inspiration from robert louis stevenson's travels with a donkey in the cevennes, writer—director caroline vignalday with a donkey by mistake. and yet somehow, this quietly preposterous confection won me over, thanks in no small part to calamy�*s terrifically endearing and spirited performance. yes, the set—up is contrived and the comedic set piece is formulaic, and the life lessons to be learned along this journey are obvious from the outset. but calamy makes us care about antoinette's misfortunes, leaving us rooting for her and for her four—legged friend who will only walk when she talks, a neat dramatic device in which vignal makes the most. danish film—maker anders refn is best known to some as the editor of lars von trier films like breaking the waves and antichrist, and as the father of nicholas winding refn, director of drive and the neon demon, anders is also an accomplished director in his own right who's recently completed work on what he calls "a labour of love" ten years in the making, unearthing a fascinating story about denmark's involvement in world war i! that has never been told