d. plaster of paris images here. it's been open for over seven years and it's a great place to release your expression develop your style and skills and more importantly your allowance to make mistakes here. risky might be located in the underground space but as you can see the women in this room have created some excellent pieces for many it's the first time. one time it's. three months ago. in my mind right and one thing i want to pay i don't know. why i never tried it before never ever in my life it was my first three months. so this is my first picture. you cannot whatever age you are many well famous museums aim to pay special attention to education of children to say push the museum of fine arts and open the sense of the kids in cheap thousand and six when the museum is founded a century ago its made objective was to educate schoolchildren in students by means of classical centuries old pieces of precise replicas of which became part of the museum's collection to educate new. generations of this is the museum o

d. plaster of paris images here in the us it's been open for over seven years and it's a great place to release your expression develop your style and skills and more importantly your allowance to make. this move might be located in the underground space but as you can see the women in this room have created some excellent pieces for many it's the best time to climb climbing it's. three months ago. in my mind one one thing i want to i don't know. why they haven't tried it before never ever in my life it was my first three months in my life so this is my first picture. you can look at. any well famous museums aim to pay special attention to education of children to say to the museum of fine arts moscow opens its sensor to kids in two thousand and six when the museum was founded a century ago its made objective was to educate schoolchildren in students by means of classical centuries old pieces precise replicas of which became part of the museum's collection to educate new. generations of this is just a museum opens its kids' sense of regular classes a world of lies for children from the

plaster masks, once painted in bright colors. at the center of this mask we have what's called god "d", also known as itzam 'na, which was a principal deity of the maya cosmos. he is coming out of the mouth of a bird which is probably the celestial bird. and as we move into the upper register, we have another complex scene. basically, we have two snakes, and into the mouth of the one that's facing up is descending the representation of keene or the sun. reflecting, i think, also that we are on the west side of the building, and therefore this is the side where the sun descends into darkness at the end of every day. keach: so far, all the imagery uncovered on the building has some kind of religious message. the king is telling his subjects that he has special access to the supernatural world of gods and revered ancestors. archaeologists believe religion and the control of religious symbols was a major source of royal power. but this power lacked coercive force, like the aztecs used, to back it up. maya royal power relied heavily on faith, a faith that needed constant reinforcement. one way in which maya kings reinforced their connect