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it was she who popularized the famous christian dior new look silhouette among soviet fashionistas.nd curling their hair. like the heroine of the picture, but what do you think, these outfits of a carnival night, after all , the costume designers were inspired by the house of dior, definitely, i don’t remember, i think it was 1956, yes, that is, it’s already almost 10 years has passed since christian duor proposed this wasteful new look with a huge amount of fabric that was spent on a dress after the war, changed the entire female silhouette and even somehow returned it. women wear corsets , which they took off with such difficulty and with such pleasure at the beginning of the century, suddenly again in the fifties everyone is being pulled into a corset, this is a wasp waist, it also came to the soviet union a little later, but this is such an understandable desire of women after the war to look beautiful, feminine, well, this is a very popular silhouette today, i have a dress that i inherited from my grandmother, i even have a photo of her at a reception at the soviet embassy. the

no one would disagree that christian dior is an incredible luxury company. so we indeed had to pull back our presence in the u.s. because the brand was overextended. we reduced about two thirds of our wholesale doors. as i look now, we are two or three years into the exercise, we are in a much stronger place. our brand perception is much stronger. our value perception is much stronger. francine: the elevation journey, this ultra luxury at the time was not necessarily a given. now, when you look at the luxury company, it is clear that if you are in the ultraluxury space, you can increase prices, you have a lot more markets around the world instead of moderate luxury. what made you see that back then? patrice: i think it is back to what this company stood for historically. and already at the time, this phenomenon has been going on for a while, that you see this bifurcation of luxury brands that have pricing power, that consumers see the value, and therefore you have the ability to increase leverage at a retail where others are focused on selling products. not

of course this didn’t exist, but if we go back to lyudmila gurchenko, then this dress in the christian diorll the women around tried to repeat this image, because there are no non-fashion brands, there is a shortage... and the only thing you can look up to is these films that are shown all over the country, in all cinemas, and of course, all the women try after that to repeat the styles of these outfits. but what other iconic things can you remember from the movies that have become popular in modern life, such as natalia varley’s haircut in the caucasian prisoner, when everyone started doing this bob bob. or svetlana svetlichnaya has a white headband, then this robe svetlichnaya has also legendary, it seems to me that with the light hand of the film’s costume designers , the diamond hand, white color began to be associated with some kind of forbidden rich foreign life, some kind of cool and foreign things, and after that we see a lot of places in the movies ... these negative, but very attractive , sexy, beautiful heroines in white, the same thing in the film ivan vasilyevich changes his pr

i play catherine dior, which is christian dior's younger sister [ scattered cheers ] who, at the timee. >> yeah, i mean, a lot of people don't we don't really think of catherine when we think of the history of fashion but she features very heavily in this show and her story is so unbelievable and not many people know about it but she was a massive inspiration to christian, like the first original, like, muse of dior. and part of the -- the french resistance went to - the count spent nine months there, and, you know, returned and lived into her 90s which is like - >> jimmy: is that right? >> yeah, yeah, yeah. >> jimmy: i mean, i don't know any of that. i'm so excited about this, and interested in this >> i really hope that you enjoy it i think that a lot of people are going to learn a lot of things that they didn't know before but it's kind of this backdrop of paris in the 1940s, which is just like -- >> jimmy: and you shot everything in paris, right >> we did. yeah, it was amazing >> jimmy: how was that >> i loved paris, loved being in paris [ cheers and applause >> jimmy: someone sai

not happen, but if we return to lyudmila gurchenko, then this dress is in the new look style, christian dioring in the film ivan vasilyevich changes his profession, there are two heroines, there is the main character, who is always so red and white, and there is the director’s girlfriend, she is generally he wears not just white, but an unheard-of white top with feathers, which you can absolutely easily wear today and no one will notice that these are things from the early seventies. famous of that time collaborated with cinema, there was a fashion house in which these models were generally developed, vyacheslav zaitsev, i think this is the most famous name, of course, there were many fashion designers, many designers, but somehow fashion and cinema were separated at that time, and costume designers. they came either from the theater, or there were production designers and costume designers, on the same carnival night, so interesting, there was a production designer, i think his name was konstantin efimov, he was also a costume designer in the film volga-volga, and in some other films with l

