please welcome cate blanchett, everybody. [ cheers and applause ♪ >> jimmy: ah, come on, now yes! n >> jimmy: yes, you can walk in roots, can you play a little entrance music >> hang on >> jimmy: and cate -- ladies -- >> just a minute >> jimmy: oh, from downstairs? perfect. yeah, roots, any entrance music and just think of a song, ladies and gentlemen, cate blanchett >> ready [ cheers and applause ♪ >> jimmy: that's exactly right yes! that -- [ laughter ] that might be the first time anyone has ever made an entrance on zoom thank you, cate. welcome back to our program. >> yeah. >> jimmy: thank you for -- >> i didn't put my shoes on, but anyway, at least i'm wearing underpants [ laughter ] cate, did -- did you make any new year's resolutions happy new year >> oh, yeah. happy new year no [ laughter ] no i -- i -- >> jimmy: yeah >> look, i -- i was a big believer in new year's resolutions, but, you know, during the lockdown, i decided to clean my office and i found this document. and i thought, "this is really cool it's new year's resolutions from 2008. about 25, 26 beautifully handwr

lilith richer played by cate blanchett is in the audience. if you think her clothes and accessories are fabulous, wait until you see her office. unless you never seen a movie before, you know that she and stan will end up entangled in each other's schemes. >> let's look at the brooding climate of nightmare alley. >> can you read minds? >> yes, i can. under e right circumstances. >> what do i want? >> to be found out. same as everyone else. >> are you in contact with the beyond? we have had our shares of state charmers in the past. we deal with them. >> cate blanchett looks entirely fabulous in that. >> excellent premise, outstanding production design. there is genuine talent on display everywhere you look. and it felt like the journey to the heart of our design. >> tell us about spencer. >> diana was from all reports a wonderful mother to her two sons. in addition to being a mom, she had to be a member of the british royal family. this was not long before diana decided she had quit enough of her relatives by marriage. the traditional role cap

in his his path crosses with cate blanchett, a - crosses with cate blanchett, a psychoanalyst, and isnity to sell his soul which hejumps out. opportunity to sell his soul which he jumps out. what i love about this is three things, for as they can i let guillermo del toro's films because he's a properfilm maker he make films that create worlds. the world is artificial, but it's got its feet on the ground. the whole thing is completely immersive. the second thing is, yes, this is a knee on the wire, it was a lot to horror, it was a lot to freaks from the 19305 it was a lot to freaks from the 1930s and a real sort of cinematic treats. the other thing is it has the darkest ending of any film in recent memory, and i love the fact that it doesn't spot all that. i love the fact that the story has got this to it and it goes from here to the end, and the place that it's going to is inevitable, and it does not look away from it. it is real cinema, it's transported is. i thought it was great. i know you are not a horror i will say to mislabel commits a film noir, if any underwire, it's not not a

he already had cate blanchett and willem dafoe.ittle more about your character who is stanton carlisle. he's something of a drifter. >> yes. >> stephen: but clearly a fiercely intelligent person. >> yes. >> stephen: you know, a very quick study, shall we say. facile. >> a survivor. >> stephen: yes. now, i'm curious, everybody in the movie, to a certain extent is a carny. a lot of the characters are. and a lot of them are grifters of some kind or another. >> right, yeah. >> stephen: and i'm curious, as an actor, in what ways do you relate to that? or what ways do you-- maybe another way to put it is how do you avoid being that as an actor? because i understand the nomen-- >> how about as a person. >> stephen: well, okay, okay, sure, as a person. how do you avoid doing that? >> being utterly manipulative all the time. >> stephen: to get what you want-- >> right. >> stephen: by presenting one face-- >> that's right. >> stephen: that you think people want to see. >> yes. and therein lies why this role actually was very hard in the end.

