jimmy cagney. _ now. do you ever say you dirty rat? never. jimmy cagney, orson i now.tant screen because until parkinson

jimmy cagney. _ now. do you ever say you dirty rat? never. jimmy cagney, orson - now.you ever say you dirty rat? i never. jimmy cagney, orson welles, never. jimmy cagney, orson welles, jimmy stewart. these are all distant screen because until parkinson brought them into your living room. the pact you are a crowd puller and frazier is not. why is that? he is u:l . he frazier is not. why is that? he is ugly- he has _ frazier is not. why is that? he is ugly- he has no _ frazier is not. why is that? he is ugly. he has no rhythm, - frazier is not. why is that? he is ugly. he has no rhythm, no - frazier is not. why is that? he: 3 ugly. he has no rhythm, no footwork, no class, he can't talk and who told him he could sing? but no class, he can't talk and who told him he could sing?— him he could sing? but of all there is 2000 or— him he could sing? but of all there is 2000 or so _ him he could sing? but of all there is 2000 or so guests _ him he could sing? but of all there is 2000 or so guests one - him he could sing? but of all there is 2000 or so guests one always i is 2000

jimmy cagney. orson welles. jimmy stewart. were distant, mysterious screen gods until parkinson brought them into your living room. the fact is that you're a crowd puller and frazier�*s not, is he? why is that? well, number one, he's ugly. his interviews with muhammad ali were unmissable. he has no rhythm, no footwork, no class. he cannot talk. and who told him he could sing? but of all those 2,000 or so guests, one always haunted him. i interviewed everybody from henry kissinger to billy connolly to james cagney to dame edith evans, all those people. and i'm only remembered for one thing, i was attacked by a sodding emu. he's not aggresive! rod hull and emu rather punctured the suave tv persona. i knew we should never have booked it. of course, there wasn't much hollywood glamour in the childhood of this son of a yorkshire miner. my generation was the first that actually challenged the assumption that if you're born into a mining family, you followed your dad's footsteps down to the pit. his escape was journalism, which took

jimmy cagney. orson welles. jimmy stewart.t, mysterious screen gods until parkinson brought them into your living room. the fact is that you're a crowd puller and frazier�*s not, is he? why is that? number one, he's ugly. his interviews with muhammad ali were unmissable. he has no rhythm, no footwork, no class. he cannot talk. and who told him he could sing? but of all those 2000 or so guests, one always haunted him. i interviewed everybody from henry kissinger to billy connolly to james cagney to dame edith evans, to all those people. and i'm only remembered for one thing, i was attacked by a sodding emu. it's not a question. rod hull and emu rather punctured the suave tv persona. i knew we should never have booked it. of course, there wasn't much hollywood glamour in the childhood of this son of a yorkshire miner. my generation was the first that actually challenged the assumption that if you are born into a mining family, you followed your dad's footsteps down to the pit. his escape was journalism, which took him to granada

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jimmy cagney. orson welles. jimmy stewart.se were distant, mysterious screen gods until parkinson brought them into your living room. the fact is that you're a crowd puller and frazier�*s not, is he? why is that? number one, he's ugly. his interviews with muhammad ali were unmissable. he has no rhythm, no footwork, no class. he cannot talk. and who told him he could sing? but of all those 2000 or so guests, one always haunted him. i interviewed everybody from henry kissinger to billy connolly to james cagney to dame edith evans, to all those people. and i'm only remembered for one thing, i was attacked by a sodding emu. it's not a question. rod hull and emu rather punctured the suave tv persona. i knew we should never have booked it. of course, there wasn't much hollywood glamour in the childhood of this son of a yorkshire miner. my generation was the first that actually challenged the assumption that if you are born into a mining family, you followed your dad's footsteps down to the pit. his escape was journalism, which took

jimmy cagney. orson welles. jimmy stewart.inson brought them into your living room. the fact is that you're a crowd puller and frazier�*s not, is he? why is that? well, number one, he's ugly. his interviews with muhammad ali were unmissable. he has no rhythm, no footwork, no class. he cannot talk. and who told him he could sing? but of all those 2,000 or so guests, one always haunted him. i'm only remembered for one thing, i was attacked by a sodding emu. he's not aggresive! rod hull and emu rather punctured the suave tv persona. the show, with its relaxed, late—night style, was also a springboard. i hope i can get away with this, it's a beauty! it was a programme that could transform a career. it's a sort of substitute for tattoos, i'm frightened to get a tattoo. billy connolly appeared 15 times. what about the oyster that went to a discotheque and pulled a mussel? laughter they became good friends. he says, i need somewhere to park my bike! laughter you know her better as bette davis. for hollywood star bette davis, there wa

jimmy cagney. orson welles. jimmy stewart.'re a crowd puller and frazier�*s not, is he? why is that? well, number one, he's ugly.

