gave up brown's private photo albums shed a light. on the true story in one thousand thirty one she was allowed to accompany hitler to spare for the first time there were no photos showing the two of them together eva felt neglected she wanted him to commit himself to her totally even turning her father's gun on herself. sits in your most ones is a forced and it's a lot if you have to imagine her abaza rather naive seventeen year old but at the same time she was quite an extrovert. how did she like having her picture taken and was by no means a shy girl of a kind it's five skins he shifted their relationship grew closer hitler told hydration hoffmann that he realized from the incident that she was really in love with have and that he felt a moral obligation to care for her but davis' family was anything but euphoric about this relationship without a marriage certificate. does he spin it because i made it out by i was nine years old when i got wind of it by reading about it in the papers i saw a photo of even hitler i think he was on i

brown did not go along. the little tour group arrived in hamburg shortly afterwards to board the cruise ship milwaukee. the browns with eva behind the camera took a launch across the harbor. the milwaukee was operated by the national socialist organisation cost oibda strength through joy it provided holiday cruises for party comrades. the former north atlantic passenger steamer built in one thousand nine hundred twenty nine in hamburg had room for six hundred guests and was very popular as a cruise ship its destination this time the norwegian sure it's. eva made a well groomed impression on board her suits were made by high class berlin tailors still albert spare describes her in his memoirs as modestly and unobtrusively dressed and that she wore noticeably cheap jewelry. the first class passengers pass their time at the pool. younger sister gretel was frequently in the cameras on. the shore excursion in northern norway. of course the locals didn't know that the lover of nazi germany's dictator was one of th

house at oprah's on spec she was addressed as connecticut's while line madam or for line brown miss brown the staff called her the boss. during the war the image of the ideal world of overzealous bear and the fake idol of the backoff and its inhabitants was presented to the public up there the dictator seemed untouchable he continued to take his long walks there. sometimes not only a vis women friends were allowed to accompany him but also outsiders like actress magda schneider romy schneider is mother. only close confidence such as the architect albert speer still had unlimited access to the dictator there's entourage soon complained about his growing an approach of billet. eva brown's passion for photography was still unabated she put all of her photos in albums that were only discovered by chance after nine hundred forty five . christmas new year one thousand nine hundred thirty nine one thousand nine hundred forty. hitler taking care of his nine month old german shepherd dog would. she didn't give up filming either which is the reason why the same scene also exists in sixteen millimet

flesh and blood "browns": the abolitionist john brown, the singer james brown, and linda brown of topeka, who as a child n"s at the heart of the "brown v. board of educatase that helped desegregate america schools. >> brown: so there's all these browns throughout tstory and thre is you as a brown boy, a brown young man. >> yeah. i wanted it all filtered through i suppose my experience of brownnes i ended up also writing about my son and thinking about m boyhood helped me think about d s, or maybe it's the other way around: his boyhlped me think about mine. i think also i was trying to understand the ways that i started to undstand race which ren't always obvious to me, but slowly became so, and you don't really have a kind of time to get used to it. suddenly, you have to confront these questions. >> brown: in the poem, "shirts and skins," young explores the ways an almost casual bigotry crept into his own life. here's an excerpt. >> winners talk losers walk how i hoped to outrun those arms to leapfrog all tacklers the way madness skips a generation. kids i sat by for years or walked back

space flight and vienna from brown's career. four months after sputnik a converted redstone rocket was launched. one drone was triumphant. all of huntsville turned out to underfund brown and his two daughters. the reaction of. why. people come out of the house hollered you know. i think there was generally speaking there was some relief that well we want to be. a native german fan or from brown became a national hero as a rocket man in the u.s. . the media celebrated his success brown was everywhere. the position of his soviet counterpart was the opposite the actual winner of the initial race into space sergei carli off wasn't allowed to enjoy any public education he wasn't permitted to make p.r. appearances give interviews or be photographed for magazines nothing he could only write articles under a pseudonym. the grand old man of the soviet space program was relegated to the back row at public events. his name remained a well kept secret until the bitter end. at international events people were introduced in his stead who had

