kuldu was painted by the m-th curator of the partisan movement colonel bryantsev, yes, and besides, uh, even pictures made by non- professional kgb officers, uh, 17 moments of spring and the dead season. still, we wrote with people who were very seriously close to our intelligence counterintelligence office and people who knew the nuances of operational work very well, and after the collapse of the soviet union, a huge number of films were shot in the topic. all these optimists amethysts uh spies number one, there, etc. and so on. and hmm, in which it was clear with the naked eye that the authors understand very little. in uh operational actions, uh and in general they are amateurs, which cannot be said about the screenwriter of the film. eh, a spy for oleg timosheshine to such an extent that it even arises. uh, some uh, some interest in this surname and some doubts timashe, shawl, he really is, and in the film the most uh, ordinary. uh, inside moscow operations are provided at the highest level of secrecy with the introduction of new new surnames to the traffic police database with th

uh, it was written on thin ice hmm by the curator of the partisan movement , colonel bryantsev, and besidesre not shot. the kgb officers, uh, 17 moments of spring and dead season , were still written by people who were very seriously close to, uh, our intelligence counterintelligence office and people who knew the nuances of operational work very well, and after the collapse the topic of the soviet union was actively flooded with amateurishness, a huge number of films were made in general. all these optimists are amethysts, uh, spies number one, there, etc. etc. and hmm, in which it was clear to the naked eye that the authors understand very little about operational actions, a and b in general are amateurs. what can not be said about the script of the film. eh, oleg timoshi's spy is not there to such an extent that it even arises. eh, some. uh, some some interest in this surname and some doubts timoshi. shawl, he's really in fact, in the film, the most ordinary operations within moscow are provided at the highest level of uh secrecy with the introduction of new new names in the traffic poli

petrachenkov, uh, on thin ice it was written hmm by the curator of the partisan movement, colonel bryantsevctures made by non-professional kgb officers, uh, 17 moments of spring and the dead season. still, they were written by people who were very seriously close to uh hmm our intelligence counterintelligence office and people who knew the nuances of operational work very well, and after the collapse of the soviet union , a huge number of films were shot on the topic in the most active way. all these optimists are amethysts. uh, spies number one, there, etc. etc. ah, in which it was clear to the naked eye that the authors understand very little. in uh operational actions, uh, and in general they are amateurs. the same cannot be said about the screenwriter of the film. eh, a spy for oleg timoshin to such an extent that it even arises. uh, some uh, some interest in this surname and some doubts timash, shawl, he really is, and in the film the most uh, ordinary. uh, inside moscow operations are provided at the highest level of e-secrecy with the introduction of new new names in the traffic poli