>> it is hollywood's fixation they came out of the charlie chaplin view of factory workers.t's not like that anymore. you have to have computer skills. people who give advice to high school kids should say, start educating kids like we used to. neil: even if they found their jobs that don't pay what they used to, in this environment, it will pay you anything you are going to get and you will be grateful for it. >> the government has to understand. [talking over each other] [talking over each other] neil:what about barack obama? >> the government needs to get out of the way. manufacturing is to america what spinach is to popeye. the strength of america is manufactured. neil: you don't think we can have a great country based on service? >> again, you go back to our terminals and electricity has to come through there. where you get do you get that from? a hydroelectric dam words power that is coal-fired. and now now they have all of these restrictions on coal mining and also the hydroelectric and i have talked to the people and they said that they can't find workers that work o

they occasionally make fun of those values to the work of people such as buster keaton and charlie chaplin but this was all done tongue-in-cheek and never meant to totally undermine the system itself. my 1930, the u.s. had 18,000 movie houses, and compared to france's 2400, and britain's 3000. europe simply could not compete with hollywood, and as long as hollywood sold american exceptionalism, europeans wanted to be like mike. or in this case, wanted to be like clark gable. but inflation, communist agitation, ethnic unrest, and most of all the contradictions of versailles soon cause the structure to crumble into the totalitarian moment. spain, of course with its civil war was the first to see the future. the fascist rose to power in italy, then germany, then a samara totalitarian culture in japan where a fascination await anyone who questioned the destiny of japan to all of asia, the remaining democracies in europe lacked the will to stop even the weakest of aggressors. when mussolini successfully crushed ethiopia, and none of the league of nations states oppose them, that's higher -- it

this is charlie chaplin, moms mabley, richard pryor, lucille ball up there.and flip wilsion. bernie mack and nipsey russell look like cousins or brothers. >> jimmy: they kind of have the same face. >> there's only one guy they didn't put up there that -- i want to get a redone and that's you know, the seven words? >> jimmy: the seven words? >> little trivia right there. who did that? >> jimmy: george carlin. >> all right, then. >> jimmy: why isn't he up there? >> because i was trying to get everybody. but george carlin did the seven words and that's really big. >> jimmy: george carlin. >> carlin. yeah. that's what i said. wow, correcting me on national tv. i want to get -- >> jimmy: george curlin? >> yeah. i said garlin. yeah, i think he worked for ringling barnum. >> jimmy: ringling barnum? >> the greatest show on earth. >> jimmy: all right. >> this mic pack is killing me. i feel like a reality tv star you know. mic check on their bra or something, right? that ain't reality. real stars don't do that. steve mcqueen never did that. >> jimmy: no he did not. >>

at them, and he said you guys unless you stop making anti-hitler films, the great dictator -- charlie chaplin's great dictator -- unless you stop making anti-german, anti-hitler, anti-nazi films, you are going to cause the next war. millions of american boys are going to be killed, blood will be spilled, and there will be the worst outbreak of anti-semitism this world has ever seen because everybody is going to blame everybody in this country is going to blame the jews. by 1940 he was a total, absolute pariah. nobody wanted to touch him. if he had wanted, he could have joined the american first community, you know, and signed up with lindbergh with, but he didn't want to do that, because he knew if he did that, there'd be no place in politics for his children ever, ever, ever. so he didn't. he stayed quiet. the miraculous part of the story is the part that i'm not going to be able to tell you, that you're going to have of to read. [laughter] in 1940 he was, the kennedy name was, you know, dirt. it was dirt among the isolationists and the lindbergh people because kennedy didn't come out against

go straight to the media to engage in what we would call populism and also surprise cameo of charlie chaplin who is booted out of the country in 1952 as part of the red scare. nixon wanted to boot him out of the country and is taking his cues from a wild off columnist who is a friend of nixon who enters a little bit. there is obviously another central character, but foil to richard nixon and why eisenhower and that is adlai stevenson who is important because he is the opponent. stevenson becomes throughout the course of the story a day, that is worth some use, egghead, intellectual who is entering politics. that is a noble vision of politics. anyone who hears these words will be surprised by them. in his acceptance speech in 1952 convention he talks to his fellow democrats and says we shouldn't just worry about winning the election, we should worry how it is won. how we can take advantage. how well we can take advantage of the great quadrennial opportunity to debate issues sensibly and soberly. better we lose the election and mislead the people. time to talk sense to the american people. nob

edgar hoover, they kept a lot of files on people like frank sonata and charlie chaplin, they began keepinglyn monroe in 1955 and continue to do so until just a few months before her death in 1962. some of the files have been released before. they were so heavily redacted that they were impossible to read. well, the ap has fought to get more of the unredacted files released. they showed the fbi focus mostly on marilyn monroe's travels and who she associated with. looking for possible ties to communism. in 1956, the new york daily news got an anonymous call about her then husband on the playwright arthur miller -- saying that arthur miller was part of the communist party and marilyn monroe had also drifted into the communist orbit. it also shows that she visited a well-known communist and mexico. the confusion seem to be that those reviews were very leftist, she was not a communist. investigators and biographers don't believe her death was suicide, they would like to see more of these files released. in his biography, the author raised questions about whether the government could have been i