throughout history and then there is you as a brown boy, a brown young man. >> yeah. i wanted it all filtered through ppose my experience of brownness. i ended up also writing about my son and thinking about my boyhood helped me think about his, or maybe it's the other way around: his boyhood helped me think about mine. i think also i was trying to understand the ways that i started to understand race which weren't always obvious to me, but slowly became so, and you don't really have a kind of time to get used to it. suddenly, you have to confront these questions. >> brown: in the poem, "shirts and skins," young explos the ways an almost casual bigotry crept into his own life. here's an excerpt. >> winners talk losers walk how i hoped to outrun those arms to leapfrog all tacklers the way madness skips a generation. kids i sat by for yearske or wback from school with since we were 10 w now down te hall of high school would call minority, go home i never did ask where's that? their words a strong hot wind at my back. >> brown: "kids i'd sat by for years?" >> oh yeah. no

jeffrey brown traveled to oakland california, for the latest from our newshour bookshelf. >> brown: dimondrk in oakland california: tommy orange spent hours here as a kid-- and now visits with his wife and son. he grew up down the street, the child of a white mother and eetive american father. >> sometimes youlike you belong right in the skin that you have, and sometimes you feen beke an alieall the different spaces ieen. >> brown: orange's acclaimed debut, "there there,o" is novel oices-- a dozen characters exploring what it means to be nativemerican in an urban setting, not on a reservation. >> i wanted have the range of experiences for these native charactersso different ages in different contexts and different struggles and backgrounds, various different proximities to their native identity.me truggle with it and some don't. so i wanted to have a range of what it means to be native right now. >> brown: for 36-year-old orange, an enrolled member of the cheyenne and arapaho tribes, his native identity came mostly through visits tfather's childhood home in oklahoma. back in oakland, ident

>> it was actually chinese racial slurs. >> brown: really? i've been thought to be a lot of different things because i have, you know, an ambiguity. >> brown: if you're being, slurs thrown at you about being chinese, what was your reaction to that? >> i got pretty angry. but it was also conf it's like, you can't even be made fun of right. >> brown: after graduating froml e, orange worked in a variety of jobs, including here at oakland's native american health cente returning with us recently he was now a local celebrity. he became a reader late, he tol d was not satisfied with the monolithic image of natives he found. >> when people think the only way to be native or the only way to look native is based on a historical, head dressed feathered image. you've already disappeared, you're already gone before you can even start. there's something powerful about seeing yourself on the peee or on the s and we don't hgoe very much a positive version of that, native people. we have lot of stereotypes that we battle against or negative ideas that we're

with the ongoing critique of brown. the other critique is that people worried it would take resources away from black institutions and decrease black capital and take away and then to worry about those spaces the place to have horrible schools in the rural area. >> if there are no other questions rachel will be signing books. >> i have a theory why the left is so hostile and it goes back to election day. think of when all your friends were liberals at 8:00 o'clock p.m. on election evening to pop the champagne, hillary would break the glass ceiling, a supreme court justice elected, policies on the left and then to raise taxes and two hours later you may have lived through this now they are staring at each other realizing not only will she not be president but that means that donald trump will be president. and i believe what happened and comparable to psychosis that intensity and speed of the change that most suffer from that political variance of ptsd and that part of trumps and then to spend the night to think of the n

so on the legal and, brown has slowly been shipped away by the court. as they began to chip away they were more emboldened and began to remove their white segregated schools. so we are at a moment now where we are looking around at the highly segregated school systems in places you would not expect and feel a lot despair but the women that i spoke to don't see it that way. they the brown an important decision that is not that it wasn't a good decision to make either lessons about all these segregation? or have there been enough cases of successful segregation with the proper way to do it? >> here is what we know. there is a lot of research whether or not diverse classes are beneficial all of the physiological research shows students do better in diverse classroom white students, african-american, actually did beneficial to the entire student body on learning outcomes and social outcomes that is why the parents are so desperate to create the mono creatinine on -- monochromatic white school district because research shows that on the college level african

