constantine barker's editor and crist of our own as cinematographer. puts the spotlight on people fighting for their survival for children in the slums of beirut like 12 year old zane. it was the moment when you realize that the fiction that we're doing that the reality is surpassing the fiction that we're doing and that made everyone realize how important this fictionalized version that we're creating here is and that these topics do need to be talked about children without a childhood. you would see those goods on the streets everywhere you would see families also between lanes and on the highway you're just just ignore them you just treat them like their moods or. like ghosts that don't exist but they're everywhere. the nonprofessional actors were plucked from the streets and much of the film was shot from them perspective. it was not so much the story but the roar direct and truthful way of telling the story that made the film so exceptional in 2018 it won the jury prize at the cannes film festival and in 2019 it was nominated for an oscar. yeah. i