you can't say that's my culture. that's the culture. the culture is wrong. nobody ever said, you know, in the south they keep slaves, that's the culture. the culture was wrong. you got to change the culture. criticizing actions, criticizing ideas, criticizing culture is not racism and they would use that term racism to shut you up. i'm going to stop sucking talk to you but it want to reiterate this again. we we're not good at culture apparently. we have great culture makers. some of the greatest writers alive at this moment are conservatives, tom stoppard in england, we have great, tom wolf just died unfortunately but still, we have great culture makers but we are blacklisted and there is something inherent in the conservative philosophy that keeps us from making culture. if you're going to live in a leftist culture, you owe it to yourself and to your country to tell the truth. that means to pay the price. i made a lot of money in hollywood. i don't make a lot of money in hollywood anymore. i have not lost in minutes of sleep. my wife is never said to me or

and culture. culture is not a race. if you are a black guy in a culture you cannot leave her alone to take care of that baby you are a knucklehead and cannot hide behind the color of your skin. the culture is wrong. they keep slaves. that's the culture. the culture is wrong. criticizing actions and ideas and culture is not racist use that true racism to shut you up. so now i will stop so i can talk to you that i will reiterate we are not good at culture apparently some of the greatest riders alive are conservative i'm sure mccarthy will not come out but i'm sure that he is on his side and fortunately that still that we are blacklisted and the conservative philosophy. so you over to yourself and to your country to tell the truth and that means to pay the price. i don't make a lot of money in hollywood anymore and i haven't lost one and read about it my wife is never said you're not making as much money anymore. why? there are academies with power and within hollywood that they build an empire and those lies are just to t

well that's my culture. you know? the culture's wrong. nobody ever said -- in the south they keep slaves, that's their culture. you know? the culture is wrong. you've got to change the culture. criticizing actions, criticizing ideas, criticizing culture is not racism and they will use that term racism to shut you up. i'm going to stop so i can talk to you but i want to reiterate this again. we're not good at culture apparently. we have some of the greatest writers alive at this moment are conservatives. we have great -- tom wolf just died unfortunately. but still. we have great culture makers. but we are black listed and there's something inherent in the conservative philosophy that keeps us from making culture. so if you're going to live in a leftist culture you owe it to crours and your country to tell the truth. and that means to pay the price. you know, i made a lot and you're not allowed to do of in hollywood. i don't make a lot of money in hollywood any more. i have not lost a minute's sleep about it. i haven't lost a minute's sleep

you can't say that is my culture. the culture is wrong. the culture is wrong. you have to change the altar. criticizing actions, criticizing ideas, criticizing culture is not racism. they will use that term to shut you up. i'm going to stop so i can talk to you. i want to reiterate, we are not that it culture. we have great culture makers. some of the greatest writers alive at this moment are conservatives. we have great. tom wolfe just died unfortunately. we have great culture makers but we are black listed and there is something inherent in the conservative philosophy that keeps us from making culture. if you're going to live in a leftist culture you oh it to yourself and your country to tell the truth. that means to pay the price. i made a lot of money in hollywood. i don't anymore. i have not lost a minute of sleep about it. my life -- my wife has never said you're not making as much money anymore, why? the left has dealt with their academies, with their news organizations, with hollywood, and empire of lies and the only way to live in it empire of lies is

but we are not good at culture. some of the greatestt cultures are conservatives. tom wolfe just died that we are blacklisted sets from sure. you all what you yourself into your country and to pay the price. as you say you not making as much money anymore. to build an empire of lives. then to pay the price. and only the truth will keep you free. this is what you have to do. thank you very much. the 17. [applause] i know that was just my bernie sanders invitation. medically our young people we are reaching the peak of our reproductive drive.e however in the culture of marriage the question that i have is how do you do in our marriage? [applause] >> i have been married 40 years. [applause] that my marriage is a miracle is not like other people's marriages. we had one fight 30 years ago and still chasing that woman around the room. i am crazy about her. i'm serious. if they had a i get a marriage like that? i say marry my wife. [laughter] you are a walking advertisement people sleep with each other right and left a say how do i get that? i'm not making that up. you ca