john henry browne: if the opdykes are behind this-- [interposing voices] john henry browne: if the opdykesis, and you know, they hired me, i'll tell you, if they hired me, i wouldn't be wearing my timex. ok? you know, that's ridiculous. keith morrison: john henry browne settled into a local hotel and set to work, deconstructing the prevailing public view of defendant, michael oakes. keith morrison: here in court, browne sucked up the attention. john henry browne: and i would suggest counsel come to trial and she'll find out. keith morrison: naturally flamboyant. john henry browne: i don't think i have a dog in this fight. keith morrison: while the client seemed to disappear into the woodwork behind him. a client who, said john henry browne, was not at all the villain the prosecution seemed determined to portray. john henry browne: what we have is a man who, has on his own, raised very successfully four children. keith morrison: it became, shall we say, a theme. michael oakes, single father of four, grandfather of one. well-spoken, mild mannered, but certainly not any ordinary salesman or c

jeffrey brown shares the story of one woman who has embraced both >> brown: among many other things,l painter is a proud resident of the ironbound neighborhood of newark, new jersey, which, on the day we visited, was celebrating its dirse heritage in the annu portugal day festival. >> the ironbound is the old and the people in here are either portuguese or portugueser americanretending to be portuguese-americans. >> brown: a block away, in an historic building that once housed a toy factory, ter now lives and works as an artist, one who is both new-- as in, she only recently started this career, and, by her own telling, old-- as in her age. there's an anecdote early on with a young 18-year-old looking at you the first day and saying, >> "how old are you?" okay. >> brown: and your reaction was? >> brown: the story isin a new book titled "old in art school: a memoir of starting over."ho nell irvin painter, a longtime princeton university professor best known for her work in 19th and 20th ceisury southernry became, at age 64, nell painter, a painr, one working in a variety of forms and

i'll just hold it. >> mayor breed: i vallie brown. >> i vallie brown. >> mayor breed: do solemnly swear. >> do solemnly swear. >> mayor breed: that i will support and defend. >> that support and defend. >> mayor breed: the state of california. >> the state of california. >> mayor breed: against all enemies. >> against all enemies. >> mayor breed: foreign and domestic. >> foreign and domestic. >> mayor breed: that i bear true faith and allegiance to the constitution of the united states. >> that i bear true faith and allegiance to the constitution of the united states. >> mayor breed: and california and i take this obligation freely without any mentor -- mental reservation. >> and that i take this obligation freely without any mental reservation. >> mayor breed: i will well and faithfully discharge. >> i will well and faithfully discharge. >> mayor breed: the duties upon which i'm about to enter. >> the duties upon which i'm about to enter. >> mayor breed: and i hold the office -- i hold the office of member of the board of supervisors. >> and i hold the office of a member of the board o

brown: racially. you're talking about race. >> right. so now tt your community is getting destroyed, it's a whole other ball game. it's a huge window of empathy. oh my god, we can see ch other we both went through similar pain. i'm just saying, "everything's funny until it happens to you" is more about empathy. there but for the grace of god. scary being a white dude now, isn't it? a little bit, no? well, you're not going to get" me too-ed." you know what i mean. it's funny for a black dude to see white people go through this, because this is how it always is for us. all my heroes were either murdered by the government or are registered sex offenders. ( laughter ) >> brown: in the "me too" moment, does that change the line for you of what you feel you can say or not say? >> honestly speaking? i have no idea. i don't know. we're all figuring this out i think at the same time together. as a comedian, that can be a very, very difficult thing not to talk about. as a human, it's a very difficult thing not to feel, to be indifferent to. everyw

