>> my agent called me and said clint eastwood has made an offer. clint eastwood eastwood? yes. his partner in this western. well, shucks. tell him i'll think about it. i remember there was three men you shot, will, not too. >> i ain't like that no more, ned. i ain't no killing fool. >> clint eastwood and morgan freeman who have been professional killers and are sick of violence, they don't want to do it anymore, but they get dragged back into it. >> i've killed women and children. killed just about everything that walks and crawled at one tomb time or another. and i'm here to kill you little bill. >> clint is maybe the best director i've ever worked with. i love the way he does it. he's quick. he's decisive. beautiful. >> there are directors in this period like michael mann who are the rebels within the staud yo system, the guys who are just doing it differently. >> what am i doing? i'm talking to an empty telephone. >> i don't understand. >> because there was a dead man on the other end of this [ bleep ]. >> he provides us an opportunity to finally see robert de niro and al pa

>> clint eastwood and -- clint eastwood, eastwood? >> tell him i'll think about it.ere ankh of weirdos trying to make a movie easily relatable to me. >> this is the one i'll be remembered for. xxx. ♪ ♪ ♪

clint eastwood eastwood? yes. you'll be his partner in this western.azy killing full. >> clint eastwood and morgan freeman who have been professional killers and are sick of violence and don't want to do it anymore, but they get dragged back into it. >> i killed one of my children. killed just about everything that walks or crawled at one time or another, but i'm here to kill you, bill. >> clint is maybe the best director i've ever worked with. i love the way he does it. he's quick, he's decisive. just beautiful. >> there were directors in this period like michael mann who are the rebels, the guys just doing it differently. >> i don't understand. >> because there was a dead man on the other end of this -- >> he provides us an opportunity to finally see robert de niro and al pacino on-screen together doing a scene together. >> what do you say i buy you a cup of coffee? >> the scene, all three of us, we knew there was a nexus of the whole film. >> i worked all kinds. >> this is one of my favorite scenes between these two guys. they finally come together

. >> think of clint eastwood. >> i actually, dictate some clint eastwood. but also some henry fonda. this guy is the whole deal. >> okay. look, normally, let's say that tim is right. normally, one of the things you would be trying to do is at least set the table for the week , month, two months after. so, if they were thinking in terms of reset and having, you know, more time to go out this in an investigative way, will, does it behoove them to try to identify specific areas that then give them a concrete agenda for a week from now? you know, be it hope hicks? it will still be left with a problem even on a very good day that they have for the last 13 weeks, of not having a live witness in front of the cameras ? >> again, go back to what i said earlier. i think this is a most important objective at the hearing, which is, to explain what mueller didn't finish, to explain what leaves, what questions are still unanswered. to explain what corners he didn't touch. i think particularly around wikileaks and stone and trump junior, and whether there is a kind of coo

. >> stephen: you are also known for your impressions, al pacino, vincent price, clint eastwood. >> reals mason. >> i do do james mason, i did it in my audition. >> stephen: i actually have a james mason. very few people have a james mason. mine is... "we do have fun, don't we though? and i will buy you a new dress and we'll have a party and no more boys." >> yeah, that's the one. ( cheers and applause ) >> stephen: thank you. "i'm going to shoot you, quilty." >> yeah, it's when he's painting her toe nails. >> stephen: no new boys. >> that's so funny. yeah, i did him in my audition. it was him with an expired gift certificate for a dozen donuts. >> stephen: do you mind? >> i would like to buy a dozen donuts with this gift certificate. and i would also like your biggest bottle of-- i'm sorry? i see. ( laughter ) how much are the donuts without the gift certificate? i see. that was it. ( cheers and applause ) >> stephen: levels. >> so many levels of sadness, no acting classes. >> stephen: you are telling me no acting classes. >> no acting classes. >> stephen: we will take a little break, b

>> had i been someone like clint eastwood or burt reynolds, someone who has a charismatic image thathey're in, i resist doing that. i don't want to let an audience know by virtue of the fact that i'm in it, don't worry, i'm going to come out all right. i don't want them to know whether i'm coming out all right. >> you should have known to not draw on me. >> coming out of the world of roger corpsm rog roger coh doctor >> jack nicholson is also not conventionally handsome. but he is sexy. >> there's a little madness there. >> the most beautiful part of the day. >> his craziness is emotional. it's sometimes physical. but it's not like he is such a big guy that we're afraid he is going to hurt someone. >> you want me to hold the chicken, huh? . >> i want you to hold it between your knees. >> his outlets for rage, like in the famous scene in "five easy pieces" makes us love him more. >> seems to think you're an innocent man. >> i've been accused of a lot of things before, mrs. ray, but never that. >> in "chinatown" he is a private investigator. he thinks he knows how the world works. >> h

she is much moreike a young clint eastwood she keeps her own counsel.excited about it.d >> jimmy: is is on cinemax? >> it's on cinemax >> jimmy: and so when you're learning -- 'cause i love this about actors y when're learning to become a thief, do you, like, take lessons? do you know how to pick a lock and stuff? >> i now know how to and it's unfortunately much in easier than you'd th [ laughter ] it was really alarming >> jimmy: really >> yeah, i was like, "uh-oh. " >> jimmy: wow. >> like, i need some new locks on t house >> jimmy: are you a good thief >> well, this is the thing i am a little clumsy and i realized i loud. like, i gesture with my hands a lot. and, you know, thieves have to be very quiet. >> jimmy: yeah >> so there became a theme of, i would get the direction of "that was the thief who was too loud." [ light laughter ] >> jimmy: yeah. yeah >> and basically you'd get caught so, you know, it was that kind of thing like, you know, you're bumping -- >> jimmy: yeah as>> like this is not -- p don't do that. >> jimmy: yeah >> so i had to learn

dramatic because the people around him when they're histrionic his cool ways -- >> i'm going to go clint eastwood. >> also some henry fonda. this guy is the whole deal. normally let's say that tim is right, normally one of the things you'd be trying to do is at least set the table for the week, month, two months that comes after. if they were thinking in terms of reset and having more time to go at this in an investigative way, does it behoove them to try to identify specific areas that give them a concrete agenda for a week from now, be it hope hicks. they'll be still be left with the problem of not having a live witness in front of the cameras. >> i think this is their most important objective at the hearing, which is to explain what mueller didn't finish, to explain what questions are still unanswered, to explain what corners he didn't touch. i think particularly around wikileaks and stone and trump junior and what kind of coordination went on there. i think they have to explain to people why this continues after mueller's testimony. i think that's about, you know, one of the still unanswered

>> had i been someone like clint ea eastwood or burt reynolds, i resist doing that. i'm in it, don't worry, i'm going to come out all right. i don't want them to know whether i'm coming out all right. >> you should have know to not draw on me sf. >> jack nicholson is also not conventionally handsome. but he is sexy. >> there's a little madness there. >> the most beautiful part of the day. >> his craziness is emotional. it's sometimes physical. but it's not like he is such a big guy that we're afraid he is going to hurt someone. >> you want me to hold the chicken. >> between your knees. >> his outlets for rage, like in the famous scene in qui"five ea pieces" makes us love him more. >> i've been accused of a lot of things. never that. >> in "chinatown" he is a private investigator. he thinks he knows how the world works. >> how did you get past the guard? >> to tell you the truth, i lied a little. >> to see someone that wised up having to deal with a lack of wisdom is one of the dynamics that makes it so exciting. you' fellow. >> chinatown is extremely mysterious. >> i