our culture is it's not about biology it's saying there is something in their culture their culture is less respect of women their culture is more authoritarian their culture is whatever and the thing about arguments on about regarding culture is that sometimes not always but sometimes they are correct there are whereas there is no scientific basis for thinking that there are significant biological differences between people there are good scientific there is a good scientific basis for thinking that there are significant differences between cultures if there are no differences between human cultures you can close the department of anthropology and the history and so forth because you know we're all the same what's the point of studying the culture of somebody else. it doesn't mean that every argument about culture is correct but some of them yes there are differences between cultures and sometimes. they they make it makes good political sense to take these differences into account good political sense but is it the legitimate to say sorry or the wrong kind of culture for us because th

cultural dexterity; i. e., the acceptance of the fact that there are going to be contexts in which whites aren't dominant and gaining comfort with that. that's what demographic change -- that's the promise of demographic change. but, and then i don't want to be too pollyannaish. i'm depressed too -- [laughter] but the caveats to what i said in my opening statement is change, the potential more reaching ar tipping point where you have w a dominant majority h that accepts different and wants to adopt policies to help everyone flourish requires t activism to bring these folks together. >> one thing i was thinking about, you were talking about this idea of cultural dexterity and demographic change, yet there's a term thathe we often hearar and i hear it with some regularity here in mississippi, it is colorblindness. there is this myth of colorblindness. how do we kind of change the myth of colorblindness? b because, as we all know -- everyone says iol don't see col. well, the first thing we notice about someone

is crucial as cultural survivor is. they said we christians cannot look at barely keeping our heads above water. we have to search passionately for the truth, reflect recklessly unreality and in so doing, come to terms with what it means to live as authentic christians in the world. education is the most important means of accomplishing this. he told me that retaining the imagination necessary to search for god is going to be in indispensable elements in the preservation of true freedom. aim christian freedom becomes more more limited. michael is putting his money where his mouth is. he was a founder of a classical christian school called the centro academy. it's becoming known nationally for their pioneering education and teaching the classics to kids, they're bringing in inner-city kids too. these are the kind of platoons that the benedict option says we need. >> i believe professors point is very near to the heart. to cultivate and imagine conservativism. i believe western civilization is number separable from its ju

cultural dexterity i.e. the acceptance of the fact that there are going to be contacts in which whites aren't dominant and gaining comfort with that. that's the promise of demographic change. i don't want to be too pollyanna-ish. but the caveat to what i said in my opening statement is this change, the potential for reaching a tipping point where you have that dominant majority that accepts difference and wants to adopt policies to help everyone flourish requires activism to bring these folks together. >> one thing you were talking about this idea of cultural dexterity and demographic change get there is a term we often hear and i hear it with some regularity here in the city. it is colorblindness. there is this myth of colorblindness. how do we change the myth of colorblindness because as you all know people say i don't see color. the first thing we notice about people is how they are different from us, whether it's color or whatever it is. how do we shift from the myth of colorblindness to embrace that ide

we have cultural dancers, we'll have stormtroopers.o, it's a mix of san francisco culture as well asip so, it's super exciting. robert: i know, and it is very crowded. we don't want to discourage people, we want them--it's all worth the trouble, but they should know logistically what in terms of getting there? get early, things like that. al: yeah, the parade starts at 11. we have an opening ceremonies at 10 o'clock. so yeah, it's very--it's at civic center plaza, so it's very close to public transit. robert: you know, we were talking a little bit earlier, and i mentioned the old and the new, you were mentioning a lot about that kind of thing and getting the community involved and everything. just keeps building though every year, huh? is it--i mean, i think the bay area probably has maybe, if not the largest, the most active filipino-american communitouat'sorrect. yeah, yeah, being in san francisco bay area, there's a lot. now, i guess the filipino community's the largest asian minority in the us. so yeah, so we're very privileged and

