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filmmakers cloues lushly and vic to argue long had been shooting a documentary on the world famous landmark just weeks before the fire. the day after the fire we realized that our images are of extremely great value that we captured a moment to history that will be able to pass on to the public whether european
filmmakers cloues lushly and vic to argue long had been shooting a documentary on the world famous landmark just weeks before the fire. the day after the fire we realized that our images are of extremely great value that we captured a moment to history that will be able to pass on to the public whether european
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filmmakers cloues or slate and victor argue long had been shooting a documentary on the world famous landmark just weeks before the fire. almost hit the day after the fire we realized that our images are of extremely great value that we captured a moment in notre dame's history that we'll be able to pass on to the public whether european american asian or parisian everyone who ever visited has a special memory of not what. they combined footage from before the inferno with newly shot material to make a 2nd documentary titled rebuilding notre dame. their images of the current cathedrals interior of the only ones of their kind. else's money these images are even special because they were shot from virtual reality that is in $360.00 degrees with very high resolution and imagery means that produces one image for the left eye and one for the right which gives you the illusion of depth as if you were actually there. with a vi headset people can immerse themselves in the world of notre dame for 16 minutes motion sensors allow them to move through and explore the structure independently. suc
filmmakers cloues or slate and victor argue long had been shooting a documentary on the world famous landmark just weeks before the fire. almost hit the day after the fire we realized that our images are of extremely great value that we captured a moment in notre dame's history that we'll be able to pass on to the public whether european american asian or parisian everyone who ever visited has a special memory of not what. they combined footage from before the inferno with newly shot material...
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filmmakers cloues or slate and victor argue long had been shooting a documentary on the world famous landmark just weeks before the fire. it almost hit the day after the fire we realized that our images are extremely great value that we captured a moment on notre dame's history that we'll be able to pass on to the public whether european american asian or parisian everyone who ever visited has a special memory of not what. they combined footage from before the inferno with nearly shot material to make a 2nd documentary titled rebuilding. their images of the current cathedrals interior of the only ones of their kind. else's money these images are even special because they were shot from virtual reality that is in 360 degrees with very high resolution and didn't really mean that produces one image for the left eye and one for the right which gives you the illusion of depth as if you were actually there. with a vi headset people can immerse themselves in the world of not sure dumb for 16 minutes motion sensors allow them to move through and explore the structure independently. such an e
filmmakers cloues or slate and victor argue long had been shooting a documentary on the world famous landmark just weeks before the fire. it almost hit the day after the fire we realized that our images are extremely great value that we captured a moment on notre dame's history that we'll be able to pass on to the public whether european american asian or parisian everyone who ever visited has a special memory of not what. they combined footage from before the inferno with nearly shot material...