year, and the longevity of the presence on the stage of the ensemble of the white television company byasedat that we work with this director, we don’t work with this one, we work with this artist, we don’t work with this one, with this one we work as an arranger, no, never, we always proceed from the situation, from... a contract, be it an artist, be it a composer, and you can work, you work only with our company, with all the others you either have no right to work, or your fee, they should pay you higher than we pay, well, so that others actually no longer have the opportunity to collaborate with this person, you don’t have that, no, absolutely, well, you know, after all, the united states is a huge country, and we are quite small, and as i say, you can’t be friends to do badly to a friend, yeah. there are cases when they left, they need a shake-up, like any creative person, because well, it happens that everything is taken away, but thank god, for now they listen, well, and they take away, well, that is, they put forward some conditions that are not impossible to fulfill, there is some k