was the base to spread arab culture and islam to bla c africa. peope from south africa to study here, and others came from mareb to bring manuscript and books, especially to print them, because africa didn't have printers, so everything was copied by handere. >> reporter: but timbuktu is not safe to return. the only way to get the is to fly with the united nations, roads are too dangerous. this citat night, looks like any normal, city, but if you look right behind me, there is a avy security presence. these soldiers are blue helmets, the u.n. peacekeeping forces and they have been attacked many times before. the soldiers are not the only targets. riccardo maia, the head of the u.n. mission in timbuktu, had his office attacked by gunmen eight mohs ago. a bullet went through here? >> yes it was supposed to go through my head, instead it went through the map. well i wasucky enough to survive that attack, actually i >> reporter: the u.n. has a rare mandate to protect the city's cultural heritage, including the s.nuscri >> they are important because t

see the characters he said their characters just as much as they're mine they're part of our pop culture history and so there's that recognition is there soon as you see that and whether you're dative or you're not this is just me showing a native voice to these characters and i've been honored and lucky enough to be able to work on a lot of the ones that i had loved as a child it's just been fantastic journey for me. any idea when. alien life is you know mark you've made before that was one of my favorite pieces of art that i ever saw like and the way you i ad posted on twitter too but i love the superman the way you do it because to me superman is a native person like in all aspects except skin color so it's like seen that almost made me want to cry cause i'm like oh my god did. you know like i said i be honest i just want to have fun but i also want people to know where i'm come from and i'm proud of where i come from natives we have a rich culture we have much to offer the world in we're just people are just now starting to recognize it and see the tip for that giant iceberg that's j

you have to create that culture. i think it takes time for people to get use to being that open. >> so corporate culture is important to a company's success? >> i would say that's the number one determinant of success. you want to see everyone moving in the right direction. i think everyone wants to feel part of an organization and by being part of an organization, you need to feel involved. to help you create that challenge culture. >> as the ceo, who gives you pushback? >> lots of people. i may be luckier than most. some people may say i'm unlucky us. we have 2020 franchisees around the world. franchisees are keen on giving you pushback. they have their own way of doing things. they are entrepreneurs that signed up for brand so there's a slight contradiction. entrepreneur but you signed up for a brand. they may not agree with what you're doing. a lot of pushback from franchisees. i also have an encouraged pushback from our board.i think many organization have the board and management and they talk about themselves

that's a cultural change, not because they're told that they have to do it. >> the question about cultureersus laws is a question that has also repeatedly been debated on "firing line" over the course of the years. and i want to show you a familiar face making an unfamiliar argument on a previous "firing line." let's take a look. >> what i said is that the women's movement has constantly looked to government, especially to washington and federal government, to provide solutions. all the examples given here had to do with the family leave act, with what washington and the federal government did for childcare. and what i'm saying is that the solutions are not going to be found there. the solutions are going to be found in our neighborhoods, in our communities, when all of us reach out and find ways to solve these major social problems. [ applause ] >> i mean, that's just what you said. you said, "we have to find a way in our communities to solve these problems." and so one of the ways that you're doing this in the culture is, the miss america organization, which you are now the chair of the

one of the houses is dedicated to sorby and culture and traditional stormin costumes. get flung again into this museum we always wear traditional live in our costumes on and consisting of a blue apron and underneath we wear a sky started out one that intuition to hawkeye how you can see money as per. a woman wearing this kind of signals that she's married as a married woman you always win muted colors whether that be blue green or purple what you thought young girls tend to wear bright shades of red might not be also a kind of clowns but without passions and this piece of cloth keeps it all together for the. museum and very interactive this is how laundry was done a hundred years ago. if they really push it hard against the board and i'm getting a good workout here i know. i'm playing. what i wish. and i'll take. the streets mothers who now if the sups of the wind and sunshine can draw everything on a continent. great day forward to. the head of the museum stefan heinz tells me a bit more about tradition and culture in this place but. i mean no my boy. well let's talk

one could say you're an ambassador for modern sorby and culture on the. phone both yes a little bit. of that has to get back to work after all all her dresses are tailor made. by our trip doesn't end here. if you have some time to spare on your visit to this play about you should definitely squeeze then a trip to couple's town only thirty minutes from here they're all you come across a truly lavish destination brandon's castle and that's part designed by prince ham on fun pickler moscow just like myself he too was an avid traveler and his journeys gave him plenty of ideas for a less landscape gardens back home. town looks very kind of a fun pick luckow born in seventy nine eighty five was a travel writer and eccentric. but above all he was a brilliant landscape designer who inspired by english landscape gardens created from its park. principle and visions of virgins park with woods water hills. and pyramids as a reminder of his travels abroad. give resided in those six traffic and lee furnished palace. today visitors can explore the prince's film apollo.

