and when we pete broomhilda she is a bit of a tom boy and very much dedicated to her father.ee her meet siegfried and fall in love and become human. and we see her go through the end of the cycle and basically be the hero, really ends up being the great hearsto of the piece. she is challenging to sing. there are some moments that are more so than others. what we just heard is what i would call a scary moment. the length is really daunting. and i just don't think that i would ever really learn everything about her. >> rose: how many times have you performed her. >> well, she, i've done broomhilda only at the metropolitan opera. and so a complete run of siegfried val kerry and-- we did two cycles last year, i thinkment and now another two this season. so not a lot, really. >> rose: but you are continuing to understand her and learn about her and bring something new and different to portraying her. >> i try to, yes. i think that i feel a little bit more settled this season than maybe last. a little bit more confident. but-- . >> rose: and does that make you better? >> some night