and further these activities should not just be the activities of caring cinematographers even if these are professional associationsbe everything if in one concept that we actually communicate and russia is very good at this , uh, very well copes with it because they adapt very quickly, they understand the value of cinema, they understand the weight, and they have been for many years or decades the image of russian culture of russian cinema was introduced, which did not actually happen in our country, and we still have the same activities of the ukrainian institute, which , well, simply cannot physically be there with a limited number of e-e teams that work with limited i just can't cover it all with meager resources, but it should be just such a strategy of cultural diplomacy that has well-thought-out messages, a well-thought-out system of financing and support. in their language in order to actually convey their messages, what were the reactions and successes, let's say, what were a year ago, they were very often spontaneous, er, these decisions , that is, it was a direct challenge to what is happening, but they