is a monument, yes, his famous poem, he has an ambivalent attitude towards power, a brilliant bronze horsemanter, yes, this is still the engine of progress, on the other hand, it begins with what, yes, on the shore of desert waves, but he stood full of great thoughts. and then this power, this the ruler tramples the little man eugene, pushkin grasps this ambivalence of power and defends it, and what he comes to at the end of his life is his also not the most famous poem from spendemonti, i will not quote it in full, but a few fragments, it is short, very worthy attention: for the authorities for levrea, do not bend your conscience, your thoughts, your neck, this is the most important thing, the ideal of a free personality, here we see that and well, if i say something in conclusion of our topic, then well, i can only repeat that alexander sergeevich changed, if at some point there was such a byronic, romantic passion, so to speak, for politics, yes, then life itself, as it were... forced this sublime note, so to speak, to sink to the ground, in general, reality was very harsh. pushkin realize

, note that all the heroes of pushkin’s, well, at least prose works, well, eugene’s poem, the bronze horsemane child per rare rare... he liked to repeat that this is great, this is not an orthodox work, but this is a great work of the orthodox people, very accurately, in general there is no spiritual class in literature, not only the church, it doesn’t exist dolisky about the encyclopedia for some reason remembered, well almost associatively, the averenians have a remark somewhere about encyclopedists, he says why they take... the encyclopedia format, because they don’t involve polemics, yeah, that’s it, and yes, that is, they package their polemical things in the format of an article, try to argue, so if it is yes, back, what encyclopedia is there, what is not there, a good encyclopedia, yes, which the author himself says that he is, first of all , chattering here, yes it is impossible, yes, that’s the main thing he is doing here - this chatter, it really has everything, it says a lot about the author, about his vision. about what russian life was like at that time, but not from the point of

isaac's cathedral and the bronze horseman monument.his is such pride for our children who took part in this big competition, who won, tried, it is a great honor to be a participant in this memory train project. while our train passengers are having dinner and relaxing after a busy day's program, the cultural capital is preparing to surprise at night. the guys will have a tour of the city, a walk along the embankment and... in the morning the cadets honed their skills, and after lunch they reported on the work done to the minister of defense, who came to check the readiness of the foot columns in person. about how the rehearsal went. because on the first parade parade, on the first box, there is more attention, there are more cameras, there is more emphasis, well, there is more emphasis than on all the others, so here on the parade ground we try to give our best, we do everything possible and impossible, for the guys such participation is a huge honor, because in addition to the fact that they are opening the parade, the broadcast will

his life this monument, yes, his famous poem, he is also ambivalent about power, a brilliant bronze horsemanr hand, it begins with what, yes, on the shore of deserted waves, yes, he stood full of the thoughts of the great , and then this power, this ruler, tramples the little man, eugene , this ambivalence of power, pushkin grasps and defends it, which he comes to at the end of his life, there is his also not the most famous poem from spendemonti, i will not quote it in full, but a few fragments, it is short, very worthy of attention: for power, for levrea, do not bend no conscience, no thoughts, no neck, this is the most important thing, the ideal of a free personality, here we see that both narrowly understood liberal ideals and monarchical ideals are in general equally far from the poet and - pushkin here, one might say, is polemicizing partly with the decembrists, with monarchists, remains in his own position, according to which, in general, the highest judge is, this, this is a poet, this is a free person, he was, of course, a great poet, undoubtedly, of course, a patriot, but if we say

worn-out position, yes, this is true, and if i also summarize, then from my point of view... in the bronze horsemann boris godunov, in almost all of his texts, where history, historical consciousness is at least somehow present, pushkin constantly tells us about this, about the need, on the one hand , for an objective view of history, awareness of the fragility of this surrounding world, and the need to treat history both objectively and at the same time with passion, because without this, it’s not paradoxical that you can’t get to objectivity, yes it is, historical podcast russia west on the swing of history, today we talked about the figure alexander sergeevich pushkin, pyotr romanov and sergei solovyov were with you, study history with us. you can watch all episodes of the podcast russia and the west on the swing of history on the channel one website. if life deceives you, don’t be sad, don’t be angry. the day of despondency, humble yourself, the day of joy, believe, will come. the heart of the future lives in the present, sadly, everything is instantaneous, everything will pass, what will pass

