song to chronos. ., ., ,., , chronos.dies are loaded and _ chronos. i love the game bodies are loaded and listen _ chronos. i love the game bodies are loaded and listen to - chronos. i love the game bodies are loaded and listen to the - are loaded and listen to the music. i would are loaded and listen to the music. iwould be are loaded and listen to the music. i would be sitting with my ear to the spectrum. and the thing was when i came to arrange it, i already knew it inside out because i have known it for a long time. his challenge _ it for a long time. his challenge was - it for a long time. his challenge was not. it for a long time. his| challenge was notjust it for a long time. his challenge was not just to challenge was notjust to transplant the original arrangement to an orchestra, which of course wouldn't sound that great. instead, he expanded it in length and in breadth. even the compositions of modern games like battlefield 2042, have to be interpretations, because these days gaming scores aren't linear. every t

who's now been asked to arrange a new version of the theme tune to this, the 1987 zx spectrum game, chronoso load the game more to listen to the music. i would be sitting with my ear to the spectrum. and the thing was when i came to arrange it, i already knew it inside out, because i have known it for a long time. matt's challenge was notjust to transplant the original arrangement to an orchestra — which, of course, wouldn't sound that great — no, instead, he expanded it in length and in breadth. even the compositions of modern games like battlefield 201i2, have to be interpretations, because these days gaming scores aren't even linear pieces of music — every time you play, the music changes to follow the action. what's important to understand is that composing for a game is such a multifaceted job. you have to compose for when nothing's going on. or when action is happening. you have to account for the fact that the player might do something unpredictable. the amount of music and the amount talent that goes into even a 10—hour game, let alone a 50 or ioo—hour game, it takes an awful lot of

who's now been asked to arrange a new version of the theme tune to this, the 1987 zx spectrum game, chronosed to load the game more to listen to the music. i would be sitting with my ear to the spectrum. and the thing was when i came to arrange it, i already knew it inside out, because i have known it for a long time. matt's challenge was notjust to transplant the original arrangement to an orchestra — which, of course, wouldn't sound that great — no, instead, he expanded it in length and in breadth. even the compositions of modern games like battlefield 2042 have to be interpretations, because these days gaming scores aren't even, linear pieces of music — every time you play, the music changes to follow the action. what's important to understand is that composing for a game is such a multifaceted job. you have to compose for when nothing's going on. or when action is happening. you have to compose for when action is happening. you have to account for the fact that the player might do something unpredictable. the amount of music and the amount of talent that goes into even a 10—hour game, l

operation to detect the detention of arms dealers at the time of the deal, we are talking about the chrono. e, in particular, including in the nikolaev region. uh, small arms, grenade cartridges, tnt fuses. e. tell me, please, how serious is this problem with hmm such caches with arms dealing. still, indeed the situation is not simple enough in region. the situation is simply not easy, and there are a lot of merchants who tried to use this situation to make money on the war, as we say, to whom the war, to whom the mother is dear, and indeed a lot, therefore they are cleaning out all these remnants of weapons. we'll have more. i think not one year, respectively, tells them that this is the question. uh, we are solving it, and law enforcement agencies are working on it today. but there is such a problem, so we confirm uh-huh through sergeevich tell me please, if we talk, here we are now with you are talking about merchants, yes, weapons. ah. drg are known to work. e has been reported more than once that this is a kind of network. that is, this is a kind of agent network from the side of the

every day they open this kind of chrono.s at one time or another. here, uh , mr. gerashchenko told me that there was only one himax missile, uh, 40 units of military equipment in a brilevka. this railway junction was damaged. well, that's it, again, it is clothed in a tenfold volume. there was just for everything sabotage group that blew up. uh, a small charge of tnt. yes, of course, it had the effect of frightening people, and civilians and military facilities suffered the most, so every day. this work is being carried out and i emphasize already by joint efforts. the people themselves are the people of kherson, who used to be afraid. representatives, uh security services of ukraine which declares now they begin to show and give. uh, exactly the information that all these sides are hiding, so the fight is already going on exactly this already the population. this civil resistance is a possible manifestation. uh, counterattacks are a possible manifestation, i emphasize, they are unlikely to be, but even if they are not, it i

who's now been asked to arrange a new version of the theme tune to this, the 1987 zx spectrum game, chronosad the game more to listen to the music. i would be sitting with my ear to the spectrum. and the thing was when i came to arrange it, i already knew it inside out, because i have known it for a long time. matt's challenge was notjust to transplant the original arrangement to an orchestra — which, of course, wouldn't sound that great — no, instead, he expanded it in length and in breadth. even the compositions of modern games like battlefield 2042, have to be interpretations, because these days gaming scores aren't even linear pieces of music — every time you play, the music changes to follow the action. what's important to understand is that composing for a game i is such a multifaceted job. you have to compose - for when nothing's going on. or when action is happening. you have to account for the fact that the player might do - something unpredictable. the amount of music and the amount talent that goes into even a 10—hourl game, let alone a 50 or 100—hour game, it takes an awful lot