jeffrey brown talks withleuthor min jiand announces our pick for august. >> brown: history failed us, ut no matter, the opening line of the acclaimvel patch patch, a page pachinko. it was our book club pick this month. i know many red along with us and a number have sent in questions for author min jin lee, whom i'm delighted to welcome now. hello, and i'm glad you could be part of the book club. >> thanks for having me. >> brown: address the first line, history has failed us. tell those who didn't read the book or are less aware of it. what were you after? >> that's my thesis statement, and i was really trying to argue thatas think history hailed ordinary people around the world, because we're not, document're not recorded, we don't understand what's happened to us because all of us, historically, because so many people didn't leave primary ndocuments. it that historians are bad people, they're not elitists, it's just they can't. so if you're illiterate, for example, people don't know anything about you, unless people are recording you n real time. >> brown: so you ended up telling a

for kala brown, this is hopefully final chapter of her nightmare. may be just the beginning. >> it is really tough to say what's next. you have a serial killer claiming so much more than meets the surface. just because he's in prison now, i don't think the story is over. >>> next, an army veteran found abandoned as a baby. now chasing his roots. right to this doorstep. discover our largest variety of crab and crab dishes all year! like new crabfest combo. your one chance to have new jumbo snow crab with tender dungeness crab. or try crab lover's dream. sweet, juicy king crab and jumbo snow crab cozied up with crab linguini alfredo. even our shrimp is crab-topped! so hurry in and get your butter-dunkin' game on! 'cause crabfest will be gone in a snap. and now bring home the seafood you crave with red lobster to go. call or order online today. but one blows them all out of the water. hydro boost from neutrogena®. with hyaluronic acid to plump skin cells so it bounces back. neutrogena® so it bounces back. okay, so... my mom washes the dishes... ...befo

the first, and maybe only, racial draft in new yorkity. >> brown: ...and his brilliant comedy ce"al "chappelle show," dave chappelle made a name for himself as one of the smartest and sharpest comedia around. always unpredictable, but alive to the craziness and contradictions of american culture, especially the way it deals with race. >> for shizzle. >> brown: he walked away from the limelight for nearly anl decade, makingoccasional appearances. >> this is the age of spin. >> brown: but starting last fall, he returned in way, releasing four netflix specials, winning a grammy for bes album, and touring the country with his standup. we talked recently before a shos at francisco's historic fillmore auditorium. >> i started really young, so you've got to think, liksh this relati i have with an audience is one of the most tent relationships that have in my life, at my age. this idea of talking to people this way and them listening. it means a lot for people, to be le to stand up somewhere and say, this is what i think or this is how i feel. i'm black, but i'm also dave chappelle. >> brow

fred rogers. >> brown: "mr. rogers neighborhood" had its national debut on public television in68 original episodes and re-runs would air until 2001. the show quickly hit a chord with children across the country. >> mr. rogers? >> yes? >> i want to tell you something. >> what would you like to tell me? de i like you. >> i like you, m. thank you very much for telling me that. >> reporter: a presbyterian nister who studied child psychology, rogers was on a mission, says neville: to harness the power of television reach and teach children, but without any high tech glitz. >> i've always felt that i did hnot have to have a funny or jump through hoops to have a relationship with that child. >> for fred rogers, television was almost the necessary evil to do what he wanted to do with his mission. and he knew that from the moment he first saw television and really changed his life's course. but at t same time he hated television. so in a certaiway he's the least likely tv star of all time. >> did you ever knowny grownup

s brown: and therefore it belo a museum. se yeah, well, it belongs in a museum bect's reached this status where it's a mature,mp sophisticated x culture, if you think about it. >> brown: the exhibition traces decades of history: artifacts, tike handbills for block p in the bronx in the late '70s, and a handwritten essay by a young tupac shakur, cotoaring black american revolutionaries. we see hip-hop's entry into mainstream tv shows. djear, including this turntable used by grandmaster flash.is and graffiti'sfrom underground to art galleries. and, of course, music everywhere, including in a large first room that offers y,nds-onxperience. tof course, hip-hop is a global industry and culture-- rgbut one, this exhibitions, still rooted in the local. eric arnold is a longtime bay area music journalist and writer. >> place is kind of vetral to hip-hop. i mean, hip-hop in general is about identity. it's about establishing, kind of like an alternate identity, that if you think of hip-hop as a nation comprised of thousands of tribes,

