. >> and you've got musicians like little richard, chuck berry, who are performing alongside -- i don't mean literally, but at the same time as elvis in the mid to late '50s. it's hard to overstate the influence that people like chuck berry and little richard had on white musicianes that you saw tn years later. i know little richard heavily influenced mcjagger. can you talk a little bit about that, the borrowing from black musical style that white americans and white europeans did so well? >> it's one of those stories like everything, it isn't new in the 1950s. but television and this mass cultural -- the culture industries really make it -- expand it, make it more per vativ va -- pervasive and powerful. whites are stealing from black music across this entire two centuries, but what makes it so powerful in the period we're talking about is the increasing availability of the visuals. so elvis presley is famous long before we get to see little richard or chuck berry very much on television. but at the same time we do eventually get to see them on television. and, you know, they bring not

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in space haven't really one of the godfathers of wrong with it all began with beethoven and chuck berry. a. sarah will sort out some giants of rock to see if they learned their licks from thanksgiving including eternity i'm standing right in front of the very famous peppermint studios where inside the scorpions are rehearsing with the scorpions of germany's most successful hard rock band that's sold over 100000000 albums and performed on stage for 50 years and they're known for their timeless reverse. saying we germans in particular are influenced by classical music music it's in our genes stick last week so we've been so shaped by it that it's melody and rhythm have left their mark on us briggs and. you have to find something that sends out a signal well that's a really important point to a comb and then you have to hold on to that tension. infant we sandra meets a rock legend. ian anderson from jethro tull he's a must. on the. beethoven's 5th the opening statement as being typical of the the motif in music not just classical music rock music jazz pop whatever a motif an idea that is t

. >> and you have musicians like chuck berry who are performing alongside -- i don't mean literally,but at the same time as elvis in the mid to late fifties. it's really hard to overstate the influence that people like chuck berry and little richard had on white musicians that you saw ten years later. i know that for instance little richard heavily influenced mick jagger. and their influence goes on and on. can you talk a little bit about that, this borrowing from black musical style. and white americans and white europeans did it so well. >> again, it's one of the stories, it is so is not new in the 19 fifties. but television and this mass cultural industry, they really make it more pervasive, more powerful. as i've said, whites are borrowing from, stealing from black music across this entire two centuries. but what makes it so powerful in the period we are talking about is increasing availability of visuals. elvis pressley is famous long before we get to see little richard or chuck barry very much until vision. but at the same time we do eventually get to see them on television. th

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@timtimjenk [ light laughter ] he says, "run rudolph's hair dye run. [ laughter ] there you go chuck berryis next one -- this is so cool this next one is from actual mark hamill. luke skywalker >> tariq: wow. [ cheers and applause >> jimmy: joker. that guy's -- i love him, man. he's super funny, too, man mark hamill, i love you, man he says, "little drummer boy george." yeah, i would do that. [ laughter ] i would listen to that i would love that, man i'm a big boy george fan, too, man. george, call me. let's talk mark is already playing the game george o'dowd, you can play as well that's his -- that's his real name >> tariq: yeah >> jimmy: yeah your name is, when you're performing is black thought. >> tariq: yeah >> jimmy: but your real name is marvin swenson [ laughter ] >> tariq: why you tellin' everybody my government name [ laughter ] >> jimmy: i think you should stay with your old name, man, marvin swenson >> tariq: nah, no, thanks. >> jimmy: all right. [ laughter ] this one is -- this one is from @mikeishappy he says, "rocking jorts around the christmas tree." oh, that's pretty good

chuck keiffer janda baturney. eric raven, doug clapp, ellen murray, scott nanz, jessica berry, michelle dominiquez, tom riser and dabney habb. committee on banking and housinn cheney, elisha toukoo, jan singleman, phil rudd, laura swan son. from the committee on commerce,science and transportation -- david strickland, melissa portman, david martin, doug anderson, lawrence wildgoose, cara fisher, michael davidson, sean bonne, jared bomberg, john beaser, nikki tushell and chris day. from the committee on homeland security and government affairs -- lena chana anika christianson, alexa norik and david wineberg. from the committee on health, education, labor and pensions -- everyone shatz, john rider, nick bath, car spar marcione, nikki mckinley, kend ra isakson, garrick devaney. from the select committee on intelligence, beth friedman, mike casey. from the committee on foreign relations, andrew keller, richie gill, shella arkin. from the committee on agriculture, and forestry, susan keith, kyle varner, claifer boisner, adam tarr. from the committee on energy and natural resources -- renee black, sam fowler, revon cleva, el