children, note that all the heroes of pushkin’s, well, at least prose works, well, evgenia, the bronze horseman a remark about encyclopedists, he says why they take the encyclopedia format because they do not involve polemics , uh-huh, that’s it , yes, that is, they package their polemical things in the format of an article, try to argue, so if this is a yes, then what kind of encyclopedia is there, what is not there, a good encyclopedia, and which the author himself says that he.. .first of all, it’s chattering here. it’s impossible, yes, the main thing he’s doing here is chatter, it really has everything, it says a lot about the author, about his vision of the world, about what russian life was like at that time, but not from the point of view of a realist, of course, there is no writer of everyday life there at all, from the point of view of the mozartian hero playing there, and so on and so on and so on, there is only, of course, no boring encyclopedicism, and perhaps there is an absolute element of freedom, and freedom itself. about the fact that you can’t write a feeling from within that

isaac's cathedral monument to the bronze horseman.e for our children who took part in this big competition, which they won, tried hard, it is a great honor to be a participant in this memory train project. while our train passengers are having dinner and relaxing after a busy day's program, the cultural capital is preparing to surprise at night. the guys will have a city tour, a walk along the embankment and drawbridges . elizaveta senyak, maxim lvov, tv news agency. saint-petersburg, russia. and these guys are opening the anniversary parade in our capital. their mission is to lead the procession in honor of independence day. on the parade ground of the suvorov military school in the morning, the cadets honed their skills, and after lunch they reported on the work done to the minister of defense, who came to check the readiness of the foot columns in person. alena leshkevich will tell you how the rehearsal went. it’s hot today on the parade ground of the military commentator’s office; one might say that a pre-general parade rehearsal

humanity, in the sixties they used such terms, captured the country, they wrote that pushkin’s bronze horsemaneople are needed, different people are important. today we are going to the forge of personnel, as they would say before, to higher educational institutions, where they train either physicists or lyricists. on foot, the oldest technical university in moscow is baumanka, the bauman technical university in 1826, the 19th century was somewhat changed by the architect kekushev. giliardi's main building and side wings were connected by a low gallery, and kekushev extended the gallery to the level of the roofs. i received the publication from the same height. domenic agilardi rebuilt for technical school, the palace burned down in 1812. the school did not need a main hall, two-height, with a bay window overlooking the garden. and gillardi divided this main hall into two levels: at the bottom he made an assembly hall, here we are in it, at the top there is a house church. after the revolution , the last time a house church was opened was twenty. it was called the russian method and was introd

pushkin, pushkin was a statist, but at the same time he was a private person, by the way, in the bronze horsemans something else, that he called for mercy for the fallen, this is not a work of literature, i glorified freedom, maybe i called for mercy for the fallen, that is, it’s not what i wrote that will survive me, but what will survive my awareness, what converges at the point of my consciousness these vectors, the deepest personal freedom, yes, there is peace, will, everything else is there, i planned to beat this gigantic mass of a strange state. no, it seems to me that faith as some kind of internal, perhaps not fully manifested support of human life is very there is a lot, there is, of course, i really really love the captain’s daughter, for me it is such an absolute pinnacle not only of pushkina, but of all russian literature, the work is truly absolutely christian, because you can feel god’s providence there, it’s just there, it’s he revealed, not edifyingly, not so ideologically, yes, in such an artistic sense, because... remember, yes, masha mironova, who is faithful, yes, if your pa

