. >> clive whitney was the only one of his friends brave enough. >> stupid enough. >> to risk going downagne hill in the kayak. >> the rest got it on their phones and laughed and clapped and cheered. >> champagne is so named because its position to bring you champagne in the hospital. >> let's go! >> here we go. let's see how snow kayaking goes. paddle, paddle, paddle. remember, there are no brakes. gearing left, gearing left. veering strong left. >> tuck and roll. >> back in the channel here. >> go, guys! thankfully, that wasn't clive's head that went tumbling down the hill. it was the camera. >> stands in astonishment. >> he did survive. the kayak kept going out over the frozen lake. >> i'm good! i'm still alive. >> thumbs up, he says, only some minor scrapes and bruises. >> over the last year jessica has brought in all kinds of amazing creations, but as we finally approach the magical moment we can say good-bye to 2016 -- she may have just saved the best for last. once she's done doing a bit of dancing -- >> happy fun new year, everybody. >> just watch. >> we're going to make some whi

what is strange is that clive davis at the record company sought it was for whitney houston. met, was an incredible gentlemen, a visionary and he immediately said i love whitney but i would prefer to do it with aretha franklin if you would not mind. they we re franklin if you would not mind. they were quite surprised but when you had the two voices playing together, it was a logical blend and i could not have wished for more for that song. the song is as good as a singer, as they say. it was a different career move? it really was. apart from everything, in england, radio one and top of the p°p5 england, radio one and top of the pops was the biggest thing so we had a complete spectrum of music available but in america it was a very much rock radio, black radio, and with that one song not only did george break his pop career crossing over to our n.b., i think even won a grammyfor over to our n.b., i think even won a grammy for that. —— rhythm and blues. it was about a year after he recorded it that it was released and within that year i met him at a club in london. i told him w

clive davis at the record company headed immediately as a j, but strangely he thought it was for whitneyrge who i later met, was an incredible visionary and a great gentleman, he said i love whitney but i would prefer to do with aretha franklin, if you did not mind. they we re franklin, if you did not mind. they were quite surprised by that, but when you heard the two voices blending together, it was a com pletely blending together, it was a completely magical blend and i could not have wished for more for that son. this song is as good as the singer, they say. it was a different career move for george michael, that kind ofj. it was, -- that kind of do it. radioi kind ofj. it was, -- that kind of do it. radio i was was the biggest thing, top of the pops and radio i, so we thing, top of the pops and radio i, so we always had a complete spectrum of music available to us at the time, but in america it was very much rock radio, or black radio, or this kind of radio. with that one song, george not only broke his pop career in america, but he crossed over to the r&b and i think he won a grammy