america, but with peter there are questions between the einam factory in red october and the central house of artistsf the tretyakov gallery on the bersenevsky spit peter 300 years of the fleet. here you can think for a long time, however, the sculptor got it for everything because of the artistic part and for the size it was reported even amination cost at the foot held rallies collection of signatures of shares the largest monument of moscow appeared out of nowhere and and in no way remains the same main slogan for the creators, who in essence formed here you get used to. i remember stocks. uh, i think it was called you weren't standing here. well, this is a private opinion, for example, many do not impress me. picasso's work on picasso rated e. tsereteli who am i? and who is picasso so let him stand and he took his place in the cultural space of moscow a. the truth is that it is a monument to friendship. friendship friendship of two people of the former mayor and a wonderful artist who were friends, that's the whole story less, my dear. give me a place. tell zurab to make it big. i will make a gre

of belarus funds of the belarusian union artists and the ministry of culture of the russian federation, the tretyakov gallery in moscow, the exhibition association of the central househe national art gallery in sofia, as well as in many other collections , sovietsky himself had a principled position about his works. he did not sell on the side of a private collector, not one of his paintings, of course, is important. that's all . creativity from patchina i know, he glorified belarus and of course, he has a great way of life, like juveniles, here are today's graduates of the mostatsky academy of our installation niches cultures took the butt of faithful service with their zeal, and now mikhail andreevich is on my oath. this is a local temple butt man. i gave you all my dance to my own tyoma for this bridge and idleness, i became famous for the people’s father, a man in his native vitebsk region, where he was born and his native belarus, the creativity of the soviet large, diverse, he was treated differently in different ways, but the fact remains this is the largest artist of the republic of belarus live news at noon in the studio dmitry talyuk, hello, and in this is

funds of the belarusian union of artists and the ministry of culture of the russian federation, the tretyakov gallery in moscow, the exhibition association of the central houses, the national art gallery in sofia, as well as in many other collections, sovietsky himself had a fundamental position. he did not sell any of his paintings to the side of a private collector. creativity from patchina as he is glorified belarus and, of course, from his great way, like a juvenile, today the graduates of the bridge academy have become our niches of cultural installations, they took the butt of faithful service to their motherland, and now mikhail andreevich comes to my cellar. this places the temple butt man. i gave you completely my dance, my own tyoma, to stay and idleness. i am sending my native batkovshchina, its native vitebsk region, on the radius of native belarus , the creativity of the soviet diverse. he was treated differently, treated differently, but the fact remains that this is the largest artist of the republic of belarus . everything changes very quickly, time goes by imperceptibly for minutes and days. we never have enough time to stop and think about

central house of artists national art gallery in sofia as well as many other collections about his workipled position. he didn't sell us side to a private collector, not one of his paintings, of course. creativity from patchany i koyu. he glorified belarus and, of course, he had a great way of life, young people, today the graduates of the bridge academy have become our niches of cultural installations, they took the stock correctly, their dear service, and here mikhail andreevich is in my opinion. that told me, he's a butt man. i gave you all my dance, my own tyoma , for this bridge and an idle remnant at he was famous for his own father in his native vitebsk region, where he was born and his native belarus , the creativity of the soviet large, diverse, he was treated differently , treated differently, but the fact remains that this is the largest artist of the republic of belarus when you are in nature, it seems that the world has plunged into silence. all the sounds of the bustle are gone and only the songs of the wind are specially caressed by your ears so that you look around and u

central core of the house, which was fairly conventional in plan. so it got bigger. now, the idea of having the various functions of a big, fancy plantation house separated into pieces that are connected in artistic ways to one another is something that comes from the italian renaissance architect, in whom both washington and jefferson especially were very, very interested. and jefferson referred to the books of palladio, which were really well-known, as the bible. because that was the ultimate source of knowledge for the classical tradition. it was this man, andre palladio who is very famous. he is holding four books of architecture that were published during his lifetime, and then constantly republished through the 18th century. they existed in english translations, published in great britain. and then jefferson had them in the u.s.. jefferson had one of the largest architectural libraries in north america. so palladio's so influential that he starts a whole school of architecture, and not a literal institution but a kind of style of design that firs thad an impact in britain and then in north america among wealthy, educated builders like washington and jefferson. so the idea was that -- and yo

lively fashion model from the central house of models in kuznetsk yes, and she was what is an actress with a wardrobe called? as for the costume, we had a very strong artistnking, uh, about winter clothes. and then all these exaggerated things appeared, the truth and go. uh, these boots, remember, they were. yes, it was very cool, thinkers, in my opinion, they were already there then. well maybe, it's the middle of the eighties and a little later, maybe, but it's stuffed with padding polyester or cotton wool. sometimes it's simple and there were huge fakes. of course, that's what distinguishes this jacket from our trends so far. it's that he has huge shoulder pads. and we haven't received them yet . but, apparently, we will pay attention the day before. here, for this knitted hat, this is, therefore, the same squeak. in fact, fashion has always bothered us, well, it’s clear that the actress of ukraine well , okay, yes, because yes, this melody tech most of the stage, it means that people watched buneev walked in such hats, then for a long time. well, look at the same came in five or six years like that. therefore, it was fashionable. we were knitted, ther

memory of him, of course, continues to live today. in the exhibition association of the central house of artists, the national art gallery in sofia, as well as in many other collections , sovietsky himself had a principled position about his works. he did not sell to the side by a private collector, not one of his paintings, of course, the villa is important that's all. creativity from a patchina, and he glorified belarus and, of course, he has a great way of life, like a juvenile? here today's graduates of the bridge academy have become our niches of culture installations, they took the butt faithfully serving their dear one. and now mikhail andreevich is on my cellar. that told me, he's a butt man. i gave you all my dance to my own tyoma to stay for this and idleness i send my own father, a man from his native vitebsk region, where he is on the radius and his native belarus, the creativity of the soviet large, diverse, they treat him differently, they treated him differently, but the fact remains is the largest artist of the republic of belarus