again, star—studded cast — cate blanchett, rooney mara, you'd do shorter to list the people who aren't it's a neo—noir, it's very dark. it's very, very stylish. it has.... the first half of the film takes place at a carnival, the second half takes place in the city, and it's no surprise to discover that the carnival is the more kind and caring part of that story. it's...on the one hand, i mean, it's kind of paying tribute to the classic film noirs of the �*305 and �*40s, but it's also, as with all of del toro's stuff, it feels very modern. and it feels, i mean... there's a piece written about it by martin scorsese about how much he loves it, and i can see why because it's a real cineaste's film. but i thought it was terrific, and i'm a really big fan of guillermo del toro. have you seen this? i haven't seen it, it looks beautiful. yeah, it looks beautiful, but don't let that convince you that it's all surface, it isn't. it's got a lot of substance and it has one of the darkest endings of a film in ages. i really was left at the end thinking, wow. "wow, they really went for it." much as

and then, his path crosses with cate blanchett, who is a psychoanalyst, and he's kind of offered thet. what i love about this is — well, three things. firstly, i love guillermo del toro�*s films anyway, because he's a properfilm—maker. he make films that — they — he create worlds. you know, the world is artificial, but it's also got its feet on the ground. the whole thing is completely immersive. second thing is, yes, this is a neo noir but it's — it owes a lot to horror, it owes a lot to tod browning's freaks from the 1930s. it's a real sort of cinematic treat. and the other thing is it has the darkest ending of any film in recent memory, and i love the fact that it doesn't bottle out. i love the fact that it's — the story has got an arc to it and it goes from here to the — and the place that it's going to is inevitable and it does not look away from it. it's real cinema, it's transportive. i thought it was great. i know you're not a horrorfan, so i'm going to say to you it's a film noir, it's a neo noir, it's not a horrorfilm, 0k? i am intrigued, most definitely. i think you'll lik

jennifer lawrence, cate blanchett, jonah hill and timothy but leo told us there was one cast mate andlow nominee that really left awestruck as soon as a young woman by the name of meryl streep walked on to set. i mean, all of us are on our toes she's just a marvel pushing these snow, but good time to take out the lady gaga jared leto driver. now pitino are not for their work in house of gucci. >> i had to get a bump because of gaga has very coachable line. >> from are and house people shouted at me when i'm on stage all the time in vegas of the lake in thu middle of a really serious on anna, some of gulf. >> he gets on the company. good. thank of the nominees include jamie dornan and dame, judi dench for belfast, marlee, matlin and amelia jones is cota and will smith in the cast of king. richard, i had secretly in my mind felt that i would never make anything better than the pursuit of happiness. >> and i never said that out loud. and then i saw king richard. >> and tune in to e tonight for more sag award noms. plus, denzel washington talks to us about losing his mentor, sidney poitie

cate blanchett, rooney mara, many more. discover the carnival is the more kind and caring part of that story. 0n the one hand it's paying tribute to the classic tribute to the classic film noirs of the �*30s and �*40s but it's also as with all of his stuff it feels very modern. and it feels, there is a piece written about it by martin scorsese about how much he loves it and i can see why because it's that kind of film, but i thought it was terrific and i'm a big fan of del toro. have you seen this? i have not, it looks beautiful. don't let that convince you that it's also, its got a lot of substance and one of the darkest endings of a film in ages. i was left at the end thinking, wow, they really went for it. you come out thinking well done. dvd streaming. censor is out on dvd. it's a feature debut. brilliantly put together. it's a story set during the 19805 video nasties. i watched this thinking this is a film made for me and it's about a censor who starts watching video nasties and seeing in them something more than she e

of the city where he developed an act as the great mind reader and then his path crosses with cate blanchetterld is artificial but it's also got its feet on the ground. second thing is, yes this is a neo— noir, but it owes a lock to horror, a lot to todd browning's freaks from the 1930s. it is a real sort of cinematic treat. and the other thing is it has the darkest ending of any film in recent memory and i love the fact that it doesn't back out, the place it is going to as inevitable and it doesn't look away from copy it is real cinema, it is transported to. i thought it was great. i know are not a horrorfan so i'm going to say to you, it is a neo— noir, it is not a horrorfilm. i am intrigued neo— noir, it is not a horrorfilm. iam intrigued most neo— noir, it is not a horrorfilm. i am intrigued most definitely. a enjoyed the shape of water which won the oscar in a slightly odd way without perhaps understanding it but i enjoyed it. visually it was extraordinary and i'm getting the sense that this is too. this extraordinary and i'm getting the sense that this is too.— sense that this is too. t

