yes, here the jarstalerado of the ussr meant the poet to drive buralkin in his book the magic of thelyar screen. i shifted article nine one. well, yak has football at hockey and lik is recording. it was i who gave short portraits of nine foremen or were glad of his company, then from australia about the ussr under which i alone protsevali the foundation of our association and slave on the hunt for 40 years. there is a light burankin secular man, military man. we learn or if we are in 1966 at seminars, creative and thrush on naroch well, it's around the clock, hide the songs of the peaks, glancing and night fires, there we agreed with buralkin so clearly, and autumn in astak, vladimir selmashonok, collected them. what a rush he himself was, what he treated with his boil and collected at his house, and we know with gennady we sat side by side and i managed to sing songs, and he read polite ones. and i after volodya korotkevich, only iago has rumors, a juicy belarusian mova cheerful people chauffeurs, happy people are chauffeurs of the worst, get in his cab, take the gas, and rush. it’s

at the beginning of the 80s, our creative association of the television film fashion, buralkin becameos of the soviet union from the leningrad studio from the kiev with sverdlovsk knees on the bones of films, then according to the quality of the film we ripped off at these festivals prizes, and everywhere, of course, initially our delegations have our facilities more than that section. this is the left-wing film of the union of cinematographers of the bssr . i walk 20, that is, at the beginning of it, taking it at once or gladly spent it longer for a year have minsk seminars in the spring on the problems of species already. the magnetic views of the estushka are kissing the squaller, and in autumn, according to the musical genome of abovyazkov, at the opening and closing of the festival , our foreman was bound, and burankin devoted more than that, and he cursed the blowjob and called and said to volodya what kind of blue films were the award-winning films presented leave, like i'm fired. now he looked, he says, and i left in this film and burankin kalimov e, glyazevs, and then i say,

course, my native kut yakub kolos spadshina yanka kupala olesya arkady kudryashov, my charmed gennady buralkinme others, so veronika maxima bogdanovich , these are the songs that i have associated with national poetry. here they are dear to me, because this poetry was born in this native land. when a song touches her heart perceived not only in belarus but in other countries on other continents. this is what happened to veronika, the pesnyary ensemble and composer igor luchinok in 1976 toured the united states in 13 southern states, concerts were held in thousands of halls. the first branch of the american nyukharisty minestrels ensemble , the second branch of pesnyara in the center of jazz and polyfestivals in the city of nashville made a joint recording with an ensemble from the usa. the record is unique and surprisingly the americans sing pesnyara's refrain in belarusian in english. igor luchinok, the main composer of the band , can be considered that he became one of the songwriters in the seventies ; well, it's too chic. and so together, they walked the splinter decided to create somethin