dizzie gillespie, charlie parker, miles davis. these are the people that were sent here to create this music and keep this music going. privilege.at priv i try to keep it while i am here. that is why i am practicing every day. tavis: you have been doing this for so long now, take me back to the very beginning. how did you settle on the sacks -- sax? >> i was born in harlem, i used to key all kinds of music in 1930. i became an ifici -- aficionado of lewis jordan. he was a rhythm and blues guy, the guy that was sort of an entertainer, would make jokes on the stage. like fats waller in a way. he had a five-piece band. that was really so -- i said, mother, you got to get -- my mother got me a second-hand alto saxophone. once i got that horn, i would go in the bedroom and i would be in there all day. come on, sonny. come out and eat supper. i was in my reverie then. when i was 7 years old or eight years old. i will tell you something, tavis. at that age, i knew that i would be a prominent musicians. tavis: how did you know that? >> i