that is in popular culture, right? i looked through the tv listings, it is hard to find a night in tv, you might not be able to, to find a night in popular culture where one of the major shows on networks is not about exactly this. right? is not about secret groups of agents stopping underground groups, 24 agents of shield, angels and demons, x-files comes back, massive the 90s, all of these things, buffy, i was joking, i was watching downton abbey with my wife, and i realized about four episodes in, something was missing, and i said where are the vampires? how is it that we are going to go four episodes of a show, and no one has superpowers? and the kaiser is not a werewolf? how is this a show? this is what we are obsessed by. is percolating through our culture. in ways that americans are prepared to think that there is an occult underground world, and not necessarily werewolves and vampires, but hidden, that other people control.>>> this came up year ago, i try to find things that are more popular, this was so good,

and culture and traditional store be in costumes. you're trying to get into this museum with us which additionally banal costumes consisting of a blue apron and underneath we wear a skirt i started out one that intuition to hawk a how you can see money is. a woman wearing this cut it signals that she's married as a married woman you always wear muted colors whether that be blue green or purple we thought young girls tend to wear bright shades of right my not yet also wear a kind of blouse but without passions and this piece of cloth keeps it all together for the. museum is very interactive this is how laundry was done a hundred years ago. really push it hard against the borg ok i'm getting a good workout here i know. what i wish. and all things. stood some of us who now if this ups of the wind and sunshine can draw everything. they were great that's a date for. the head of the museum staff i'm hines tells me a bit more about tradition and culture in this place but. i mean it's no my boy. that was willing to talk about the source why

and campus culture.s we know, campus, college campuses are incubators for social and cultural change. the presence of the college of the battle flag, kappa alpha, and old south university founded washington college, when lee was president. help launch the flag and popular culture through college campuses. there was little doubt about that. this is auburn in the late 1950s, or in one of their old south events. this is a significant photo. one of my favorites. she's old enough to be my grandmother. is dixie 1951. what is significant about it, is once again, this is like that photograph from cypress gardens. this was something completely unknown before world war ii. but, it was a major change in the use or abuse or misuse of the confederate flag. is also is significant because it appeared in life magazine as part of a large spread about the confederate battle flag, and the so-called flag fad. that would not have been big news if it had been just occurring in the south. it was occurring all over the nation.

and culture and traditional stormin costumes. get found again at this museum which was which additionally when all costumes consisting of a blue apron and underneath we were started out one dot in the ocean to hawk a how you can see money. a woman wearing this color signals that she's married as a married woman you always wear muted colors whether that be blue green or purple when he thought young girls tend to wear bright shades of red why not yet also wear a kind of blouse but without buttons and this piece of cloth keeps it all together to shoot from. the museum is a very interactive this is how laundry was done a hundred years ago. really pushed hard against the boat and i'm getting a good workout here i will. point. out of wish. i don't think. it's a lot of school now if the sub so the wind and sunshine can draw everything. came a great day for. the head of the museum staff and heinz tells me a bit more about tradition and culture in this place but. i mean no my boy. that was willing to talk about the storm so why did they d

foote: so our topic for today is popular culture. we have been talking about the social changes that go on in the 1830's and 1840's in the united states. and what we are going to do today is we are going to look at how popular culture reflects some of the conflicts that go on in american society over these social changes. we are going to be surprised to see that theater and what people read becomes a point of conflict over issues about gentility. last class period, we talked about the spread of gentility through american culture. we need to pause and remind ourselves of what that was. if i say "vernacular gentility," what do i mean by that? >> vernacular gentility is the spread of a more common style of gentility in the american middle class that was originally taken from the aristocratic courts in europe. prof. foote: it is an aristocratic culture that spreads through the american middle classes. what are some of the key elements? >> comfort more so than beauty. britain and europe really focused on beauty and how you appear in publi