. >> bobby brown on the record about whitney. getting real with "e.t."mini series about life hits air >>> and paul walker as a child, but never before seen home movies. >> you like to go fast? >>> mandy moore back to work on on "this is us." is there happier days ahead in. >> i feel it is our best yet. >>> the new film blindspotting. >> we'll be chasing this high for the rest of our careers. >> hey, hey. >> just so happen to be real-life best friends. the thing you love slam is just $5.99! ♪$5.99 are you out of your mind?♪ seriously?! yup! eggs. hash browns. bacon. sausage. and buttermilk pancakes! ♪$5.99 are you out of your mind?♪ we're out of our minds. denny's new! super slam. only $5.99! >>> "e.t." isn't just on the air. we're everywhere. on every platform, every day. check us out on facebook, ♪ >>> why wouldn't he open up and talk in this document? >> bobby is bobby. maybe he was saving something for his film. >> whitney's sister in law and former manager pat houston telling me why she thought bobby brown held back in the new whitney documentary. hi

senator brown: we do. you made contributions to kasich and jeb bush, do you know and you know they should have been disclosed or under law. did you make any donations to the 2016 campaign? ms. kraninger: those are the only two i did make. senator brown: you didn't answer my question whether you would appeal the 9/11 scammer case. you said you would implement the law. who decides whether to appeal or not. ms. kraninger: i'm not familiar where that case is. senator brown: who decides whether to appeal a case or not at the cfpb. ms. kraninger: the director has the authority to determine these things. if a case is headed to the supreme court, the bureau does not have independent representation authority. senator brown: do you plan to defend the agency in this case? ms. kraninger: without the benefit of being inside the bureau to understand the litigation and strategy that was taken that is a very challenging question to answer and i don't want to pre-judge the opportunity to talk with the general counsel and u

fa brown: madcap, frenetic and lightnin... onstage, robin williams was seemingly impossible to contain, or categorize. >> you ever looked at a plpatyus? god must be stoned. god's up there going, "lets take a beaver and lets put on a duck's bill, okay?" (laughter) >> brown: the n documentary," robin williams: come inside my mind," tries tpin down the man, through those who knew him. >> in my head my first sight of him is that he could fly, because of the energy it was like observing an experiment. ia brown: and through watching wi himself: his childhood in a well-off family first in detroit and then san francisco. >> nanoo nanoo. an brown: his burst to fame as lien in the tv comedy "mork d d mindy." >> grning vietnam! >> brown: hiwork as an actor such films as "good morning vietnam, "dead poets society," g"d "good will hunti" in 1998, for which he won an oscar for best supporting actor. >> if you speak about my wife ever again, i will end you. >> brown: and through it all, his own personal ups and downs: substance abuse, womani

anything that criminalizes the black and brown in our city isn't serving our city. it's been made very clear. i want to thank jeff adachi for his eloquent explanation of the problem with gang injunctions. but i just want to remind the city who you are representing in front of me right now that we have an opportunity to make a statement about racist criminalizing practices, that as we face a period where increased incarceration and lifts of people who get special charges for expressing themselves, that really is fascism, we have to ask ourselves did we decide to do that? we decided not to do that, because the liberties we give up and the communities that are impacted are not something we are willing to give up. so i just want to encourage you to look at the broader social situation and the importance of making very strong statements against racist criminalizing practices and that's from my neighborhood. thank you. >> thank you very much. next speaker, please. >> hi, my name is charleen coe, i'm a member of critical resistance and stop urban shield fight. i just wante

