you end up thinking of vermeer or carl dryer.know terence davies work, and the way in which she will if you know terence davies‘ work, and the way in which he will move a camera very slowly around a room or a theatre, he is somebody who at an early age fell in love with cinema, sitting in the balcony as a child, looking at the moving image. you can tell this from every frame of the movie. emily dickinson, she became reclusive. she got frailer, and as she got older, she lived in the same house for years and years. is there a sense of claustrophobic about this, as a result? as in all of terence davies‘ films, one of the things he does brilliantly is writing about people whose inner lives of very profound. of course, what happens is, she expresses herself through poetry. at one point, she says there is posterity, i suppose, but i would like to be recognised during my lifetime. of course, it all came later on. this is classic terence davies material. people trapped in slightly claustrophobic, slightly suffocating circumstances but wi