this now, culture, a culture based on waste. a culture, a culture based on waste.e that gets read of anything not needed. perhaps gets rid of children because they make noise, or the elderly, and it is only love that can save us elderly, and it is only love that can save us from this throwaway culture, a culture of waste. applause. families everywhere are challenged to keep going, to keep moving forwards even amidst difficulties just as the past generation that. all of us are part ofa generation that. all of us are part of a great chain of families stretching back to the beginning of time. ourfamilies stretching back to the beginning of time. our families at a treasury of living memory, with children who become parents and grandparents. from them we received our identity, values and faith. we see this in the couple married for over 50 years. their marriage is a monument to love and fidelity. their grandchildren keep them young, the house is filled with laughter and happiness, with dancing. it was really nice to see their grandmother teaching her grandchildren to da

do you think most people see this as a cultur program?nge or do most host families see this as a urce of childcare? >> i think the majority of host parents do see it as a cultural exchange. because i really don't think it works if you don't. otherwise, i think both sides will be unhappye because the not professionals. and i've been told by myu pairs that the sponsor agencies play up the fun aspect of it. >> i think ali was very honest. and she was like, "look, working with kids, it's hard." like, it's not the same as babysitting two hours. the fact that you're with the for a whole day, it's really tough. >>eporter: one of the regulations requires employers to adhere to department of labor rules regarding au pair wages. the federal minimum wage is $7.25 an hour. however, sponsor agencies say families are allow to deduct 40% for the food and housing ey provide, meaning marisol's pay works out to $4.35 an hour, or $195.75 a week. that pay rate is at the center of the lawsuit, representing 90,000 current and former au pairs. the suit claims t

indigenous representation in mainstream popular culture relegated to subplots mistakes or shamans making a brief appearance to impart some wisdom indigenous community is often used to represent backwardness and complex histories a rich culture and romanticize but have a look in at studio we have back stories and characters for indigenous and first nation communities all conceived brought to us by indigenous artists and storytellers make up all superhero stories and more are now being written by and for indigenous communities not tone down not furthering stereotypes they are instead building representation have a look at aragon star a kickapoo singer and writer and creator of the super indian comic series this is what you have to say. the reason i created super indian was because i was tired of seeing negative stereotypes about native americans in mainstream comics i wanted to create a character that had native american authenticity and also you know within the artwork and also within the rating as for the future of our indigenous superheroes i predict that there are going to be way more

i think it's a wonderful opportunity for the filipino culture to shine. everybody keeps saying filipino food is the next big thing. i think it's already big, and to have all of us here together, it's just -- it just blows my mind sometimes that there's so many of us bringing -- bringing filipino food to the city finally. >> i'm alex, the owner of the lumpia company. the food that i create is basically the filipino-american experience. i wasn't a chef to start with, but i literally love lumpia, but my food is my favorite foods i like to eat, put into my favorite filipino foods, put together. it's not based off of recipes i learned from my mom. maybe i learned the rolling technique from my mom, but the different things that i put in are just the different things that i like, and i like to think that i have good taste. well, the very first lumpia that i came out with that really build the lumpia -- it wasn't the poerk and shrimp shanghai, but my favorite thing after partying is that bakon cheese burger lumpia. there was a time in our generation where we didn

and different communities indigenous communities that culture the history the spiritual physicians hasmuch better stronger more amazing well magical than any superhero story that i've ever seen or read in the culture what do you need made us and that's what i think you owe me. anything that i've ever seen in d.c. all malvo all and any of those big mainstream ones you have those superheroes already culture who already doing magical things and not even magical things this is what they did and i think that's where we're heading i think we're certain to see that right now i think that if you look back at a lot of the lot of the heroes that we we see that the comic pages today derive from stories greek myths different other mythologies still we're now allowed because of waves things are today we're allowed to share and build off of our own culture and our own mythologies and develop worlds and heroes and villains the way we see and the way that we from the stories that we know and we're just start to see that i you know jeff and i want to bring this in from amanda she's a teacher and she's

