yeah. >> seth: but the real, no cgi, the real jason statham. yeah. first time with statham." [ laughter ] "that's right." >> seth: i'd -- see, i would like to be around jason statham. is it -- is it exciting as it sounds? >> i am like a fan girl around jason statham. >> seth: yeah. >> i love his movies. he is one of the few action stars of like -- when he says, "i'm going to kick your ass." like, you believe him. >> seth: yeah. [ laughter ] >> you know? >> seth: yeah. >> he could kick the crap out of people. you know? >> seth: yeah, i believe that after takes of his movies, someone's ass had actually been kicked. >> yeah. >> seth: yeah. >> no, absolutely. but someone asked me in a press tour earlier, they were saying, "well, if you were going to voice "the meg," you know, if it was an animated -- who should voice the meg?" and i was like, "well, jason statham." >> seth: right, yeah. >> and that would be an interesting conversation. it was be like, "i'm going to make you bleed, shark." and then the shark would be like, "not if i bite you in half

first i thought it was cgi, and then i thought it was cgi, and then i thought what of people who support have this image of someone saying it was raining fish today going home to the wife in saying this is what i caught today. anyway. this has been 100 days from the bbc. coming up for viewers on the bbc news channel and bbc world news — joe biden pays a warm tribute to his old rivaljohn mccain. theresa may has done it again, she has found her dancing shoes. we will show you how bad it was. that is all to come. it has been on the cool said the past days but the good news is as we end the week and head to the weekend for the first spot of september, it looks like things will warm up. mostly dry with spells of sunshine and the best across the south and east or cloud across the north and west. high pressure will be the dominating factor, bringing settled weather. this weather front will encroach into the south—western could bring more cloud rain to cornwall and devon and cloud and showers in the channel could move further north into kent and south—east england. for mose, dry and largely clea

they‘re not even post— photo cgi artists.what they do is use two neural networks — one to create random images and one to curate them. you can think of the discriminator as a face expert. so then the generator tries again, gets rejected again. at 330, well, you don't see features yet, but i see faces. and 4000 tries later, a generator who has never seen a face before is pulling out features with faces. and these people don't exist. they're totally imagined. i'm going to let you guys decide for yourself if we're living in a world where machines now have an imagination. mario klingemann coined the term neurographer, and we caught up with him at p3 prize for post—photography, which was presented at the photographers gallery. he's not trying to create accurate human faces, but rather see what surprising and beautiful work can can be produced by ai. one of his neural networks has been trained on 19th—century portraiture, which can then take a video of a real face and create something new from what it sees. i definitely see that ma

it is an interesting place where we are that hollywood cgi has gotten so good at conveying a lot of the sensory aspect of modern combat or combat at any time. i worry that in so doing we can lose an appreciation for this stuff is real. the final thing on this and this an undeintended consequence of saving private ryan and in the post- 9/11 world. there's a sense that every one who serves has an appearance like we see depicted in saving private ryan. i would just say exercise caution when you encounter someone that's going to tell you about all of the action they've seen and all the great deeds they have done. you remember my father telling me the same thing. the ones that talk about it the most are typically the ones that saw the least. i'm extremely proud of our military. recognize that just as we are here with the great heroes who served in the second world war, not everyone, not even a majority, not even close to a majority saw the events that are depicted in these war films. it's true world war ii, korea, vietnam and it is certainly true today for many, many that deploy they are goi

. >> actually what the guys had done to think up that character and then do all the cgi around it wasy really quite accurate. >> reporter: the dream of designing a jet suit is nothing new, but never before has it been so real. how real? you can actually buy this one if you've got a spare $450,000 rattling around in your pocket. that's right. on display right there at the selfridges department store alongside a virtual reality version of how it works. oh, you have got to love heights. at the moment, it's just for fun. i'm not at all sick. but browning says he foresees some practical uses too. >> for niche military applications, it turns out we do have some capability they didn't think was possible. >> reporter: for now the fuel pack limits the suit to only three or four minutes of flight. but as the engines become more efficient, the only direction this jet suit is headed is up. charlie d'agata, cbs news, on. >>> and that's the "overnight news" for this wednesday. for some of you, the news continues. for others, check back with us a little later for the morning news and, of course, cbs