the date that -- and it's the date that somebody was actually killed, chrono logically. this was by military service and their rank. why does that matter? what does it mean? well, i'll tell you what it means. it depicts the sacrifice of war regardless of what the war is. wars throughout history, up until now, always fall upon the young men and women of our great nation, the 18, 19, 20-year-olds. they're the ones who do the fighting. and they're the ones who do the dying. so, for example, this is actually a picture of the section after section after section after section, which is just u.s. army private first class, u.s. army pfc's. and it's just thousands, one group, huge sacrifice. huge sacrifice. so i encourage everybody to go out, take a look at this newly improved korean war memorial that was dedicated last week. it was such a moving ceremony, made all the more moving by the beautiful voice of ms. america, emma broyle is, who sang "god bless america" in front of the thousands of veterans who were there, thousands -- americans, koreans. by the way, emma is a constitue

uh, fighting sabotage groups with chronos and stuff like that the specialized group was specifically we eliminated some saboteurs with the limits of our justice. for the sake of people work, it's clear here's viktor zhezevich. when he told us that we should remember platov here too, and absolutely we should. well, that is, and then this is where. and what, what are we here? for you, for example, did they have a more extensive extraterritorial character. uh, we now need to at least revive. uh, or specialize. maybe it's already done by the fsb, it's just not advertised. e department, which is just doing the job. that's it for these e theoretical cells. moreover, the ukrainians voiced, that how many 100 sleeping groups are there we have here, well, yes, they put everyone under attack. eh, ukrainians, maybe good ones, who are located on the territory of the russian federation who came to work and here they lag behind in their heads. he already decipher yours, you understand this, when there is a sabotage war a and when it goes under on the one hand under the control of a certain center.

well, every day is delayed, uh, 2-3 from the chrono, which is in the lead, of course, the danger is decreasingliterally the day before yesterday. but it's true, an armored personnel carrier abandoned during the retreat was found in full. e with full ammunition, that is, his already armed forces. he is like that, but with a bteer it's clear vladimir vasilyevich but, well, i can't help but ask too. uh its the same regularly. you said it yourself, you fired at the antonov bridge three times, the unfortunate man was fired at. and what is the probability that i repeat, god forbid, i don’t want to, so to speak, e scribble some kind of trouble, but nevertheless, and the blood is the probability that you now say so, e fix it, podlotaet ipoxide will harden. everything, uh, that means everything, everything will be ready, and then it will fly again. well, let's be like this, we are in a war zone and a 100% guarantee, even at normal times, as classic does not give. even an insurance policy can fly in, but they work to ensure that there are fewer arrivals of the air defense force, they are, if it’s more d

who's now been asked to arrange a new version of the theme tune to this, the 1987 zx spectrum game, chronos the music changes to follow the action. what's important to understand is that composing for a game is such a multifaceted job. you have to compose for when nothing's going on. you have to compose or when action is happening. you have to account for the fact that the player might do something unpredictable. the amount of music and the amount talent that goes into even a 10—hour game, let alone a 50 or 100—hour game, it takes an awful lot of talent and hard work — not just from composers but everyone who works on game audio — and recognising it is really important. and that recognition is finally coming. next year, the grammys will feature a category for best videogame score soundtrack for the first time. overdue? maybe. it feels like gaming music's really having a moment. lots of fans. really passionate fans. just like a lot of film scores, this is obviously pretty atmospheric. so although it's a perfectly good piece of classical composition, my guess is if you know the game, and what

chrono, the virus has already been developed for a certain ethnic group, because we see that the deathen implicated. as far as it was written that there yes, he was her, so i say, i just sat in the car yesterday, i was glad that finally? i am waiting. this is the month that russia will publish it, because i was sure that they know it. this should have been said a long time ago. yes, once again shows the relationship, it means from the west to the ukrainians. that is, they do not consider people to be. it's purely like that. well, experiment. uh, that's such a guinea -matter expression. it's cheap meat for experiments. you can't say it any other way. i was in i'm shocked that i'm there i was in the lab all day, what thomas says, what our department of defense says, but it's scary things are so scary that it's very hard to believe in them, they seem like it's impossible in today's world. and this, perhaps, will be the reason for the west to shut up and not notice. they will say that this nonsense cannot be believed, because it is too scary too scary, but we must pay tribute to the west i