he just picked it up listening to his dad's albums of duke ellington and charlie parker. just listening to your records -- >> right. >> reporter: and playing along. >> right. >> reporter: they did hire a piano instructor, but he tried to teach joey classical music. it didn't go well. joey wanted to improvise? >> yeah. embellish it. >> reporter: and the classical teacher didn't like it being embellished? >> no, no. >> reporter: what did they tell you? >> he wants to be free. >> reporter: and jazz allows that freedom? >> uh-huh. to express himself. expressing himself on stages across indonesia. videos of him playing went viral and made it to winston marcelis who is managing and artistic director of jazz at lincoln center in new york. he was so impressed by what he heard, he invited joey to perform at their annual gala, their biggest event of the year. and even though it was his new york debut and his first time performing for such a crowd, joey decided to play one of the toughest songs in jazz "round midnight." and when he was done, the orchestra rose, the crowd rose, and j

he just picked it up listening to his dad's albums of duke ellington and charlie parker. just listening to your records -- >> right. >> reporter: they did hire a piano instructor, but he tried to teach joey classical music. it didn't go well. joey wanted to improvise? >> yeah. even just a little bit. >> reporter: and the classical teacher didn't like it being embellished? >> no, no. >> reporter: what did they tell you? >> he wants to be free. >> reporter: and jazz allows that freedom? >> uh-huh. to express himself. >> reporter: joey began expressing himself on stages across indonesia. and made it to winston marcelis in new york. he was so impressed by what he heard, he invited joey to gala. the biggest event of the year. and even though it was his new york debut and his first time performing for such a crowd, joey decided to play one of the toughest songs in jazz "round midnight." and when he was done, the orchestra rose, the crowd rose, and joey, who was 10 at the time, he didn't know what to do. >> don't go, joey. >> reporter: he tried to walk off the stage. >> joey, do

drums we see there and what i think of as african-american culture in terms of billie holiday and charlie parker and didn' t sell washington -- didn' t sell -- denzel washington. how does one understand the other in any significant way? cody: it builds on itself and evolves and adapts. while there are a lot of traditional elements involved in the event, you will also see how they have evolved , how different regions and different cultures interact, how they interchange ideas, ideals, music, storytelling. together. that' s why you do see a disconnect between those traditional african drums and a lot of the african-american s very important to know your roots, to be able to get back to those, to know where you come in your culture. jonathan: i always think of martin luther king iii was the on television. i was so nervous i was shaking. he put his hand on my shoulder on air. i always appreciated that. always good to see you. the museum center celebrate the dream event will be monday in the rotunda. good to talk to you again. our basketball insider is here with an in-depth analysis of the remaining

he just picked it up listening to his dad's albums of duke ellington, charlie parker, and thelonious monk. he was just listening to your records and playing along. >> denny silas: right. right. >> cooper: they did hire a piano instructor, but he tried to teach joey classical music, chopin and tchaikovsky. it didn't go well. why, because joey wanted to improvise? >> denny silas: even just a little bit. >> denny silas: just embellish it. >> cooper: and there... the classical teacher didn't like tchaikovsky being embellished. >> denny silas: no, no. >> cooper: what did that tell you? >> denny silas: he wants to be free. >> cooper: and jazz allows that. jazz allows that freedom. >> denny silas: to express >> cooper: joey began expressing himself on stages across indonesia. videos of him playing went viral, and made it to wynton marsalis, who's managing and artistic director of jazz at lincoln center in new york. he was so impressed by what he heard, he invited joey to perform at their annual gala, their biggest event of the year. and even though it was his new york debut and his first ti

charlie rose: joining me now is david sanger, kathleen parker, doris kearns goodwin. with me in new york is john meacham. this is the last state of the union by president obama. in many ways, a look to the future. jon: i thought it was his case for his presidency. a template for the memoir. from health care to his view of terrorism as an important but not existential threat. and the talk about politics. which is where he began back in 2004. lincoln and roosevelt also had their problems with partisanship. the tone was elegiac but also combative. he goes to that chamber and it brings out something. you can feel some of the ad libs coming up. kathleen parker: i have to say i liked the speech overall. it were a lot of things he left out. but republicans can point those out as we go along. i tend to like the way he went about the speech. i would much prefer a thematic speech and the way he approached these for big questions rather than just a laundry list of this is what we have done. things that tend to make the eyes glaze over. one thing they got very close to that i wis

charlie rose: gun control. it is given him some of the toughest moments of his presidency. he clearly feels so strongly about it. the deaths of young people at newtown had an impact on them. parkerwas talking to valerie jarrett about it. he became tearful about it. he announced his fairly smallish gun control moves. every time that sandy hook comes up, he does that. that emotion is real. he feels that what he is trying to do is the right thing and he will never be able to convince republicans in congress who are the nra for funding. the fact of the matter is that most americans do think there ought to be background checks on loopholesnd whatever exist or be closed. this is not a radical idea. i was talking to some in california who said these laws are identical to what the laws of been in california forever. you can buy a gun in california if you're not a felon. it is a tough situation. i don't know if the second amendment brigades will always be out there. the pro-choice people who will not give one tiny minute of compromise. the gun people are the same. there are other ways to talk about these issues. rose: i have to interrupt you because i had less than two minutes. president

parker is the finance chairman for ben carson's presidential campaign. is stepping down. after falling under scrutiny for his spending and use of campaign funds. campaign finance chairman for carson stepping down. skip to charlie gasparino standing by with a special guest at the debate site. charlie. >> beautiful day for a debate here, connell. and a beautiful day to be with my friend, economic expert steve moore from the heritage foundation. you know, listen. the debate will be about a lot of things tonight. not just going to be about economics but economics will play a major role. a lot of my wall street sources say the turbulence over the past of the weeks is indicative of a recession, not just globally or in china, you follow this stuff all the time, what do you think? >> well, when we had that jobs report that came out last friday, i said on fox business that this is the peek and things are starting to head southward. if you look at all of the indicators since then, what's happened with business investment, what's happening with corporate profits, consumer spending, it's all headed in the negative -- and, by the way, one other quick thing. we've lost what? 1,300 on the dow. that's equivalent to $2 trillio