well, in which two universes and two multiverses collide or merge into one, why did they even take chipaya, why could this be done, it’s a little like in the series sherlock, sherlock dies and then comes back. let me remind you that this is a podcast of witnesses from einstein, where we, film historians natalya ryabchikova and stanislav didinsky, talk about who and how created and watched classic, famous, little-known, forgotten soviet films. in addition to the people who were involved in feature films, there were people who made newsreels, in fact, who filmed battle front-line cameramen, and then it was collected in film magazines, which were shown before each show, in fact, here is your news, they were definitely in your cinema so. writes one of the contemporary film historians, valery famin, in the very first days of the war, the first thing that went into the furnace were the secret plans that the filmmakers had in case the war started, because that was how it was suddenly, all these plans were no longer possible to implement, it was necessary to come up with completely new ones, and h

there are, as it were, two universes , two multiverses collide or merge into one, why did they take chipayahy could this be done, it’s a little like how in the sherlock series sherlock dies and then returns, i’ll remind you that this is a podcast with lenshtein, where we, film historians, natalya ryabchikova and stanislav didinsky, we talk about who created and watched classic, famous, little-known, forgotten soviet films. in addition to the people who made feature films, there were people who made newsreels, in fact, who were filmed by front-line combat cameramen. and then it was collected into film magazines, which were shown in front of everyone.