but it is an interesting place where we are that hollywood cinematography, cgi, all of these things have gotten so good at conveying a lot of the sensory aspects of modern combat or combat at any time. i worry that in so doing, we can lose an appreciation for, hey, this stuff is real. the final part, an unintended consequence of "saving private ryan," films like it, and in the post-9/11 world in that there's a sense that everyone that serves has an experience like we see depicted in "saving private ryan." i would say exercise caution when you encounter someone that's going to tell you about all of the action they've seen and all of the great deeds that they have done. i remember my father telling me the same thing. that the ones that talk about it the most are typically the ones that saw the least. and that i'm extremely proud of our military, greatest thing i've ever done in my life is to have served. and i wish i could do it all over again. also recognize that just as we are here with the great heroes that served in the second world war, not everyone, not even a majority, not even clos

. >> reporter: christopher robin is inspired by the classic movie and combining live action with cgi.and follows the adult christopher to find his imagination. after returning to the woods. you and mcgregor and hayley atwell leave the new version is relevant today. >> i always get to where i am going to remember where i have been. >> it is the charm of the books. the what is so simple and quite profound. >> people say nothing is impossible. i do nothing every day. >> they really are a child's perspective. the bear represents that. a childish perspective. it is so wise.>> reporter: the director mike burster limited the use of special effects. >> i would block the scene with a real bear. we would take the bear out and you would have to act with nothing. sometimes, we had multiple bears without the for. >> reporter: when it came to childhood memories, haley cracked yourself up. i think i had pajamas with winnie the pooh on it. in -- [laughter] >> it leads to all sorts of hilarity with his name. [laughter] >> if anyone wants to clap, now is the time to do it.>> reporter: in hollywood, mic

. >> seth: and obviously an mo incrediblet of cgi in this film. >> yes. well, yes.'ittle winnie the pooh who was like a teddy bear. he wasn't a puppet or he wasn't animated in any way. >> seth: because you couldn't w get the renie the pooh. right? he turned down the project. >> he was too -- [ laughter ] yeah. >> seth: yeah. >> he was too expensive. >> seth: yeah, of course. >> i think was the problem. but we had this little teddy eabear and a teddy bear fo of the creatures. and marc forster, our brilliant arector, cast this group of enthusiastic youors. most of them just out of drama school to play each of the creatures. so when we were playing a scene, you know, they would be there wi the teddy bear. they'd move him around and do the voice. and act with us in the scenes. d then improvise. we wanted to go away from the sext and improvise. they would improwith us. and they were brilliant. and i got used to his little stface, because he looked like that. i mean, it was like acting with a little bear, you know. >> seth: yeah. [ laughter ] >> so when i watched the film

christopher robin is inspired by the classic winnie the pooh books combining live-action with a little cgi. the kid friendly story follows an adult christopher who finds his imagination after returning to the woods. both ewan mcgregor and hayley atwell believe this new version is relevant today. >> the charm of the book is all of these wishes that are so simple, yet quite fun in their own way. >> they really are like a child's perspective. winnie the pooh represents that childish perspective of why? >> reporter: the director limited his use of special- effects. >> i took the bear out and then ewing had to act with basically nothing. sometimes he had and i line stick and sometimes we had multiple bears without the for. >> reporter: when it came to their own childhood memories haley cracked herself up. >> i think i probably did have pajamas with who on it. -- with winnie the pooh on it. it is the gift that keeps on giving. >> reporter: in hollywood with fox news. >> that's it for us here at noon. thank you for watching and don't forget our next newscast is the four on two. have a great day.

