it's not only her skill that sets copeland apart. missy copeland made history at american ballet theater's first african-american soloist in two decades. >> reporter: a lot of people see you and your success as seeing a chance they can take a chance and follow their dreams. what is it like to be in that position? >> i always say it's a lot of pressure to put on someone to carry an entire race, but it's happened that way for me. and i'm comfortable with that and i feel that it's a part of why i'm here. not just to be a dancer, but to be that person for someone. >> reporter: of the more than 370 dancers at the nation's top ballet company, just 25 are women of color. a fact missy copeland and the american ballet theater are now work to go change. >> the issue is really access. it's about the pipeline. it's identifying really talented kids early and getting them what they need is the key. ♪ >> reporter: when you see her dance in this room and you know a lot of it has come from you. >> so emotional. it feels like change is happening. >> r

tonight a conversation with shemekia copeland. she describes herself as an old soul in a young body. her album remains a chart topper for 10 months. we are glad you joined us. ♪ >> and by contributions to your pbs station from viewers like you. ♪ tavis: shemekia copeland comes by her blues credentials honestly. recordinge honor of back in 2000. her latest cd is called "33 1/ " ." before we close this program, she will be performing a song. good to have you on this program. >> thank you for having me. tavis: it's good to see you. i love the lyrics on this track. you think of certain blues singers. you think of women blues singers, and you think, that no good man did me wrong. he is living -- leaving me. i love that. there is a story. >> i am tired of songs about love. love for me. i want to talk about politics and religion and domestic violence. makes me sick contemporary because it is relevant to the times now. that's what i want to talk about. tavis: how do you do that without being preachy? how do you make it sound good? very go

think it's a case for trimming longs, taking profits, writing calls, doing something. >> carter copeland you have $145 price target on the name. lay out the bull case. >> yeah. i mean, it's obvious the stock has come a long way. obviously, the valuations come up. and while they've had these teethes problems on the 787, they've delivered a lot of earnings and even more importantly, a lot of cash. i think as we look forward, yeah we know the stock's gone a long way. the question is, can it go further? i think the answer is yes. the real case for boeing at this point comes down to the scarcity value of growth. it's hard to find industrial stocks that look like they're going to grow organically at the top line. 10% next year. grow eps sustainably over the next couple of years in the mid teens. at the same time, deliver a lot of free cash flow. it's hard to understate the importance of free cash flow the company will generate. they'll spend billions and billions on share repurchase. they'll talk about that in a couple of weeks. you look at the boeing story and there's more growth, more visibi

join me next time for a conversation with shemekia copeland. that's next time.ll see you then. ♪ >> the california endowment. health happens in neighborhoods. learn more. >> and by contributions to your pbs station from viewers like you. thank you. ♪ thank you. ♪ music ♪) (♪) (♪) daniel mansergh: imagemakers is made possible by a grant from: celebrating the vitality and power of the moving image. and by the: (dog growling) (♪) (growling continues)

but stevens angels' top and the copeland about twenty one renminbi schools can take museum in boston we can arrange for the students and stopped in to the museum free time. in salon visits by students to the palace museum in taipei are accounted as the contestants will cause of any school that speaks to curricular program. the pond when two goals known the early days of museum the mission think the families was even cheaper than it is today . the no one has an idea. cheney on the dining hall we sink into the shooting them and she can now on. sean and gigi you'll build two. to donate to keep on seeing philly soul still build any kind of music on the bill. the boys on when soon be nothing about the objects in the museum today however. he's a young film director and some reputation and taiwan. and he knows them well. fold the palace museum in taipei has worked to promote itself on when to him. one of the people behind the publicity drive. one. i live. ch. you can find the palace museum in taipei advertising music tv animated films documentary films and feet to go. much of the spotless i

last decade the settling of the posts to come to the predominantly white politics professor eric copeland from university of london police that present but the need to study the majority. one of the consequences is that you are getting whites. british people for eating very diverse areas. so it's not because they dislike any one group but they just want to be in a comfortable majority stake to get a situation where my key parts of east london knew him or in parts of south london. i'm. each census there are fewer pure white british than it is possible that there will be areas that have very few to no not know but very few white british people living there. we see the same trend in the united states there are sections of the diverse cities like houston and los angeles with you it there are very few white people living in that. great show. so it's just that inability to attract or retain white british population. some of these areas. maybe not so close to central london. but are not far enough away to be said of leafy and green suits that belt where you might get this effect. it's been a big

happened on copeland street about 1:00. no one was hit but bullet holes were found in two different town homes. two different types of bullet casings were found. >> it was a lot of gunshots. >> reporter: she lives here with her children. her son heard the shots. the circumstances have her worried. >> it's scary for one thing to be happening in broad daylight. it's ridiculous. >> one of the big concerns is that the shots were fired right by the boys and girls club of annapolis. >> for the safety of the kids, we try this make it a better place but i don't know. it's not right at all. >> by yesterday being sunday, okay. boys and girls club wasn't open. more than likely it was somebody out and about on the basketball court. >> this is the same community where two homicides occurred this year. both of them were domestic disputes. >> whatever was going on or whoever it's going on with this needs to stop. come on, now. when are you going to stop it. too much. >> in annapolis, don harrison, abc2 news. >> annapolis police responded

. >> he was born and raised in canterbury england, the son of sonia copeland who ran a language academysout south african ex-patriot writer larry bloom. >> he died when you were four and grew up and when you were a young teenager your mom said, no, i want you to know the truth. >> uh-huh. >> bloom learned his biological father was actually a long time family friend. >> it is like it is right out of shakespeare. >> it does, it does and at the time it was, it was quite surprised but at the same time, my father, colin stone, whom i am very, very close to, has always been a part of my life. i consider myself to have two fathers. >> another issue that bloom has had to confront is his dyslexia. >> i always felt like i probably had to work twice as hard as everyone else to get about the same distance. as a kid at school but i think that that gave me character and taught me a lot about hard work and what it took to get somewhere. >> at 16, he moved to london to study acting and got a few small television and film roles. >> including playing a male prostitute in a film about oscar wilde. >> look

00 p.m., the annual black girls rock awards show airs, where women like venus williams and misty copelandll be celebrated for being positive role models. while we work to applaud those who continue to work to uplift young african-american women, we must remember that this particular struggle continues and it's far from over. at the table, beverly bond, founder of black girls rock. also, daffney brooks, professor of english and african-american studies at princeton university, and joan morgan, cultural critic and author of "when chickenheads come home to roost: my life as a hip hop feminist." thank you all for being here. beverly, tell me about black girls rock. why initiate this program? >> you know, as a hip hop deejay and a woman who has a platform in music and entertainment, i probably was more aware and conscience of a lot of messages that were being directed to women, and particularly to women of color, from people who look like them, that were damaging. and as an adult, certainly, i can navigate my way through, you know, having critical media literacy, i understand how to, you know,