you have 0prah, you have chris pine, who is all over these blockbusters, and you have ava duvernay.lagging, hollywood's going to change course at all, or are we going to be seeing transformers movies until the end of time? i don't think anything in hollywood is ever truly dead. everything comes back to life at some point. we are in a circle now where it might take five years or a decade. i think with spider—man it only took three years. it felt like a long time! yeah. so i think that so long as they're familiar properties and they're familiar to a modern audience, we are still going to keep getting these. i love that basically you are saying the plot of the mummy is a metaphor for hollywood. basically, any property, no matter how dead it may seem, can come back to life at some point. hollywood loves familiarity, no question about it. america in summertime nearly always yields a sleeper hit and this year the one that can claim that title is the big sick. it's the first us romantic comedy to have a muslim—american leading man. it's a film that entertains, as it breaks new ground. i ha

look, here's a coaster of chris evans. [ laughter ] >> seth: that's chris pine. >> chris something, he'sghter ] >> seth: i mean, this is great. i wish i had a safe space. >> seth, you're white. you have a safe space, it's called america. this is where i can say and do things that i can't when white people are around. like this. sometimes instead of ask, i say axe! [ light laughter ] it's fun, try it. >> seth: try what? >> yelling something you wouldn't yell in front of black people. >> seth: oh, i don't know. >> come on. >> seth: okay. i think al sharpton is a bit much! [ laughter ] >> we all do. [ laughter ] seth, what do you think of my safe space? >> seth: well, this is fun. but -- it kind of just feels like chillin' out. >> it is, but for black people it has become very hard to find a place where you can just chill out. every day there's another tragedy, another hate crime. another shooting. another public mispronunciation of a black name. and you need a place where you can come to, to deal with it. >> seth: and you need that at work? >> yeah. the other day i read a headline about a

. >> when you talked about the cast, the cast, okay, amy poehler, chris pine, elizabeth banks, dak shepardion. if you were to go to camp with any cast members who would it be. >> michael ian black. the funniest human on the planet. he literally makes me laugh more than any human and it's really smart humor. and he's just an incredibly sweet, sweet man. >> well, we know it's funny in front of the camera but how about behind the scenes? you have any good backstage funny stories. >> i would watch 13 episodes of the outtakes of the show. that's how hilarious it was. there was a lot of, you know, like bathroom humor, a lot of humping that went on. >> we need a little backstage, you know, after dark series for this. >> exactly. we really do. but it was great. we were doing this huge fight scene at one point and the way david wayne directs, he sort of choreographed the fight scene to a specific track of music so at one point while we're doing this fight scene and it's really intense i'm laying on adam scott and david wayne off the side goes, okay, now dance, dance while you're fighting. so i don'

chris pyne. gal gadot is terrific as diana, charismatic and fierce. she and pine of deadpan wit to their romance. but what really sets this wonder woman apart from other superheroes is the sense of idealism and wonder gal gadot brings to the role. whether her action sequences are set in the trenches of world war iora bomb are set in the trenches of world war i or a bomb factory, they are crisp and lucid, dynamic, such a relief from the dark model of so many superhero movies. why has wonder woman been such a big success, and will it leave a lasting impact on the movie landscape? to find out i sought the opinion of buzz feed film news critic alison willmore. well, it was the first hugely successful female superhero movie. they have been ones in the past, attempts like catwoman and electra. but this was the first one to be an unqualified financial success. it has been proof, if proof is required, that a female lead superhero movie can have mass appeal. many women reported having quite an emotional response when they watched wonder woman. what did the film give them t