of many cultures and traditions. in a certain sense, it is easier to become a designer here than, for example, in milan. ksenia ilauski, art critic, head of the center for folk arts and crafts of ugra, finalist of the leaders of russia competition. she is engaged in the preservation of the traditional art of the arctic peoples, integrating the industrial heritage of the north into the sphere. i, for example, don’t love anything artificially, i don’t mold and i don’t love in the same ornaments, especially in the culture of the peoples living in the north, and indeed in principle in many regions of russia, there was nothing accidental in folk culture, some patterns were applied only at the bottom, some only at the top, some in the middle, everything had some that's the point. now, working with many young people, or creating my own collections, i want to understand how to preserve this meaning, then the recipients will be able to create such purer things. than is sometimes customary to imagine, which, however, does not negate its obvious features. the basis economy. region's oil and gas sector. yugra ranks second in the country in gas production and the absolute leader in oil producti

of traditions, in a sense, a designer. it’s easier here than, for example, in milan. ksenia ilauski, art critic, head of the center for folk arts and crafts of ugranalist of the leaders of russia competition. it is engaged in the preservation of the traditional art of the arctic peoples, integrating the industrial heritage of the north into the field of design and fashion. for example, i don’t like anything artificially, i don’t sculpt or like anything in the same ornaments, especially in the culture of the peoples living in the north, and indeed, in principle, in many regions. there was nothing random in folk culture, some patterns were applied only at the bottom, some only at the top, some in the middle, everything had some meaning, now working with many young people or creating my own collections, i want to understand how to preserve this meaning , then it is possible to obtain or create such purer things, who, with the same meaning, when they arrive, choose a gift or look at some kind of souvenir or choose clothes, they give preference to something that has some kind of content, some kind of mythology, right? what is sometimes commonly imagin

of many cultures and traditions. in a sense, it’s easier to become a designer here than, for example, in milan. ksenia ilauski, art critic, head of the center for folk arts and crafts of ugra. she is dedicated to preserving the traditional art of the arctic peoples, integrating the industrial heritage of the north into the field of design and fashion. for example, i don’t... love anything artificially, i don’t sculpt and i don’t love, in the same ornaments, especially in the culture of the peoples living in the north, and in general, in principle, in many regions of russia there was nothing accidental in folk culture, what -patterns were applied only at the bottom, some are just at the top, some are in the middle, everything had some meaning, now working with many young people or creating your own collections, you want to understand and preserve this meaning, then you manage to get or create such purer things.