miss brown was hard working and as tough as nails. we don't have much, why are you giving away what we have? she said because that could be us, that could be you, and that's what we do for each other, we look out for each other. when i was a freshman in high school i got a job through the booker t. washington community center. it was through the mayor's youth employment training program. i was 14 years old and i was hired as a receptionist to work at a place called the family school on bilmore street. it helped teenaged moms who dropped out of school to get their g.e.d. and get a job. i remember one day i saw the executive director reverend calvin jones jr. writing a check to pay for his student loans and i said, what are you doing, you're still paying for school? he said, yes. i can pay this for the rest of my life but they can never take away my education. i could get a job anywhere doing anything i want. i stand at this podium today because a community believed in me. because our city services looked out for me. i stand at this pod

the ailing outside. >> march 6, 1963. >> brown: coltrane session, 2-4, 1-4.ked for 30 years as van gelder's assistant sound engineer. she showed me the appointment book he kept to track his busy reg schedule, including that day in 1963. did he say where his love of jazz came from? >> what he led most about it was the improvisatory part. he liked that they were creating on t fly. he heard records when he was a kid and teager made by the big companies and he said, i can do better than that. it should sound better. >> brown: all these years later, only pianist mccoy tyner of the original group is still alive, and still performing, that very night at manhattan's blue note club, where he recalled the magic of those days. >> it was unbelievable. i can't even describe how it was. he used to practice a lot. anyou know, he did his worit made him stronger. i learned a lot working with john. >> brown: john coltrane went on to make his groundbreaking "a love supreme," in 1965, and from there ventured d rther into an ever-freer realm of jazz that ope new possibilities for

....cheering.">( james ) brown says as a supervisor...o create more housing within the district, in order to keep families and low-income workers from being displaced. ( darya ) governor jerry brown is releasing more details about his proposed online community college. brown first proposed the idea in his state of the state speech in janury. california community college staffers announced the timeline for gettting the program online yesterday. they say it will take the rest of the year to come up with a comprehensive plan. next year... the school's first three programs will be launched and students will be able to enroll at the end on 2019. ( darya ) the first three certificates offered by the school will be... medical coding... i-t support and a business managerial-type of program. ( darya ) coming up

for the pbs newshour, i'm jeffrey brown in oakland, california. >> woodruff: and on the newshour line right now: many americans are not getting screened for cancer, putting them at risk of missing out on earlier medical intervention, th's according to a recent federal report. you can read more about those findings on our website, www.pbs.org/newshour. tonight on "washington week," on pbs, robert costa reports on today's robust economic report, and why some critics say the growth is not sustainable. plus, the latest on mr. trump's former attorney and confidante, michael cohen. that's later tonight, on "washington week." and on a special pbs newshour weekend saturday, puerto rico in crisis. after suffering economic turmoil and a weather disaster, what'sxt or puerto ricans on the island and here on the mainland? and that's the newshou tonight. we will be back, right here, on monday, with our "now read this" book club pick for wugust. i'm judruff. have a great weekend. thanyou and good night. >> major funding for the pbs newshour has been provided by: >> kevin. >> kevin! >> kevin? >> advi

it is 13 years after brown. the day that brown is decided, every good constitutional lawyer in america knows that the path to loving is open and the courts spend 13 years ducking the question, and then decides it in loving. i think whenever we are asked how would you have decided some case where we all know who the heroes are, it is so easy to think, of course, i would've done the right thing. i would've dissented in korematsu. again, a plea for humility as we think about history. we don't know what we would have done. but if the question is, who i am today, if i were to do that, my view would be, by the time of loving, we had equal protection principle of brown. the law in loving made the criminality of an act depend on the race of the actor. that, it follows from the principle of brown and its understanding of equal protection can't be. ,>> i think on richard's approach, it is difficult to know what loving wouldn't have come out the other way before brown v. board of education. without brown been decided, lovi