yes, that’s all we remember his wonderful programs, how he read and analyzed eugene onegin, the bronze horseman interpretations understandable to the simplest people, yes, school teachers adored him, i think all smart children adored him, i consider myself like that a smart child, well, it’s true that i met him, i had already finished school a long time ago, but when i listened to him, i really felt like such an inquisitive child who greedily absorbed what... says this man who devoted his whole life to pushkin, and i remember recently with pavel basinsky, a wonderful critic, the author of the books alva tolstoy, we talked about this, and bassensky says that how happy is the person who studies pushkin, that ’s all that happened, yes, that’s it , all the tossing of tolstoy, dostoevsky, the silver age, it is clear that all this is terribly interesting, but true happiness is to be a pushkinist, this is true happiness to be engaged in this endless, inexhaustible phenomenon all your life. which may even be scary to do, because, well, everything has already been said, everything has been written, ever

that all the heroes of pushkin’s, well, at least prose works, well, eugene, annegen, poems, the bronze horseman just the history of russia, as it is, it doesn’t work out, there is no church there at all, as he loved, today nepomnyashchy was mentioned, he liked to repeat that this is great, this is not an orthodox work, but this is a great work of the orthodox people, very accurately, in general there is no spiritual class in literature, not only church, it’s not there, to leskogo, about the encyclopedia, for some reason i remembered, well, almost associatively, among the averenians somewhere... a remark about encyclopedists, he says why they take the encyclopedia format, because they don’t involve polemics, yeah, everything and yes, that is , they package their polemical things in the format of an article, try to argue, so if this is yes back, what kind of encyclopedia, what is not there, a good encyclopedia, yes, which the author himself says that he is primarily talking about here yes it’s impossible, yes, the main thing he’s doing here is chatting, there really is everything, there is a stor

by the way, did you know that the paste of the bronze horseman, perhaps the only one among the monumentsand a street art museum, it seems to me , he should be like this, mm, that’s why the combination of contrasts, ret was born at a time when people still talked little and painted on rocks, well, then all this was traditionally transferred in our days to walls, to fences, to some kind of posters , that's why it's still he lives, in fact, develops. st. petersburg is a city under the protection of unesco, famous for its palaces, so to speak, parks and so on, but the fact is that it was all built 300 years ago, there is very little contemporary art represented in st. petersburg. that’s why we wanted to make a center for contemporary art in an industrial zone at an operating enterprise, that is, where no one expects it, in fact, to allocate a part of the territory, so here we are, this is an exhibition part, and the collection is constantly on territories of the plant itself, in the operating workshops, and there, where, strictly speaking, we want to combine art and production, this is a for

the bronze horseman, the alexander column and the famous winged lions on the landing. in st.on and design decorated the front doors of two apartment buildings with city views. notations above the drawings the artists worked for almost 3 months to ensure that the work pleased the residents for as long as possible; the image was covered with matte varnish. in the future, it is planned to involve even more students in decorating houses. that such works were in every house on every treatment cell, between every floor, but due to the peculiarity of taking a large number of people to practice at once, we do not have the opportunity to send them to practice. we take a limited number of academies, in this case we had 12 students. on the historical stage of the big the theater hosted the presentation of the international prize binoa della dance. these days, moscow has become a place of attraction for soloists of leading ballet companies from all over the world. they will present the brightest and freshest works in the field of choreography. how the charity concert went. about this in

by the way, you knew that the paste of the bronze horseman, perhaps the only one among the monuments, stone. the block, weighing about a thousand tons , was transported to st. petersburg for almost a year. classics can sometimes surprise. and yet , this city does not live by classics alone. modern art flourishes here in all its unexpected splendor. it is no coincidence that it was in st. petersburg that a museum was opened, which has no analogues in the world. street art museum. it is located on the territory of an existing laminated plastics plant. in my opinion, it's quite a suitable place. dmitry, good afternoon, my name is mark, good afternoon, mark, it’s very nice, you know, i expected to see anyone here, but not such a person in an elegant suit, why, well, because for me street art is something so informal, yes, but how since we work in contrast, yeah, you know, that is, street art is located in a factory, in an operating enterprise, and a street art museum, it seems to me, is how it should be, that’s why. was born at a time when people still didn’t talk much, but drew on rocks,