completely invisible during the great patriotic war; newsreel operators as part of the central documentary film studioilmed front-line reports and created a partisan film chronicle of the republic in 1945 . soviet belarus resumed its activities, a a year later it was renamed belarus film in the first years after the war, many documentaries and film magazines were produced by the graphic city. dmitry zaytsev director screenwriter cameraman honored artists of belarus, ussr in the fifth year it was completely destroyed. in the center of the city, here is where the music school is now, there is the conservatory, everything was practically the same . destroy. everything was nothing, as they say, at that time a lot of war films were shot, in the late fifties in the early sixties in moscow a number of young talented graduates, directors of cameramen, screenwriters graduated from the gig, a whole galaxy of professionals came to minsk among them anatoly zabolotskoy and viktor turov. i can say that it was not by chance that they were attracted to the city because it was more comfortable than the objects that we

invisible in minsk during the great patriotic war , newsreel operators as part of the central documentary film studioilmed front-line reports and created a partisan film chronicle of the republic in 1945 by a film studio of feature films. soviet belarus resumed its activities, and a year later it was renamed belarus film in the first years after the war, many documentaries were produced. and film magazines. minsk is a very cinematic city. dmitry zaytsev director screenwriter cameraman honored worker of arts of the belarusian ussr firstly he was absolutely destroyed at that time in the forty-fifth year. here in the city center where the music school is now, there is a conservatory, everything was practically alone ruins in the forty-sixth year they already began to shoot films dedicated to the war, because minsk was very convenient so that you didn’t even have to bomb or destroy anything. everything was nothing, as they say in reality, a lot of war films were shot at that time, in the late fifties in the early sixties in moscow, the gig produced a number of young talented graduates of directors of cam

completely invisible minsk during the great patriotic war newsreel operators as part of the central documentary film studiot-line reports and created partisan film chronicle of the republic in 1945, a film studio of feature films. soviet belarus resumed its activities, and a year later it was renamed belarus film in in the first years after the war, many documentaries were produced. and film magazines minsk is a very cinematic city. dmitry zaitsev director scriptwriter-cameraman honored worker of arts of the belarusian, ussr at that time in the forty-fifth year it was completely destroyed. in the center of the city, here is where the music school is now, there is the conservatory, everything was practically the same nothing had to be bombed or destroyed. everything was nothing, as they say, at that time a lot of war films were shot, in the late fifties in the early sixties in moscow, a number of young talented graduates of film directors and screenwriters graduated from the gig, a whole galaxy of professionals came to minsk among them anatoly zabolotskoy and viktor tours. i can say that it was no coinciden