen by family as opposed to this formal portrait which we have on loan from the state permit. in addition to having paintings in the exhibition, they really want to include these ways of portraying centers. you can think about the impact that these women had, dolly madison one of the most popular and well-known of the first ladies served not just as hostess and help made, and first lady to her husband. but she also served as hostess for thomas jefferson, if you think about first ladies, we are not just thinking about the wives but also women who served as hostesses in the 19th century. it was so important at any mixed gender gatherings that were held in the white house to have a woman president, you could not have other women there without another fem
colonial british america, traveled to london and studied at the royal academy under benjamin west.hat is another ex pat colonial. he was teaching painting there. a grand painting like this really shows louise adams in a very regal way, where's the silhouette is much more intimate and it would've been objects that would have only been seen by family as opposed to this formal portrait which we have on loan from the state permit. in addition to having paintings in the exhibition, they really want...
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Jan 6, 2021
01/21
by
CSPAN3
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leslie was an artist who was born in the colonial america,er colonial british america, traveled to london and studied at the royal academy under benjamin west, another ex-pat colonial who was teaching painting there. and, you know, a grand painting like this really shows louisa adams in a regal way. where as the silhouette is much more intimate and it would have only been seen by family as opposed to this very formal portrait which we have on loan from the state department. in addition to having paintings in the exhibition, i really wanted to include these other ways of portraying sitters to think about the impact that these women had. dolly madison, one of the most kind of popular and well-known of the early first ladies, served not just as hostess expert helpmate to her husband, but served as a hostess for thomas jefferson. when we think about first ladies, of course, we're not just thinking about the wives of presidents, but also women who served as hostesses. in the 19th century it was important at any mixed-gender gatherings that were held in the white house, you know, to have a woman present. you could not have oth
leslie was an artist who was born in the colonial america,er colonial british america, traveled to london and studied at the royal academy under benjamin west, another ex-pat colonial who was teaching painting there. and, you know, a grand painting like this really shows louisa adams in a regal way. where as the silhouette is much more intimate and it would have only been seen by family as opposed to this very formal portrait which we have on loan from the state department. in addition to...