. >> legendary music producer clive davis certainly knew.ed houston and changed her life forever. he packaged and polished the 19-year-old sensation into a pure pop princess. at least on the surface. alexis chu, now executive editor at "in touch weekly," reported on whitney's death for "people" magazine. >> one source who worked with whitney told us that she definitely was not a goody two shoes in any sense of the word. >> houston's bad girl side may have ultimately drawn her to r&b bad boy, bobby brown. >> she was a girl from the streets of newark. and she fell in love with a bad boy with a good voice. so, you know, her fans, yes, very shocked. those who knew her best really weren't surprised. >> houston and brown traded rings in 1992. a personal high matched only by a professional one that very same year. "the bodyguard" grossed more than $400 million and launched the top selling soundtrack of all time. but even as the cross-over superstar commanded millions for movies like "the preacher's wife," she increasingly struggled with her fame. d

and clive davis knows gas i want to be big and i want to be i want to be in a pop music business to so nationalist country and so i can i can get in i can break in so i muscle shoals so. i came to most of shows and opens a studio start built my own studio was my own engineer and started working with sly and sanger songwriters and and produced a couple hit records in one record was was there or is there a muscle shoals sound there is a muscle so sound. it's hard to describe but i will tell you this it's it's it's heavy on the bass heavy on the cape rumble and it's got a lot of. it's about the kind of music what was your big break as a producer you better move on by a black artist by the name of arthur alexander and that in early ninety six sixty five sixty six and their own the the the song was recorded and covered in england. a group called the rolling stones oh and that was the and that was one of their first big hit records number one record for them did you have a problem in the south alabama especially working with black artists no i had no problem whatsoever with working with blac