i thought it looked beautiful, and i thought charlie plummer was fantastic. ofjames dean, so vulnerable, so fragile, but a real sturdiness, and the scenes with just him and the horse, and the scenes with him and steve buscemi, who i know you... they were an absolute highlight of the film. i watched it as someone who knew nothing about horses and you don't really need that. no, you just need to know about loneliness and growing up and i think most people know about at least one if not two of those things. and steve buscemi is great. the movie is kind, nobody is two—dimensional or thrown away. beautiful landscapes as well, if you want that as a bonus. what about anyone who might want to watch a dvd? well, previous palm d'or winner, the square. klaus is the creator of this museum, who seems to be terribly right on, terribly, you know, thinking about equal rights and everything, but actually due to the theft of his mobile phone, he's in torment. it's a very interesting piece. at times it's darkly satirical, there is a scene in it about a piece of performance art

i thought it looked beautiful, i thought it looked beautiful, i thought charlie plummer was fantastics fantastic. so much about him reminded me ofjames dean, so vulnerable, so fragile, but a real sturdiness, and the scenes with just him and the horse, and the scenes with him and steve brucejenny, who i know... they were an absolute highlight of the film —— steve buscemi. i watched highlight of the film —— steve buscemi. iwatched it highlight of the film —— steve buscemi. i watched it with someone he knew nothing about horses and you don't really need that. no, you just need to know about loneliness and growing up and i think most people know about at least one is not two of those things. and steve buscemi is great. the movie is kind, nobody is great. the movie is kind, nobody is two—dimensional or thrown away. beautiful landscapes as well, if you wa nt beautiful landscapes as well, if you want that as a bonus. what about anyone who might want to watch a dvd. well, the previous palm d'or winner, the square. the creator of this museum, who seems to be terribly right on, terribly, you kn

i thought first charlie plummer who is the young kid was — is absolutely brilliant. that telegraphs his emotions. it's not to do with dialogue, it's to do with the way he looks. he has something of the young james dean about him. there's a sort of lilt to his voice. very, very expressive face. i think don't be put off by the title of the film, that is the takeaway from there. and your third film, a beautiful animation for the bank holiday weekend. yeah, mary and the witch's flower, which is this lovely anime from studio ponoc. it's an adaptation of mary stewart's book from ‘71, i think it is, directed by hiromasa yonebayashi whose credits include arrietty and when marnie was there. the story is there is a young girl, she discovers these magical flowers in the woods and she discovers a broomstick which is in the middle of a tree. suddenly, the broomstick whisks her off to this other land, this magical college, endor college, so you can see pre—echoes of harry potter in this. and she thinks she has arrived there completely, um, you know, wrongly. when she comes back to

i thought first charlie plummer who is the young kid was — is absolutely brilliant.se faces that telegraphs his emotions. it's not to do with dialogue, it's to do with the way he looks. he has something of the young james dean about him. there's a sort of lilt to his voice. very, very expressive face. i love the fact that andrew haigh, you know, a british film maker, has gone to america and shot in some desert surroundings but has not been overwhelmed by the scenery. there are moments in it when we are out in the desert but still at the centre of it is charlie. he is in every single frame pretty much of the movie. and the other thing is i like the fact that none of the characters in this film are two—dimensional. some of them, they seem harsh and difficult and violent, but everyone has got, you know, redeeming qualities. and they often play against type. i mean, chloe sevigny turns up at one point and she's a jockey who has fallen off the horse one time too many. and you think "oh, i can see the narrative is going to set her up as a surrogate maternal thing" but it a

it looked beautiful, the charlie plummer performance was great.l sort of sturdiness and central scenes where it is just him and the horse and he is talking him and the horse and he is talking him and the horse and he has like a monologue. i watched that as someone who knows absolutely nothing about horses and what is joins you don't need to know. my day it is not about that. you just eating about loneliness and growing up, and most people know about at least one and not two of those things. what a great turn. even its darker characters, nobody is two—dimensional thrown away. characters, nobody is two-dimensional thrown away. people landscapes as well. that's a beautiful landscapes. my day in the square, this is art world satire, itchy rate of a museum seems to be right on, overthinking about equal rights, but actually due to the theft of his mobile phone his inner torment... it is interesting. sometimes darkly satirical, there is a scene in it about a piece of performance art that is one of the creepiest things i have ever seen, andi creepiest thi

i thought it looked beautiful, and i thought charlie plummer was fantastic.ness, and the scenes with just him and the horse, and the scenes with him and steve buscemi, who i know you... they're a highlight of the film, aren't they? they were an absolute highlight of the film. i watched it as someone who knew nothing about horses and you don't really need that. no, you just need to know about loneliness and growing up and i think most people know about at least one if not two of those things. and steve buscemi is great. the movie is kind, even its darker characters it's kind to, nobody is two—dimensional or thrown away. beautiful landscapes as well, if you want that as a bonus. what about anyone who might want to watch a dvd? previous palme d'or winner, the square. the cannes film festival is on at the moment. you know i don't go. christian is the creator of this museum, who seems to be terribly right on, terribly, you know, thinking about equal rights and everything, but actually due to the theft of his mobile phone, he's in torment. it's a very interesting p

i thought first charlie plummer who is the young kid was — is absolutely brilliant.oks. he has something of the young james dean about him. there's a sort of lilt to his voice. very, very expressive face. i love the fact that andrew haigh, you know, a british film maker, has gone to america and shot in some desert surroundings but has not been overwhelmed by the scenery. there are moments in it when we are out in the desert but still at the centre of it is charlie. he is in every single frame pretty much of the movie. and the other thing is i like the fact that none of the characters in this film are two—dimensional. some of them, they seem harsh and difficult and violent, but everyone has got, you know, redeeming qualities. and they often play against type. i mean, chloe sevigny turns up at one point and she's a jockey who has fallen off the horse one time too many. and you think "oh, i can see the narrative is going to set her up as a surrogate maternal thing" but it absolutely does not. i think it's a really, really terrific movie. it is quite dark in places. it,