string and this one conservatory of music is the largest conservatory of music in china with more than seventeen thousand students should. let the music continue to reverberate it doesn't stop. making. this part is certain very very interesting. master class you wish to master class in strangely something i don't like doing because the students are already very tense and you have to tell them what they did wrong in front of a few hundred people it gets to the point that they don't know any more what they have done wrong and are like a frightened little birds who sorts hoary. are going faster you going faster please relax let go relax i feel you're trying to get this over with quickly. good news i think bach's music is very important for young people his balance the feeling of elegance there's no melodrama or histrionics his exact science of melody and the firm handling of style his interpretation of emotions and the way he expresses them is actually a chinese approach he controls it it's not a reckless and unbridled performance. which he damages. the people who play by well have a good

and this one conservatory of music is the largest conservatory of music in china with more than seventeen thousand students shish. let the music continue to reverberate it doesn't stop. making. this part the certain very very interesting. master class you wish to master class in strangely something i don't like doing because the students are already very tense and you have to tell them what they did wrong in front of a few hundred people it gets to the point that they don't know any more what they have done wrong and are like a frightened little birds who sorts hoary. are going faster you going faster please relax let girls relax so i feel you're trying to get this over with quickly. put in years i think bach's music is very important for young people his balance the feeling of elegance there's no melodrama or histrionics his exact science of melody and the firm handling of style his interpretation of emotions and the way he expresses them is actually a chinese approach he controls it it's not a reckless and unbridled performance. is pretty damaging. to people who played well have a good

and this one conservatory of music is the largest conservatory of music in china with more than seventeen thousand students shish. let the music continue to reverberate it doesn't stop. making. this part is certain very very interesting. master class you was a master class in strangely something i don't like doing because the students are already very tense and you have to tell them what they did wrong in front of a few hundred people it gets to the point that they don't know any more what they have done wrong and are like a frightened little birds who sorts who are. you going faster you going faster please relax let girls relax i feel you're trying to get this over with quickly. good news i think bach's music is very important for young people his balance the feeling of elegance there's no melodrama or histrionics his exact science of melody and the firm handling of style his interpretation of emotions and the way he expresses them is actually a chinese approach he controls it it's not a reckless and unbridled performance. which he turns additional g. to the people who play bach well hav

been playing since he was 9 years old, and recently was awarded a gold medal by the royal conservatory of musicok prizes in several international competitions, and played in the winner's recital at carnegie hall in new york. welcome to the show, wilson. wilson zhang: thank you. robert: what are you going to play for us? wilson: i will be playing "sweet for solo cello number three" by johann sebastian bach. robert: and why pick that one? wilson: well, it is one of my favorite pieces to play because of its continuous, fast, and generally joyous attitude. robert: well, all right, looking forward to it. wilson zhang, enjoy. ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ robert: thank you very much, that was wonderful. all right, well, thank you, wilson. and you can find out more from about wilson zhang, jeanette arakawa and her book, and memories to light on our website, nbcbayarea.com. and we're also on social media, facebook, and twitter. that's it for our show today. thank you for joining us here on "asian pacific america." we go out with more from wilson zhang, and thanks for watching. wilson? ♪ ♪

of those meetings, 39 of those, as a subset, were with cultural stake holders, sf jazz, conservatory of music. of the 87 community engagement meetings, we had a total of 342 people attend those meetings. does that clear up your question? >> commissioner moore: no. i'm trying to figure out how the numbers layer themselves up from $1,952,000 to $2,180,000. give us an idea in terms of how many years and escalation -- >> oh, not the participation numbers. the dollar amounts. i'm sorry. we didn't understand. i'm happy -- i think that staff can actually explain that. we also could, but i think it's more appropriate that staff does. >> so as part of the in-kind agreement, the requirement is to do two cost estimates. those are both in the packet. it includes hard costs and soft costs, as well as project management costs and takes into account 5% escalation over three years. >> commissioner moore: i am generally in strong support that this is being done seamlessly, with the same kind of attention of actual and public disruption costs building these things together. in many cases, we have finished proj

conservatory it created to lots of stress that was actually absolutely terrible because you'll get absolutely more. the acclaimed pianist and counters to transform china plays to sold out concert halls the music school is no longer a refuge of the counter-revolution and the mastery of an instrument no longer an expression of western world while attitudes on the contrary owning a piano is now seen as a status symbol one that everyone seeks to attain but the dark chapter of the cultural revolution remains largely under wraps in her struggle against forgetting and against the suppression of memories jew shall may keeps bringing attention to the wounds that still afflict chinese society. never. ever. more or. less the you. or are. wishing. you the shit i want to perform. just to let everyone know that this generation still exists. the hardships experienced by my generation are many and not just physically. there was no culture no music and even dictionaries had to be copied by hand which i want to tell everyone my generation didn't just disappear without a trace i want to bring glory to my generation nature. something i felt something special that time i have never felt in a concert hall a hole t