benoit: this is our cgi digital paper doll.technology is photographing it once, and then we have digitized model library. eurel: we have the flexibility in terms of, "is this top gonna sell better with a different pair of pants?" lemonis: you can do this image in the midwest, and down in south florida, you may change it to shorts. robbie: you want to do it first? go ahead. julie: this is your job. you go for it. robbie: that's it? lemonis: that's it. robbie: that is amazing. lemonis: also, we're going to a professional design and embroidery house to take the burden off of julie and robbie. juan: we've got any clothing, and then we embroider. lemonis: so, how much does a hat cost? $5? and what are you gonna sell that hat that's embroidered? julie: $18. lemonis: so, what is the margin? robbie: 19% to 73%. julie: okay, that's good. lemonis: zero to hero. do you want to grab some of these orders and pictures that you have? julie: yeah. lemonis: and i also want to check in with julie to see what she's been buying since our l.a. trip

and cgi, right? the winnie the pooh characters? >> there are different stages of it. you start off with the stuffed animal looks very similar to what you see in the animated version at the end and finished product. but you're filming a scene with the stuffed animals in front of you but it's voiced by actors who are off screen. so you're listening to what they're saying but you're reacting to this inanimate object. and then you finish the scene and then they do the visual effects pass and the visual effects team bring in the gray clod of material that is limbless and headless and hairless, which is suddenly you're in a guillermo del toro version of the film. it's like a horror film all of a sudden. and then you have to repeat the scene to this. and then the next bit is like a rod with a light on it, which is meant to be the character. and eventually it's just down to nothing. it's a disintegration of pooh. [ laughter ] it's so hard to talk about. it's a disney film, people. >> jimmy: this could be the

. >> seth: because that's not cgi. you were on a real island. >> no, i know.ke you're there. >> seth: yeah. >> i mean, i've watched it twice. i feel like i'm brought back. >> seth: it really is -- i didn't know what abba music looked like, but it is that. >> yeah! >> seth: yeah. >> yes, it's candy. [ laughter ] >> seth: it's, like, that's what i thought the whole time. >> yes. >> seth: and i didn't know until you showed it. >> i know. >> seth: it was like, "yes." it was that boat. >> it's like a drug. [ laughter ] >> seth: yeah. >> yeah. >> seth: i want to ask more about the movie but i also want -- because we have a very similar situation. >> yeah. >> seth: you have a dog you love to death. >> i do. >> seth: who's a bit of an instagram celebrity. this is your dog, finn. right? >> yep. >> seth: there she is. >> he-he-he-he. >> seth: he-he-he-he. [ audience aws ] >> he-he. >> seth: and finn, it's a boy's name, so i should have known that. and you also have a small child. >> i do. >> seth: about 16 months old, right? >> yep. yeah. >> seth: 8-year-old dog, 16-mon

that is the thesis going into the cgi. and could on its own -- crude on its own drum right now.x.e joe weber and i want to start with you, because we were going to talk about the life of steve mnuchin and how he got to where he is, but now he is the sanction guy. >> we wanted to put him on the cover this week, another compelling cover. the thing i like about this story is it is a little bit of a window into treasury under donald trump. that is the cover line. you are ais that little quieter than donald trump, you have a place, right? but to bring it back to sanctions, this guy knew nothing about international affairs or international trade, china, yet he is now the guy leading all of those efforts. jason: i am so glad you pointed that out, because as he has defined his role, it is very different from previous treasury secretaries, who really focused much more on policy, they talk a lot more about the dollar, a lot more about a strong dollar, as a matter of fact. >> there have been a couple of gaps. jason: and a couple to versions from previous policy. as you say, steve mnuchin h

as he was putting on his suit, there of all people was the lead star ryan reynolds also putting on cgiurprise! "deadpool 2" has earned over $732 million worldwide. yeah. [ applause ] i'm not old enough to see "deadpool 2." i'm not ready. >> what are you saying? >> i'm not old enough. >> are you serious? >> no. >> he's such a good guy. great to see great things happen to good people. >> huge success. >>> finally here's a story about the house of brady. [ applause ] we told you about 'nsync's lance bass' failed attempt to buy, buy, buy the brady bunch house. you've heard about this, right? it turned into a brady mystery when an unnamed corporate buyer outbid him. he was devastated and heartbroken on twitter. now the mystery solved. the winning bidder is, drum roll, please. hgtv. >> wow. >> parent company discovery says they plan to restore the house to its former 1970s glory as only hgtv can. what does bass think? bass tweeted his approval saying how can you be mad at hgtv. >> true. >> my tv is stuck on that channel. >> guilty. >> kudos. i know you're doing the right thing with that hous