culture. and nothing more discoveries from india picked up on our radar. the german indian production paavo is german director marvin lit facts feature film debut. the twenty sixteen release is based on the true story of a young tibetan paavo his tibetans for hero. the. model to see. in stark powerful images the film tells the story of georgie's life. in two thousand and eight years arrested during tibet and protests against chinese rule and endures six months of torture in a chinese prison. and so on feel strong enough. as it sounds like. the sims. was a. magician. the next station of his life is also his last a tibetan exile community in india. his find for tibet's freedom and is in tragedy the award winning film pavo is a powerful story of own land and loss. very hungry god a gigantic skull made from typical indian stainless steel cookware by suborder gupta. the glinting sculpture is the centerpiece of the artist's first solo exhibition in france. i work with a daily man dance and when i was making this particular work nineteen years ago. ninety percent

what the right needs to do is engage in a culture war which is never really a culture war. now, we can and i'm very interested in fostering them because the right needs to tell better stories and being more entertaining and were always talk about narratives. the larger problem that i see in what i'm trying to address with a bipartisan list of novels is the distinction between politics has disappeared. everything is politics and everything is entertainment. so donald trump is politics and entertainment. the nfl is entertainment and politics. i find that to be in an unprecedented situation but it seems to me that it's only novelist who can really give an account of what's going on in the country. beginning with donald trump. the journalistic class has largely failed to explain who this person is and how he could have become president. i'm pretty sure that gabrielle marquez could give us a much more interesting account of how a person of this nature was able to rise to the top of a certain society at a certain time. very excited about the opportunity to publish for the first t

and material cultural life in the late '40s and '50s and beyond. my research in writing this is what happened and why and i'll try to explain briefly. it began happening by the turn of the century. this is an advertisement for the oldsmobile i believe. republished in confederate veteran, trying to show the prowess of a car driving from dearborn, michigan, to daytona beach. we need symbols, how about the confederate and the national flag. a battle flag of some description. that that tells me is by 1900 this flag's -- its means, what i meant to emphasize earlier, i completely ran over my notes here, that one of the principles of my talk to you today is about tracing the pattern of this flag's history. you have to trace its entire history to understand why there are battles over the battle flag today, because the meaning has evolved over time. there's no one meaning replacing another. it's an accretion of new levels of meaning and they're derived from the use. use leads to perception and meaning. you need to look at the way the flag was used and how t

culture.nd our culture as a result group. and some people say even our hearts flourished, because we had things -- our art flourished, because we had things to refine our art. but it was a traditional culture, a native culture. it was only when the americans came in they thought they needed to change our culture. i'm sure others have heard about the assimilation policy, where they wanted to suppress native culture and assimilate us into a the larger society. into the larger society. we wanted the benefits of the larger society, definitely. but i think we wanted the best of both. but they saw value in our culture, our traditional culture, and they wanted our traditional culture to persist. in the initial contact with the americans, they at first acknowledged our traditional laws. for example, if there was a demanded thee payment of some sort of payment, the military would actually pay us. gainedthe united states in strength in terms of numbers of people in southeast alaska, then the decision wa

cultur cultural strategies have the potential to bring neighborhoods together, so i just want to thank everybody that worked on this. this is really good legislation. >> president cohen: thank you. supervisor yee? >> supervisor yee: i was just wondering what impact this legislation would have with existing set asides. i know that prop s had an impact that i was concerned about. i don't know. this was different, but could you explain? >> sure. through the chair, to supervisor -- to supervisor yee, so yes, that is why i had to thank the controller's office and the mayor's budget office because they did figure out a way, they presented the arts coalition different options, and they all had different scenarios. this has a very minuimal one. but essentially the way they were able to build in the extra room to fund new services was by taking what the natural hotel and tax revenues, which was, correct me if i am wrong, about 4.5% each year. so we were able to take that projected growth over time and take that to use it to fund cultural districts. so there is a very minimal impact but it's now

