as a kid, chopin is, you know, my initial love, and then scriabin is like a... 2.0 chopin. hello. it's technically difficult. it definitely is. it starts so suddenly, and you have to kind of settle into it straight away. it's really like chiaroscuro? kind of like playing with light and shadow. you can...you can do that with sound, and bravo! brava! how do you feel? tired?! tired! um, mm, ithink it's almost too comfortable. show a little bit of that, uh, almost like demented, devilish obsession. bum—bum—bum—bum—bum—bum—bum—bum —bum—bum—bum. much more like the dark side is coming out. what if every note is a crescendo? just... notes get increasingly loud. very... wait, you're too musical, like... i think she wanted me to take more risks and just be even nice! great. this... um, yeah. it's basically, da—da—dee, right? yes. the use of dynamics is so varied and sudden and surprising. very nervous, right? yuja hums along. totally different. maybe more, a little bit more left hand a little too much... pianissimo. yeah. take time. mm—hm. great. he has loads of moments which are very delic