was the chief architect of the rossiya cinema, and now putin, the fair ones, brought the director danelia to the zalkino theater, built according to the project of his teacher. this is an interesting coincidence. then in the sixty-fourth no one was interested. the audience was literally asharashen, by that extraordinary joyful free, liberated mood, which was transmitted to it through the screen and then this state of mind with nostalgia, i remembered for many, many years, you know, i don’t say so. i do not feel this kind of nostalgia, and this picture went down in history. she absolutely found her place. she has her own niche, and she will always be such a canoe, this is the assessment of the master of soviet cinema and today. and then, leaving the hall, literally all the people sang the just heard song of the metro builder kolka performed by eighteen-year-old nikita mikhalkov. but no one could even imagine. what is the place in our history and in the fate of each hero of the picture will take this film and this song. i sing the taiga in moscow the song i walk in moscow was written in 196

danelia could not stand it, he went to the first deputy chairman gusenoskakov. he didn’t read that script, but directly asked the director, the script is bestfigs word word yes run, do you love me? because in his own way he reflected certain moods of the sixties even before such tightening ideological, which happened in the late sixties. it was a kind of response to the picture of the outpost, ilyich or me 20 years ago , his chekhovites, which was a very difficult fate, and it was such a lightweight version after a tear, a dramatic lightweight version appeared thanks to another person, the director of photography, the director of the picture, vadimusov, his camera seemed to hover over moscow flooded with sun. and i admired it, but if i thought i would load it under the snow. i, of course, this film is about moscow. it is on the fate and moscow is not just a designation there, a city moscow is the capital of the socialist republics all the time. it's just a living soul. this song has a soul and souls - this name moscow has always been a center of attraction for y

but but such a generation is more respectable a-a regrets that there is no ukrainian ryazanov or daneliare very, very frequent but it seems to me that antonio lukich is the person who proved to everyone that there is a director of a good ukrainian comedy. we have him in ukraine . possible market i don't know what is antonio luka's feature or why his previous film and short films received almost unequivocally positive reviews a-a i think it's that he can see something funny next to him and transfer it to the screen and what exactly he's funny because he has the same specific sense of humor yes he's good enough and uh well on the one hand he's not that special yes but on the other hand he's very, very not angry ot what exactly ot you can already characterize some of his style he sees the funny in everything about me it seems that he notices, he walks around with such a little book, sometimes he writes in his diary in his phone, and he notices all his life. and that is probably why it is so relevant and so much that it goes to the cinema now to all viewers, because we see ourselves there, w

a teenager for the film needed a song danelia asked shpalikov to compose it right during the filmingnwriter of the shpaliks would not be invited to the restaurant with everyone and the song was instantly thought up in the world. good. you won’t immediately understand what’s the matter, everything was fine in these thaw years, shpalikov was a successful screenwriter and the poet is married to a beautiful and talented actress and his song is not good in almost all films of that time white black smoke above the chimney. was it debts that kissed you, how gennady shpalikov graduated from the suvorov school, while he was famous for his complete lack of discipline at the time of intense writing of the script, he could leave the apartment in slippers and disappear for 2 days. long live the houses where we are expected today. i'm happy to get ready to hurry up . i take it seriously. songs internationale in 1937 once gennady shpalikov gave his fee to a friend of the writer viktor nekrasov nekrasov was in disgrace since then, film studios stopped accepting shpalikov's script. this train kurgan