. >>> cate blanchett has a confession.ve a makeup artanist the netflix movie "don't look up" show she wore an old set of fake teeth and a wig. who do they look like? >> i don't know. but -- >> you can't tell me that's not us. >> they do say imitation is the sincerest form of flattery. and, by the way, why does she have an old set of teeth lying around her house? that's one of my first questions. but they now say that this is the number two, according to deadline, most successful movie of all time on netflix. shouldn't we get a cut of the profits? >> netflix, run us our money. send us our checks. >> clearly we're the inspiration. it's obvious. "the lead" with jake tapper starts right now. >> well, at least joe biden's new puppy hasn't bitten him yet? that we know of. "the kwdlead" starts right now. an awful week for the president only getting worse. there's a group of russian operatives inside ukraine. and according to a u.s. intelligence official, those operatives are looking to create a false pretense for vladimir putin t

cate blanchett will be here.[ cheers and applause milo ventimiglia and the co-hosts of "queer eye" will all be joining us this week [ cheers and applause but first what a show we have for you tonight. he stars in the series "black-ish." [ cheers ] the final season premiers -- i know, we love him. the final season premieres tomorrow night on abc. the very funny anthony anderson is here tonight. [ cheering and applause plus, you can see him in the hbo series "the righteous gemstones. adam devine is joining us. [ cheers and applause he's very fnny and we've got great music, great, great music from carly pearce, everybody! [ cheers and applause carly pearce i hope everyone had a good break. we were off for two weeks, and we double taped on thursday, and we had friday off. on saturday i was going to come in and do a bit on "saturday night live," and i tested positive but i was so scared because i went in, you know, i normally come in. i've been here -- we've been doing this testing for over a year now maybe so i know

includes leonardo dicaprio and jennifer lawrence, meryl streep and jonah hill, ariana grande, and cate blanchett tyler perry. i spoke with adam mckay recently from his production office in los angeles. the central struggle of this film is these two scientists who see the threat and then try to communicate that threat to a world that does not seem to want to pay attention. but they also struggle a great deal with how to talk about the threat. i have been covering climate change for 20 years, and i have seen this repeatedly. the scientists believe at the beginning that simply presenting the data will be persuasive to people. adam: yeah, i mean, that's the central emotional thrust of the movie, is, what do you do when you have a clear truth in this society we live in right now? and a lot of people have applied the movie beyond even the climate crisis, to covid, to democracy teetering on the edge in the u.s. and other countries. and i think that's all completely applicable, because it becomes very difficult to just communicate a simple truth. william: i mean, it does seem that that is, i mean, for l

and then, his path crosses with cate blanchett, who is a psychoanalyst, and he�*s kind of offered the from here to the — and the place that it�*s going to is inevitable and it does not look away from it. it�*s real cinema, it�*s transportive. i thought it was great. i know you�*re not a horrorfan, so i�*m going to say to you it�*s a film noir, it�*s a neo noir, it�*s not a horrorfilm, 0k? i am intrigued, most definitely. i think you�*ll like it. i — i sort of enjoyed the shape of water, which won the oscar, didn�*t it? yeah, absolutely. but in a slightly odd way, perhaps without understanding it, but i — but i enjoyed it. it�*s, you know... visually, it was extraordinary, and i�*m getting a sense that this is, too. shape of water is a creature from the black lagoon meets splash. this is nightmare alley, as re—envisioned as a horrorfilm, but it�*s not a horror film. 0k! 0k. i get it, i get it! ajournalforjordan. ajournalforjordan — again, this couldn�*t be more different. directed by denzel washington. a true story about first sergeant charles monroe king who, while he was in iraq, kep

again, star—studded cast, cate blanchett, rooney mara, many more. stuff, it feels very modern. and it feels, there is a piece written about it by martin scorsese about how much he loves it and i can see why because it�*s that kind of film, but i thought it was terrific and i�*m a big fan of del toro. have you seen this? i haven�*t seen it, it looks beautiful. bu don�*t let that convince you that it�*s all surface, it�*s got a lot of substance and one of the darkest endings of a film in ages. i was left at the end thinking, wow, they really went for it. you come out thinking well done. dvd streaming. censor is out on dvd. this is a feature debut. brilliantly put together. it�*s a story set during the 1980s video nasties scare. i watched this thinking this is a film made for me! and it�*s about a censor who starts watching video nasties and seeing in them something more than she expected. the film is, on the one hand, a nostalgic invocation of that particular time when video just began and the video stores were filmed with all these films that were il