also comrade shpag, sergei gazarov is also on his nerves. golden almost 90 years ago, right at the general run here in the theater of satire, censorship banned this play by bulgakov and now justice do you want us to go back in time right now , but do you want to see ancient moscow? i also had one of these, i made wings, i put it on a keg of gunpowder , the most important thing is that i wanted to create my own, i loved cherkassov, i watched ivan the terrible cherkassov several times, because he has all these big poses, they. they are very beneficial for the theater, that’s what the life-giving cross does, if gaidai transferred the action of the play to his seventies, then gazarov left everything like bulgakov’s, the thirties communal apartment, zinaida mikhalovna, actress nemovo cinema, and every gesture is broad, and i fell in love with another, colossal work, so many films have been reviewed, silent films, so many paintings have been revised, all sorts of ancient greek poses , we worked so much... on the poses of the actresses of that time, this is a woman, an actress who always plays, she just always transforms from one image to another, this, this is a film director, and he,