jimmy cagney. orson welles. jimmy stewart.ere distant, mysterious screen gods until parkinson brought them into your living room. the fact is that you're a crowd puller and frazier�*s not, is he? why is that? well, number one, he's ugly. his interviews with muhammad ali were unmissable. he has no rhythm, no footwork, no class. he cannot talk. and who told him he could sing? but of all those 2,000 or so guests, one always haunted him. i'm only remembered for one thing, i was attacked by a sodding emu. he's not aggresive! rod hull and emu rather punctured the suave tv persona. the show, with its relaxed, late—night style, was also a springboard. i hope i can get away with this, it's a beauty! it was a programme that could transform a career. it's a sort of substitute for tattoos, i'm frightened to get a tattoo. billy connolly appeared 15 times. what about the oyster that went to a discotheque and pulled a mussel? laughter. they became good friends. he says, i need somewhere to park my bike! laughter. you know her better as bette

jimmy cagney. orson welles. jimmy stewart.terious screen gods until parkinson brought them into your living room. the fact is that you're a crowd puller and frazier�*s not, is he? why is that? well, number one, he's ugly. his interviews with muhammad ali were unmissable. he has no rhythm, no footwork, no class. he cannot talk. and who told him he could sing? but of all those 2,000 or so guests, one always haunted him. i interviewed everybody from henry kissinger to and i'm only remembered for one thing, i was attacked by a sodding emu. he's not aggresive! rod hull and emu rather punctured the suave tv persona. i knew we should never have booked it. it was a programme that could transform a career. it's a substitute for tattoos, i'm frightened to get a tattoo. billy connolly appeared 15 times. how about the oyster that went to a discotheque and pulled a mussel! they became good friends. he says, "i need somewhere to park my bike." the programme put in a swing from highbrow debate to... and occasionally some of the questions may

jimmy cagney. orson welles. jimmy stewart.ant, mysterious screen gods until parkinson brought them into your living room. the fact is that you're a crowd puller and frazier�*s not, is he? why is that? well, number one, he's ugly. his interviews with muhammad ali were unmissable. he has no rhythm, no footwork, no class. he cannot talk. and who told him he could sing? but of all those 2,000 or so guests, one always haunted him. i'm only remembered for one thing, i was attacked by a sodding emu. he's not aggresive! rod hull and emu rather punctured the suave tv persona. the relaxed i was also a springboard.— the relaxed i was also a s-urinboard. ~ . springboard. thinking about getting tattooed. . . springboard. thinking about getting tattooed... billy _ springboard. thinking about getting tattooed... billy connolly _ springboard. thinking about getting tattooed... billy connolly a - springboard. thinking about getting tattooed... billy connolly a period l tattooed... billy connolly a period of 15 times- _ tattooed... billy connol

i interviewed everyone from henry kissinger to billy connolly to james cagney, to dame edith evans, all programme: hundreds of thousands of students get their a—level results in england, wales and northern ireland, with the proportion of top grades falling. and i am here at the headquarters whether staff have been speaking to anxious students trying to get a university place through clearing. helping the survivors — after a boat carrying migrants was found drifting off west africa with more than 60 feared dead. and bringing back the water vole. we see the attempts to create a thriving population of the endangered creatures in the lake district. and coming up on bbc news, england's world cup semi—final win over australia was watched by more than seven million on the bbc, the most watched game of the tournament so far.

burns, james cagney, jimmy stewart, david niven.— for british audience. you are used to seeing a — for british audience. you are used to seeing a domestic 5tar for british audience. you are used to seeing a domestic star but not these _ to seeing a domestic star but not these hollywood giant5 turning up on the5e hollywood giant5 turning up on saturday _ the5e hollywood giant5 turning up on saturday night to talk to him. it saturday night to talk to him. [it was saturday night to talk to him. tit wa5 miraculous. bea, a lot of people was miraculous. bea, a lot of people are talking about how great the format was and we do not see things like that any more, but it was very much of its time and place when people actually sat in front of the television and absorbed for an hour or so. , television and absorbed for an hour or so. . . television and absorbed for an hour or so. , , ., , ., or so. yes. first, it was a different _ or so. yes. first, it was a different landscape - or so. yes. first, it was a i different landscape because or so.

was always interested in interviewing his heroes and you see his face light up when he meets jemmy cagneyammad ali, obviously . but he was ali, obviously. but he was interested in what they had to say. he learnt as a journalist, you don't get a story by talking yourself. you ask short questions and try and encourage the other one to entertain and inform . he was he was a master inform. he was he was a master of conversation. i won't call it chat. it's demeaning. think it's conversation. and how important do you think it was that he had that journalistic pedigree ? that journalistic pedigree? >> he started on the bones, the chronicle , then onto the chronicle, then onto the manchester guardian, the observer. the sunday times spoke to a heck of a lot of ordinary people getting their out people getting their stories out of them . we have everyman of them. we have that everyman touch , son of coal miner. he touch, son of a coal miner. he wasn't what we were used to on british television, was he? he was a breath of air, good was a breath of fresh air, good barnsley accent on the bbc at that ti