and we saw it again this summer when the reeves furniture shop in croydon re-opened in new premises, the walls decked with photos of young people holding up messages of hope. and who put those pictures up? young volunteers from croydon and an 81 year-old man called maurice reeves, who, like three generations before him, ran the shop before handing it over to his son. maurice, your example should inspire a generation. [applause] you see, what maurice has shown -- what our olympians and paralympians have reminded us of -- is that, for most people, success doesn't come easy or quick. that's what our culture of instant celebrity obscures, that real achievement in the real world takes time, effort, perseverance, resilience. the war veteran, a victim of a roadside bomb in afghanistan, competing at the paralympics. the businessman, a victim of an arson attack in south london, serving his customers again. the millions of people up and down the country, who, no matter how heroic or mundane their battles, keep going, keep trying, keep working, whatever life throws at them. these are the qualit

also a girl from another family so they picked three girls and vora buried her face in my jacket in croydon our mom stayed behind so. i took off my coat and covered them that the girls who were older. and i said. why do you need a mother without children and why give me children without their mother. he looked at me and said ok give them their mother. you didn't say mother he said mama i remember it very well such a beautiful work. concerns office resembles a kindergarten while adults are talking to children they're having fun and looking at the singers awards but the biggest reward for years of concern is his god son little yosef. was actually much a life for a life you must do it that's really it i couldn't think of anything else i had no other assumptions really once we were told it was a boy i decided to ask for permission to give him this name. because this name is proud. he would. three days after the siege began special antiterrorist forces brought to the theatre under control before the assault a special sleeping gas was pumped inside the building and then shots followed the hostage