>> there are over 50 designers' works on view, ranging from christian dior to locals. and how many sections are there to explore? there are seven sections to explore in the exhibition. it's both chronological, and i think there will be a surprise for everyone. for everyone. >> be sure to check othis ad? typical. politicians... "he's bad. i'm good." blah, blah. let's shake things up. with katie porter. porter refuses corporate pac money. and leads the fight to ban congressional stock trading. katie porter. taking on big banks to make housing more affordable. and drug company ceos to stop their price gouging. most politicians just fight each other. while katie porter fights for you. for senate - democrat katie porter. i'm katie porter and i approve this message. >>> welcome back. we call this friday adjacent. happy thursday night to you. >> i know. i was saying to you i thought it was friday for a minute today. >> wishful thinking. almost there. >> close enough. right here across the bay area, we are currently dry, but we do have that rain coming in. we've got you all th

and grandchildren will celebrate other round, already three-digit dates, maybe by numbers. as christian diorur love songs? this is the word love, everything that fills you with this word, this is the song association? there is such a song called. there is such a drink there that i walk on a rainy street, there is the smell of rain, the same houses, the same trees, the same people, and i walk along my school road, and i realize that i will never be a child, and then it begins that this smell brought me back... childhood memories and they suddenly came, and i i realize that it’s being repeated there again, but that ’s all, it won’t happen again, it’s already happened, these are mine, and i left my heightened feelings on this street, like a memory from me, then there ’s such a text that only you and i know what the colors of the sky, only you and i know how the sun can warm. this is a novel in a novel, you can call it so to speak, well then i am reality and childhood, all these feelings pass into each other, and the melody i have two children, sidonia and barbary, i played with them, played wit

intelligent family, i love pasternak, there, i love gomelev, i love yesenin, i love. dates, as christian dioratch the eye, you have to be etched in the memory, but vysotsky is etched in the memory of our people absolutely forever. mega, what are your love songs? this is the word love, everything that fills you with this word, this is the song association? there is such a song called. there's such a drink there that i'm walking on a rainy street, there's the smell of rain, the same houses, the same trees, the same people, and i walk my way to school, and i realize that i will never be a child, and then it starts saying that this smell led to me. this is a novel in a novel, you can call it so to speak, this is reality and childhood , all these feelings pass to each other, and the melody, i have two children, sidonia and barbary, i played with them, i played with them in my head subconsciously, i was looking for a melody for this text, i found it, specifically this. მე და შენ ვიცით თუ რაფერი აქვს ცას, მე და შენ ვიც ით, თუ რა თბილია მზე, მიყვარს. ხარმეთქი და ვერ დაგაჭერე, მიყვარხარ მეთქი და ვერ მ

this didn’t happen, but if we go back to lyudmila gurchenko, then this dress in the style of christian diorof forbidden rich foreign life, some cool and foreign things, and after that we see a lot of places in the movies... these negative, but very attractive, sexy, beautiful heroines in white, the same thing in the film ivan vasilyevich changes his profession, there are two heroines, there is the main character, who is always red and white, and there is the director’s girlfriend, she generally wears not just white, but an incredibly white top with feathers, which in general you can easily wear them today and no one will notice that these are things from the early seventies. such soviet fashion, it was always a little late, but still very much, it looks really expensive, beautiful, impressive, yes, which of the other famous designers of that time collaborated with cinema, there was a fashion house in which these models were generally developed, here is vyacheslav zaitsev, i think this is the most famous name, of course, there were many fashion designers, many designers, but somehow fashion

fences, she starred by one of my ex colleagues and for the golden globe she was wearing a 2019 christian diorack, it was literally head to toe lace and it felt quite funeral parlour but very, very elegant but it is notjust about what is happening and what is breaking in terms of styles. it is how we can look back at some of the fashion archives from some of the big brands and pull some of those ideas from the past to the present. you know, ithink ideas from the past to the present. you know, i think what was really interesting with rosamund pike as she apparently had a skiing accident and she styled her look with this really beautiful kind of hat which kind of covered this kind of ski accident but she just looked phenomenal and it very much mirrored her character in saltburn and i think they're going to see a lot of that. lot of characterisation through the clothes, who these ladies have represented on screen actually coming through on the red carpet, too. actually coming through on the red carpet. too-— actually coming through on the red caret, too. ., ~ . . carpet, too. thank you so much. w

how great designers feuded after world war ii, how christian dior changed fashion , why coco chanel consideredries takes place in the forties in post-nazi paris. is trying to return to a peaceful life, the legendary editor-in-chief of the magazine carmel snow, played by glenn close, is looking for someone who will return paris to the status of a fashion capital, and in february 1947 she sees the first collection of forty-two-year-old christian duort, played by him ben mendelsohn utters the phrase with which the next era of fashion will begin: this is a revolution, dear christian, your dress is a completely new look. since then, the dior style. will be called a new look, although, of course, it was not new, but a very well forgotten old one, like crinalin corsets. dior decided to give back to women why they missed wearing military uniforms with wide shoulders and a silhouette that hid the figure. he called his clients princesses and said that his dresses glorified the proportions of the female body. he created a woman a flower with fragile shoulders, thin as a stem, a fluffy skirt that looks li