oh yes i think everybody can work together if we have a healthy respect towards each and every culture that it's possible that. it's being done we just need to see more of it so. yeah i agree with that with that like people were thinking that black panther the movie was all they could have before people of africa and the santo are black are people that are black but everybody from a variety of cultures love that movie like i remember seeing it my almost started around dance in the theater so i saw a lot of my own culture in that movie and like the importance of our own stuff and so i believe that level yet any representation for any group that isn't just a default page and is like something that we all love i mean people that just because if it's just one of the time to fly it's what they're not it's open to people who so talented and the few. jeffrey and sun will thank you for being part of the story today thank you thank you will and on you tube in january who says there are so many superheroes in our communities that are on song and comics are how we hope for youth to imagine new he

the second, culture and media.und meople found me through kanye west despite i have been on fox news millions of times. and the third is the education system which has been turned into liberal indoctrination camps and charlie was already fighting that so we linked up. he's not being funny when he said he hired me in five minutes. charlie said, what do you want to do? i said i want to leave the black revolution against the democratic party. he said you are hired. [applause] not bad, the best. it's interesting to hear you say your video when viral in other countries. one thing i've noticed in the last few weeks is the extent to which the ideology of social justice and identity politics really has an international reach. when i watch brazilian news and i hear people speaking in this aim terms a lot of humanities professors in american colleges do. it's an observation more than anything, it's not clear to me how that particular way of inking has spread to the degree that it has. >> it is not organic, it is .uite strate

ask questions that we can ask today because all that can happen in culture. stephanie, wherever you are, she used to say in a chapter that we wrote together in tales of literacy, we are not talking about one being superior to the other, we are talking about the differences and the advantages in different ones and i will quote socrates more or less, one of the things he said that inside an oral culture while he was oppose to rent itchen culture because he felt that our youth would have illusion of knowledge before they ever begun to really delve into it and dialogue was one of the ways. the written words they can't talk back, well, there's extraordinary and wonderful capacities in oral language in the listening brain. i was thinking you. >> going to go into the audio which i have interesting things to say but i won't do that today but it's not that at any point i'm talking about one thing being superior, i'm saying what is it that we have gained, i'm an apologist for the written word. if you -- [laughter] >> it is not that oral language, oh, my goodness, one t

there were also cultural concerns. americans concerned to refugee resettlement architect southeast asian refugees were culturally unassimilable. you see language that ecowas the yellow peril language we saw earlier. opponents of resettlement pretrade southeast asian people as germ ridden people who threatened public health. there is no telling what kind of diseases they will bring in, said vincent davis of niceville. when asked to identify what diseases they might bring, he could not name them. he said, i don't know, but there is bound to be some kind of tropical dreams. hostility to refugees sometimes boiled down to racism. at a high school near niceville. students discussed plans to create a racist group. a variety of reasons why people were concerned about admitting refugees. the funny thing about refugees is that given all of this hostility, it happened. southeast asian refugees were admitted and resettled. as a historian put it, given the intensity of the public opposition, it is a miracle that southeast asian ref

there were also cultural concerns. the refugeepose resettlement argued that southeast asian refugees were .ultural an assimilable here you see the emergence of language that echoes the language we saw earlier in american history. if a trade southeast asian people as people who threat and public health. there is no telling what kind of diseases they will be bringing with them. whatasked, identify diseases exactly they might be bringing, he cannot quite name them. he said, i don't know, but there is bound to be tropical germs floating around. refugees boiled down to simple racism. niceville,ol near students discuss plans to establish a group -- a ku klux klan. residentin many ways, with what we are hearing today. a variety of reasons why people are concerned about admitting refugees. the funny thing about refugees were southeast asian refugees is that because of all of this hostility it actually happened. southeast asian refugees were givened and resettlement the intensity of this public opposition it is a miracle that s

. >> so corporate culture is important to success? - that is the number one determine her you want to see everyone moving in the right direction but i think everybody wants to feel part of an organization and by being part of an organization have to feel involved and the approach that i described in the book helps create that challenge. >> as the ceo who gives you pushback? >> a lot of people mostly i mean you luckier than most but in our business we have 2000 franchisees around the world. they give pushback. they have the old ways of doing things. there is a slight contradiction with entrepreneur that means they may not agree with the brand for what you say so there is a lot of pushback. i also have and encourage pushback from the organization. they talk about themselves separately. i have been extremely fortunate from the time we were private to went public in 2011 that we have a board who takes on a shared mission and realize we need to improve what we are doing and we are willing to listen to what they say to encourage the feedbac

