this with millions of dollars worth of bank notes flowing from the bank of cambodia which the camaro rouge had blown up as they fled and so the symbols within cambodia was of people were the main symbol was i suppose of i for one know. trying to light a fire with banks it's cambodia represented the. whole distortion of the human experience the raining of bombs on a defenseless peasant people and so that that impact we didn't do anything we didn't film nothing for we was so we were so almost hypnotized horrified by this and yet you showed the connections with the u.s. policy coming out state department cambodia is no a would be used to describe the failure of the left in developing nations the failure of communism and just explain explain that even if it was in your film you're going to acting it up with the new imperialist policy coming out of washington was quite interesting the reaction to it had always stuck simply to assaulting people's emotions. those children you saw there even though you mention money in the clip we just gave it had i stuck to it and not can text realized it and sai

cambodia then was a stricken country under sanctions no less from the end states even though the camaro rouge had gone and the command ridges represented in the members were being supported the command fled to the top botha where they were being supported. by the west and the committee of rouge represented they've been the united nations was recognized by the world so as a model contortion this was quite epic the conditions that created it the conclusion you were created by the american bombing the cia reports that came out following year zero. were very clear they said the nie paraphrase al bombing provided the catalyst for the rise and rise of a small sect in the countryside that would never of come to power had we not bomb the country flat which they basically did what pull pump began kissinger and nixon completed they were there were two phases in the genocide in cambodia the film came under huge assault because it adapted why the why that's what i'll be talking about at the british library talking about documentaries the adding of the why you don't get it right all the time but if you ha