>> rose: joining me director kathryn bigelow, director bryan fogel, producer dan cogan. welcome. some of you i saw previous occasions at this table. tell me how this came to be. >> this writer next to me whose work is extraordinary came to me with a story set against the "detroit" riots, detroit uprising in 1967, a true story of a true crime set in the middle of it in the algiers motel, and it was, simply put, an execution, and a portrait of police brutality and racial injustice that was extremely moving, very timely and topical and about the same time he told me this story, the decision not to indict the officer involved in the michael brown shooting had taken place. so i felt that the story needed to be told. >> rose: because it has lessons for today? >> because it has lessons for today. exactly. >> rose: had you been thinking about this? how long had you sort of been thinking, this is a story that we talked about it internally for a little while, and what really pushed it over into an actual script was a meeting i had up in detroit with one of the survivors who hadn't told his