never mind our contemporary, cultural...whatever we are in our confrontations or political climate orssues of stigmatization. all of that is cosmic to them. i just want you to understand. when you have a little girl in minnesota or in maine or in michigan that's being held down by her parents, mainly her mother, aunts, other females, and her clitoris is being cut, i don't think that the first thing that she thinks is, "oh, my goodness, let's wait until there's a better political climate." it's, "let's stop this barbarity." >> there is a case of a doctor who is being prosecuted right now. her name is dr. jumana nagarwala. she's in michigan. >> yeah. >> and potentially 100 young women have been subjected to female genital mutilation here in the united states. >> and she has a degree from johns hopkins and the university of maryland. she's well-educated. i don't know if she's born here, but she is raised here. and so, this whole issue of people are educated. if women are educated and so on and so forth, the practice will go away. no. these things linger. and they go from generation to ge

this was the popular culture with which we all grew up. this is wildly different from what happened before world war ii. it was not just good old boys that used the flag. it was not so good people who have tarnished the reputation of the confederate flag is nobody else has, the ku klux klan. this was at the southern poverty law center in montgomery in the early 1980's. the klan was born immediately after the civil war. it was formed of former confederate veterans in 1866. the confederate flag was not visible the first incarnation of the flag in the 1860's. nor could i find it in the second klan born after "words of nation" --birth of a that thrived into the 1920's. this was the earliest use of the flag i have been able to find, the earliest graphic use. this was a memorial day march in 1939. they were interlopers. ralph mcgill and other editors excoriated them for being involved in march and tarnishing the flag with their presence. 1946, the confederate flag and become part of the ritual of the third klan. you see it with the hangman's noo

collected polluted air at different locations across the city with a butterfly culture. you know their cans for sale in india so they're coming from australia or canada or from getting rich or really expensive so it's just one but if you're buying for. so you know it's a new kind of consumerism which i wanted to talk about. that underscores the tenor of the show facing india is no exhibition of folklore from a multi-ethnic nation it unflinchingly addresses modern realities on the subcontinent. and its viewpoints is exclusively female. vocal lotteries work focuses on environmental concerns the immunity is a sacred river in india severely contaminated by industrial effluents and was sewage. that locals who live along its banks still use its water for bathing cooking and drinking. inner filaments on collateral uses poetic imagery to document this environmental disaster socially engaged in critical arts is at the heart of this exhibition. definitely see about asd i was surprised by the level of social engagement these artists have all collaborated with n.g.o.s they've establ

with today's vote, we are disrupting the current culture of minimizing victims and their cases, a culture of injustice. as a city, we are sending a message that every sexual assault and every sexual harassment survivor deserves respect. the office of sexual harassment and assault response and prevention will address complaints about city department failures, it will promote transparency, and it'll develop policies to improve systemic responses to sexual assault and sexual harassment in san francisco. the creation of this office would not have been possible without the brave survivors that have come forward to share their stories and that have collaborated from day one with my office to prevent more survivors from going through this nightmare. i want to give a very, very special thanks to six women who brought this to my attention, who brainstormed solutions, and then who led the effort to get the word out and fight. one of them is here with us today, jane doe, thank you so much for everything that you've done to fight to make change after experiencing an unimaginable horrific crime. i can

give an example of a culture war going on today. the huge culture war about donald trump. i was asked not long ago whether the trump boom in my experience with the public editor. most presidencies i don't know about donald trump. there is kind of a pattern with every presidency in terms of publishing. what say in the beginning you are publishing the books about the campaign. and what did menstruation is doing. we sell to get that disgruntled former cabinet members. and the other side is more in their sites. and then the last end of the cycle. people are tired. they're just like i can't take anymore. i'm shut down. we wake me up when the next guy or woman is in office. that has been the pattern. clinton books. the appetite never goes away. donald trump however is an exception even to that rule because everything he does and has done from the very beginning has been intensely polarizing. he is a mystery in some way. he is still a mystery. this actually gets me into a subject which i want to raise. it's my interest in fiction. i have started to publish a list of political nov