casanova danced and mozart feasted here and it's the proud nobility as they held their glittering balls and banquets. every city has a place which mirrors its soul more than any other for me in prague this is charles bridge the embodiment of barack sensibility a stone avenue of saints real and imaginary each one is a legend. saint john of new pomo the king of where he media had him thrown into the law tava from here because he refused to betray the secrets of the queen's confessional he's been the patron saint of bridges ever since and well beyond the bounds of the czech lands prague has specialized in getting rid of nuisances and such ways by throwing them off bridges or more famously out of windows or simply just strangling them. other images of charles the fourth as a young ruler and in his old age from the tower which guards the bridge he looks out on prague with its population in his day of czechs germans and jews three peoples three languages three souls a magic mixture often fruitful often frightful we need look no further than religion. yon hoose a fundamentalist a leading playe

in early casanova and lucky to escape with his life. have to worry about trashing it because the character is the same, even the nurse has a back story. the nurse had a back story because we don't know really who she is in the book, i'm making her this working—class woman who got kicked out of a fishing village. it was fascinating when richard did the play because he said i hope you like the accent i'm giving her. i said i am sure it will be fine and then he performed in the accent of the nurse in the play, this woman was bromley. they taught me an awful lot about, i learned so much from him writing this book. you need to try to be real. the accent worked perfectly. and it tells you where she comes from. the other thing that's a very vivid in the book is the sense, and write about this in the preface, if the sense of italy and that moment. right at the end of the 15th century where everything was happening. even machiavelli is busy writing. the politics of the place is heaving. and you want to bring also bear. idid. we know that he wrot

high—class lady and was found doing naughty things to her in a convent, it was an early kind of casanovae. you can have great on with this. you don't have to worry about trashing shakespeare, because even a nurse has got a back story. rahman the nurse had a back story, because we don't know really who she is in a book. it was fascinating when richard did the play, because he said, i hope you like the accident i have given her. i said i am sure it will be fine, and then he started to perform it and the accent of the nurse in the play, is a brummie. that taught me an awful lot about... i learned so much from him in writing this book, you don't need to try and be italian, need to try and be real. because that worked perfectly. and that tells you where she comes from. the other thing that is very vivid in the book, and you write about this in the preface, as the afterword, is the sense of italy at that moment, right at the end of the 15th century where everything was happening, even machiavelli busy, his painting is at a peak, the politics of the places heaving, and you bring it all to bear.

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