the cast includes some otherfamiliarfaces — brooke vincent from coronation street and emmerdale�*s samanthaster of going back on stage at christmas when i did panto at bradford, so i feel like i remembered, i remembered what it's like because i hadn't been on stage for 14 years. and it is very exciting having a live audience and the reactions there, but it's also quite scary. one of kay's qualities was to just get you laughing and crying within seconds, and i think that really, really does come through in the play as well. we've had so much fun laughing at different lines in the rehearsal room. there's just over two weeks of rehearsals left, and audiences will be able to share what has been a very special project for kay's family. everybody says, "oh, god, if i only won the lottery, if i won the lottery, i'd do this, if i won..." she explores all that, the good, the bad and the ugly. it's that theme of money, is it good for us? and i think it raises that question but all in a wonderful, amusing, sad, you know, dramatic way. the show will start in leeds on the 18th of april, then head to she

the cast includes some otherfamiliarfaces — brooke vincent from coronation street and emmerdale's samanthahe reactions there, but it's also quite scary. one of kay's qualities was to just get you laughing and crying within seconds, and i think that really, really does come through in the play as well. we've had so much fun laughing at different lines in the rehearsal room. there's just over two weeks of rehearsals left, and audiences will be able to share what has been a very special project for kay's family. everybody says, "oh, god, if i only won the lottery, if i won the lottery, i'd do this, if i won..." she explores all that, the good, the bad and the ugly. it's that theme of money, is it good for us? and i think it raises that question but all in a wonderful, amusing, sad, you know, dramatic way. the show will start in leeds on the 18th of april, then head to sheffield and bradford. abijaiyeola, bbc news. it's so true, what would i do if i won the lottery? we it's so true, what would i do if i won the lottery?— it's so true, what would i do if i won the lottery? we can all dream. tha

richard wright and gwendolyn brooks, james baldwin, as well as writers who aren't really known, such as vincent carter, with this sort of sense of thoughtfulness about the impact of their work within this cold war binary. ralph ellison is not featured in the book, but he does. the specter of it kind of factors pretty heavily in the sort of idea of being underground for having not been seen and how that haunts. the book by the authors own admission, like the reason why these writers are their motivation for the book is this idea of not being seen by the society at large, and this is what's caused them to seek out these individual autonomous mode within the cold war framework. and that is jesse mccarthy's upcoming book, the blue period. black writing in the early cold war. why do you think he calls it the blue period? it's a reference to miles davis specifically to the sort of fifties work that's leading into kind of blue in this idea that you think it's one thing with miles davis where the brevity of his music is a theoretical music theoretical framework. what a reality, what he's doing is sort

richard wright and gwendolyn brooks, james baldwin, as well as writers who aren't really known, such as vincent carter, with this sort of sense of thoughtfulness about the impact of their work within this cold war binary. ralph ellison is not featured in the book, but he does. the specter of it kind of factors pretty heavily in the sort of idea of being underground for having not been seen and how that haunts. the book by the authors own admission, like the reason why these writers are their motivation for the book is this idea of not being seen by the society at large, and this is what's caused them to seek out these individual autonomous mode within the cold war framework. and that is jesse mccarthy's upcoming book, the blue period. black writing in the early cold war. why do you think he calls it the blue period? it's a reference to miles davis specifically to the sort of fifties work that's leading into kind of blue in this idea that you think it's one thing with miles davis where the brevity of his music is a theoretical music theoretical framework. what a reality, what he's doing is sort