do you remember corrine loomis?. >> april 2002, more than a year after lynsie went missing detectives decided to start over. they brought chris mcamis back to see if his story still held up. >> i really would like to think that lynsie has been like either abducted or something happened to her. i'd really rather -- i'd really rather think that she's with friends or something like that. >> police turned up the heat. >> cut the bull and get down to the nitty-gritty. and strip away the i'd like to think in my polyana mind if i lived any perfect world she'd be someplace. okay? >> it's a possibility she's dead. >> right. >> police thought chris seemed oddly calm talking about a friend who may have been murdered. >> if it turns out somebody killed her, what do you think should happen? >> find them. >> when i find them, then what? >> go to jail. >> how long do you think they should go to jail? >> as long as it takes. >> like what? >> go to jail for a while. >> that's as strong as you could get out of him? >> that's as stron

corrine: hi, i am corinne porter. i am a curator here at the national archives museum. i am going to show you around the exhibition today. before we head into the gallery, i want to talk about this lenticular that is out in the lobby. it has a photograph of the 1913 women's suffrage march, looking up pennsylvania avenue toward the united states capital. it is overlaid with a photograph from the 2017 women's march from pennsylvania avenue as well. and it is a lenticular, which has a special effect. as you walk by, the image changes between the two. we really wanted to have it in the exhibit to help grab the public's attention, and also to signal this is a historic exhibit, but one that continues to have contemporary relevance today. let's head into the gallery, where "rightfully hers" is on display. so, this is a national archives exhibition to celebrate the 100th anniversary of the 19th amendment. but it is more than a 19th amendment exhibition. that is because the 19th amendment, landmark voting right victory that it was for women, did not give all women the right to v

so, my name is corrine porter. i am a curator at the national archives. the exhibition i developed is called "right to be heard: american women and the vote." as the national archives curator, it's my job to develop positions about any facet of american history, government and culture that are records at the national archives which are the permanent records facet of american history, government, that our records at the national archives. it's the permanent records of the federal government. it's a huge bit of history. obviously, a vast archive of material. i'm a generalist in terms, i don't professionalize (inaudible). when i learned of an opportunity to develop our women's suffrage exhibit, as a woman and as someone who has been passionate about the subject, as long as i've been passionate about history which is as long as i can remember, i was really thrilled to have an opportunity to put this together for this anniversary. >> wonderful, thanks corinne. so janice, same questions to you. tell us about your exhibit and a bit of your background. >> sure. t

porter. >> hi, i'm corrine porter. i'm the curator here at the national archives museum. before we head into the gallery, i wanted to talk about this out in the lobby in front of the entrance. it has a photograph of the 1913 woman's suffrage march looking up pennsylvania avenue toward the united states capital. it is overlaid with the photograph from the 2017 women's march from pennsylvania avenue as well. it's an intellect linticular so as you walk by, the image changes between the two. we really wanted to have it in the exhibit to help grab the public's attention and also to signal that this is an historic exhibit, but one that continues to have contemporary relevance today. so, let's head now into the gallery where rightfully hers is on display. so, this is the national archives exhibition to celebrate the 100th anniversary of the 19th amendment, but it is more than the 19th amendment exhibition. that's because the 19th amendment landmark voting rights victory that it was for women did not give all women the right t

but we're now calling up corrine teen used to be called house arrest we know that the human person is not made out to be locked inside of a of any space that's why we put criminals in prison and you know it so this isn't supposed to happen to children it's not supposed to happen to her family this has perhaps caused it all a flare of sorts with in maybe mental issues that were perhaps already present to some degree but weren't as manifest until they were all sort of put in a power keg if you will and and everyone all together for 6 other no options to go any place else can can make it rather emotionally difficult for people are ready mentally vulnerable even before a call with a lot of parents find it very difficult. to discipline their children i think in britain in particular a lot of fathers and mothers or almost scared to draw our own boundaries don't give children guidance and there's as a result of that a lot of adolescent. kind of grew up in a very i'm constrained mariner which means that there when 10 students develop instead of stenches being resolved amicably or peacefully t

porter. >> hi, i'm corrine porter. i'm the curator here at the national archives museum. before we head into the gallery, i wanted

and corrine porter, stand up, is the curator of that exhibit. [ applause ] one of the goals of the exhibit is to recognize both the broad diversity of suffrage activists and the many bases on which american women have been barred from voting. as susan ware does in "why they march" the exhibit looks beyond the familiar names such as susan b. anthony and alice paul and brings activists from a variety of backgrounds showing that the cause of suffrage was advanced by american women across race, ethnicity and class. susan ware, a pioneer in the women's history is the author of numerous books on the 20th century, u.s. history, including american women's history, a very short introduction. still missing, amelia earhart and the search for modern feminism and letter to the world, seven women who shaped the american century. educated at wellesley and harvard, she's taught at new york and harvard where she served as editor of notable american women completing the 20th century. since 2012 she's served as the general editor of the american national biography at the ratcliff institute for advanced study

to tour the exhibit "rightfully hers: american women and the vote" with museum curator corrine porter

it, guys the internet going nuts with that shot of the wedding dress it is relative newcomer emma corrinns. also, gillian anderson will be playing margaret thatcher. that's cool. season four, reminder, marks olivia colman's final season as queen elizabeth. >> next up, is it too early in the morning for bts? of course, it's not. never too early. the k-pop mega group releasing their first ever english language track, called "dynamite. featuring a fun throw-back vibe. a theme reflected in the music video which also dropped overnight. here you go. ♪ ♪ light it up like dynamite >> dynamite. there's bts, guys. what do you think? it's got a good vibe, right? kind of throwback. >> probably number one already >> right oh, when it broke the youtube record, i think -- i forgot the number, but it was 10 million views in 20 minutes. 20 minutes >> what? >> now it's over 50 million. yeah, 10 million views in 20 minutes, which is incredible if you want more bts, tune in on monday because the group is going to be here to talk about "dynamite" and a whole lot more. looking forward to bts on monday here on