which was produced in shahadai defender of the haram with the help of channel 2, last year's movie , clay roomear's love, dast napida miro , these were all films that were made with help. i had visited gulzar shahada, one of the northwestern cities of the country, and what i saw there was a very clean, stylish, beautifully renovated complex, so to speak, very tidy, but without any the element of identity means that you remember better than me. in the past, golzars of martyrs had an identity. the families of the martyrs, each according to their own taste , had done something about their own martyr's grave, perhaps they had left a photo, some of them had a plaque, a will , a handwritten letter, well, these were lost in an era , that is, under the name of rebuilding and renovating the graves of the martyrs in different cities. it happened, for example, in the holy mashhad in many cities and in this small city that i saw, it was almost like a complex that was built in a modern way, very clean and stylish, but there was no sign of identity elements related to the culture of sacrifice. it is not mar